Continuing with the sequence:
250 BACK TO SCENE
As Julia nods, exchanges a look with the two men. Then, turning back to Daphne:
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And that's where the Sunday's first quote -
Page 112/Scene 250 - Julia: 'That's good, Daphne. You will sleep until I awaken you. But now I want you to think back to the night you were... hurt.'
- comes up, followed by the script continuing with:
251 CLOSE - DAPHNE
As we see an emotion of pain cross her face.
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And that's where Sunday's second quote -
Page 112/Scene 251 - Julia (O.S.) (CONT'D): 'Are you back there, Daphne?'
- comes up, followed by Sunday's third quote -
Page 112/Scene 251 - Daphne: 'Yes...'
- coming up.
And as far as the dialogue goes, when it comes to Julia's lines in Scene 250, they're delivered as "That's good, Daphne. Now, you will sleep until I awaken you" - but there is a pause after that before Julia says "I want you to think back to the night you were hurt" without the "But now" and without the pause that was scripted between "were" and "hurt" - however, the quotes from Scene 251 are delivered as written.
But when it comes to the direction and descriptions, there are several differences in the pilot because at the start of Scene 250 Julia does not actually nod, nor does she exchange a look with Woodard and Patterson because what she actually does is remain fixed on Daphne - and after Julia says that Daphne will remain asleep until Julia awakens her, Julia lowers the crystal into the palm of her left hand and leans closer to Daphne before she says that she wants Daphne to think back to the night she was hurt - and as we can see in both Sunday's second and third captures -
- in the pilot Scene 251 is not shot with Daphne in close-up but from over Julia's shoulder, so Julia wasn't exactly off screen.