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233A
233 CONTD CONTD 233
THEIR P.O.V. - NOTHING
They all look at him as he REACTS. They do not hear
or see it.
ALEX
What do you hear?
And that's when today's quote -Page 108/Scene 233 - Quentin (ignoring him): 'I am not Charles Collins. You do not love me. Let go of me. Your spirit is free to leave this house, never to return here where you have had such unhappiness. You and Charles must go...'
comes up.
DC also added a notation between the words "house" and "never" that the camera would begin a slow zoom to Quentin's close-up.
Continuing along with Scene 233:Continuing along with Scene 233 after Angelique speaks to Quentin (with some of DC's additions added):
Finally, the face starts to fade.
And that's when today's quote -Page 108/Scene 233 - Quentin: 'Join each other in a world where there is no death or hatred. Go with my love. Go forever -- go -- go -- go.'
comes up.
But things are far from over. In fact, they're really just about to begin when the next quote/capture comes up...
Continuing Scene 233:
Just as the mist is about to vanish completely, the
moment is shattered by the SOUND of the Music Room
shutters flying open and the SHRIEK OF CARLOTTA'S
ANGUISHED VOICE.
And that's when today's quote -Page 108/Scene 233 - Carlotta (O.S.): 'No! You must not send her away!'
comes up.
But if the clips we've seen from the seance are any indication, more than likely Carlotta isn't simply heard off screen because the clip of Carlotta screaming "No!" is in at least two of the NoDS trailers.
And Grayson has a note in her script that at this point Carlotta is wild and crazed with the fear of losing Angelique.
families where they could afford color television sets.
I know that it's been said that Hanz Holzer had minimal involvement with the seance sequence. Was he ever on the set? I don't think that I've ever seen any pictures of him there. Nor do I recall any stories from the cast.
I warned you about going out alone at night, even before this vicious animal made its appearance again. Again? asks Barnabas...what do you mean again? I made a most interesting discovery, says Trask, one that I hope will help the police with their capture...he asks Roxanne if she gave the police a complete description of what attacked her? I can't seem to remember, she says. How is that possible? he asks. I can't explain it, she says. You must try, insists Trask. Barnabas harshly tells him there isn't anything to be gained by this questioning. Trask asks him--don't you?--your attitude is remarkably like that of your late father, the original Barnabas Collins. I didn't realize you were old enough at that time to make such an observation, says Barnabas sharply...I was not. It is all here, in this letter, all of it, says Trask, withdrawing a letter from his breast pocket...your father's ridiculing of my father...yes, the most interesting document was written in April, 1797 in this very house, and to my dear mother...yes, it seems that at Collinwood at the time, there were these same mysterious attacks. Roxanne insists one has nothing to do with the other. We shall see, smiles Trask