A few points to make about the latest batch of stills from the NoDS Editor's Portfolio:
First up things regarding the numbered version I used for #43:
Rather than being blank or having the simple copyright that others have had, note that version has a ton of info -
- exactly the same as the info on the cropped 8X10 set of NoDS Lobby Cards -
- and that's because a lot if not all 52 of the B&W stills shared in the NoDS Editor's Portfolio were also made available to theaters to use as lobby cards. I'm not positive that all 52 were because I've only ever come across 11 of them (#4, #7, #16, #17, #18, #32, #34, #36, #42, #43 & #50), but chances are pretty good that they all were.
Also, the reason why I did a new scan for #43 is because I'd previously shared an entirely different print -
(Click
here for a 700X540 version)
- which was obviously cropped for the Editor's Portfolio and the Lobby Card versions.
And while I definitely do like #45 & #46 (after all, I did have Kate Jackson sign an 11X14 version of #45), there's actually a different still of her that I like better. (But pretty needless to say they didn't consult me when they picked the stills to include in the portfolio.
) I haven't shared that particular still yet, but I'm sure it will show up sooner or later...
And when it comes to #48, the really fascinating thing is that there's also a rarely seen color print of it -
(Click
here for a 1600X2000 version)
- and interestingly enough, it's one of at least two stills that I've come across that have both B&W and color versions (the other being a still related to Scene 85).