Oh, dear, I'm doing a lot of disagreeing today.
When Barnabas heard Angelique's voice, why not open the door and check it out? Yes, Vicki screamed, but there was time.
Before Vicky screamed, I can't remember how long Barnabas stood outside Angelique's door, but it's understandable that he would want to see if he could get a handle on what was going on before opening the door. After Vicky screamed, he had no idea what was happening to her, so he had to rush off.
When the "fire" appeared in Vicki's room and she couldn't smother it (even the ever-present afghan didn't work), she heard Trask shouting and knew he was looking for her. Surely there was another exit from the house-----having lived there she would know of it.
The fire was only burning in her room.
There was indeed another exit from the house, and we saw it when Angelique caught Nathan Forbes setting out to take food to Vicky when she was hiding at Collinwood. But in the case of fire, you take the shortest route out. And the fact that it was only burning in Vicky's room wouldn't mean a thing. Fire can spread very, very fast.
We know Trask was a charlatan
I think not. A charlatan knows he's a fraud. I think Trask believed in what he was doing, even though he wasn't any good at it. I wonder: had he ever had such astonishing success at catching and proving a witch as he did in Collinsport? Or were there witches all across New England giggling at how easily he was pointed towards a substitute?
Her hair and her dress were perfect.
Angelique's hair may have been perfect, but I thought the dress was ugly. It's the one that she's wearing in the portrait that shows up later, and I am currently revising my uncomplimentary thoughts about the painter of the portrait. Now that I've seen and recognized the dress in the flesh - so to speak - I have decided that no painter could have made it look good. There's just no accounting for my taste, I guess.
I'll end this long note with an agreement:
for me the show was at it's most successful when it stuck to understandable emotions no matter how outrageously they ended up being played out.
Yes, when we can relate to the emotions, it always works better. When I broke my foot, I kept expecting everybody on the show to be on crutches like me, or limping at the very least, and it was a great lesson in how much of ourselves we put into the characters.