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Complete This Phrase / Fill In The Blank(s) - 1995-Gerard and Daphne-Summer of '70 / Re: Episode #1094
« on: August 19, 2017, 08:39:50 PM »
Who know which might have been worse?!
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167 INT: GROUND FLOOR, STABLE - NIGHT 167 With carriages and old sleighs in F.G., Todd ENTERS SHOT and comes toward CAMERA INTO CLOSE UP. He looks 167 CONTD CONTD 167 around glassy-eyed. CAMERA SLOWLY TRUCKS back to a MEDIUM SHOT and we SUPER OVER THE PICTURE AN EXTREME CLOSE UP of Carolyn's eyes. Slowly the SOUND OF CAROLYN'S VOICE, ON ECHO, starts to filter in. CAROLYN'S VOICE Come to me, Todd -- come to me -- 168 INT: STABLE STAIRS - NIGHT 168 SHOOTING DOWN STAIRCASE from the second floor. Todd can be seen ENTERING SHOT at the bottom of the stairs. He comes up toward the CAMERA. As he rises into CLOSE UP, we CUT TO: 169 INT: STABLE, SECOND FLOOR - NIGHT 169 CAMERA IS FRAMED ON WIDE ANGLE of massive dark room. Todd appears and rises from the stairs into EXTREME F.G. of SHOT. His back is to CAMERA. |
In EXTREME B.G. of the SHOT some movement can be seen in the shadows as a figure slowly moves into a shaft of moonlight and is silhouetted against a window on the far side of the room. TODD - CLOSE UP He starts moving toward Carolyn. CAMERA HOLDS HIM IN CLOSE UP and TRUCKS IN FRONT OF HIM. CAROLYN - EXTREME CLOSE UP as she continues to draw him to her. SHOT SLOWLY WIDENS as she raises her arms to him. As he ENTERS THE SHOT, CUT TO: CAROLYN - TODD Carolyn in f.g. with Todd advancing toward her. 169 CONTD CONTD 169 CAROLYN - TODD'S POV - HAND HELD CAMERA TRUCKS IN ON HER as she stands there with her arms beckoning until we reach an EXTREME CLOSE UP. Her mouth opens and her fangs can be seen. She zaps him. |
I'll never forget the mention of him typing the entire final chapter of one of his "books" in the back seat of his station wagon in front of the post office... he had to have the packet stamped on that day according to the terms of his contract, I seem to recall...
Todd had escaped notice at the scene of the accident and now he was stumbling through the nearby thicket. He was confused but knew he had a rendezvous to keep with Carolyn. Nothing must interfere with that meeting. "Carolyn!" he cried as he pushed through the woods, a dazed expression on his face. "Carolyn!" Not far away, standing by a window of the Collinwood stable was Carolyn. her pale, phantom face peered out into the night. There was an air of extreme concentration about her. In a thin voice, she chanted, "I am waiting for you, Todd. You will find me. Come to me. Come to me!" |
165 EXT: WOODS - COLLINWOOD - NIGHT 165 CAMERA IS TIGHT on Todd, who is stumbling through the woods. 166 INT: STABLE - COLLINWOOD - NIGHT 166 CAMERA IS TIGHT on Carolyn who is standing by a window, staring into the night drawing him to her. |
The sheriff had come out onto the grounds and was now giving staccato instructions via the radio microphone. Professor Stokes, Jeff and the injured driver, Alex, were standing next to him. Julia, Maggie and the others were in the background. Alex, the driver, was saying, "We looked up. She was there. Just standing there." "That's when you left the road?" the sheriff said. "Yes," the driver told him. The sheriff spoke into the microphone again. "Every building on the property must be searched. We know Todd's on his way to her." Roger joined the group and went to Julia. He glanced down and watched her looking after the injured officer. "Is he going to be all right?" Julia said, "I think so. Someone should look in on Elizabeth." "I already did," Roger assured her. "She's still under sedation." "Just as well," Julia said, turning to give her attention to the injured officer. "That ambulance should be here soon now." |