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Messages - ROBINV

946
Games / Re: The Official List of Annoying Anachronisms
« on: March 24, 2002, 04:12:21 PM »
My 18-year-old son first goes out at 10 PM, and often doesn't come home until one, two or three AM!  I keep telling him he's becoming a vampire, and he calls out, "BARNABAS!", which is his way of teasing me about my DS obsession.  

Blasted kid!  I'm always up worrying about him, and it pisses me off!

As for annoying anachronisms, I know there are many and it's kind of fun to find them.  DS wasn't especially detail oriented, and I'm sure very little historical research was done to ensure accuracy.  Nevertheless, producing such a show every day must have been damn near impossible in the first place, and I give kudos to the cast and crew and even Dan Curtis for producing something awe-inspiring 5 days a week for nearly 5 years.

Love, Robin  

947
Games / Re: Zany Music Box Melodies
« on: March 24, 2002, 04:06:58 PM »
"Or here's one that Barnabas & Angelique could sing together during their fling in Martinique, Im not sure of the name but it's sung by Meatloaf and it goes like this:  Angelique: I gotta know right now!! Will you make me so happy for the rest of my life? Will you take me away, will you make me your wife?!  And Barnabas singing the last verse: So now Im praying for the end of time so I can end my time with you!!"

Ah, yes, "Love By the Dashboard Light," a fine song by Meatloaf that aptly describes the Barnabas-Angelique relationship!  

Or I thought it would be a cool song for David and Hallie, who surely were headed for some kind of hormonally-charged teenage fling sometime down the line!

Robin

948
Current Talk '02 I / Re: Hi Kids!
« on: March 24, 2002, 03:34:51 PM »
Welcome, "son"!  Mama has missed you.  My two cyber-sons are really growing up, aren't you, and so is my real-life son.

Always loved your DS commentary, Jase, and I'm glad your feelings for DS are waxing once more.

Love, Mama RobinV

PS - How are things in college?

949
411 - (Lara Parker) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795.  There, each of the Collins ancestors resembles a present-day member of the Collins family, but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces.  The Collins mausoleum at Eagle Hill Cemetery has been chosen as the final resting place of Barnabas Collins.  On this night, two people have made a secret trip to the mausoleum.  One has come as an unwilling servant, the other is there to ensure her own survival, for she alone knows that Barnabas will soon be one of the living dead.

Ben listens intently at the secret room door, straining to hear what's going on in there. Barnabas awakens to find Angelique about to stake him and grabs her throat. Angelique cowers against the door as Barnabas closes his coffin. What was she doing? Barn demands. Where are they? She tries to get him to return with her to the Old House for explanations (I guess she figured she'd escape), but he continues to stalk her around the coffin, scaring her quite badly. He keeps asking questions, which she refuses to answer--he'll know all soon enough! She says in a trembling voice.  He starts figuring it out for himself, remembering her curse, and the bat--she knew he was going to die and return! She assures him she tried to save him, but it didn't work. Yes, he agrees harshly--she failed to stop him from dying, so instead came to finish him off in a different way. What is she afraid of, what he's become? She's afraid of him, he realizes, so she has no power over him. He demands she tell him everything, and she reveals he's now one of the living dead, who will only live at night and be confined to the coffin during the day. He remembers the other part of the curse, and gleefully says, "Anyone who loved me would die."
She failed to lift the curse, and he knows why she tried to stop him from rising--she knew she was going to be the curse's first victim--unless she lied all those times she told him how much she LOVED him! All her powers of witchcraft can't save her now! he cries. She screams her denial of his accusations, but he strangles her, one-handed, against his coffin, and slowly, eyes staring, wide and dead, she falls to the floor. Barnabas is pleased with his first kill. He looks around himself, recognizes the secret room and opens the panel.  He finds Ben waiting in the mausoleum and tells him he killed Angelique.
Ben is surprised; he thought her indestructible. She was going to kill me, says Barnabas, but she was too late. Ben has a few bad moments as Barnabas mulls over the realization that the convict knows about him, and no one must know he has returned--so Ben must die. Ben swears to keep silent and loyal, as he always has; Barnabas was good to him and he owes him. Barnabas isn't sure, although he knows the human Barnabas would accept. . .Ben reminds him he'll need protection during the daylight hours, and Barnabas finally agrees to let Ben serve him. First thing they must do it get rid of Angelique's body. Ben says he'll bury it deep in the woods.  Barnabas hears someone coming. We see it's Joshua, heading for the tomb. Barnabas immediately returns to the secret room, and Ben, still outside, closes the door behind him. Joshua is furious to find Ben there, and refuses to believe the man was there paying his last respects to Barnabas, saying a prayer.
He's also angry to realize Ben watched the workmen bring the body to this place, but Ben assures him he won't tell anyone. (Joshua is still so cruel to this good man, it's heartbreaking to listen to him threaten to thrash him.) I heard voice, insists Joshua--who was here with you?  No one, Ben says, I was talking to himself-I was alone, I swear! Joshua insists in checking the secret room. Ben tries to stop him, eliciting more wrath from the master of Collinwood. A bat flies out, scaring Joshua; how did that get in there? he asks, unnerved. Joshua checks to make sure the secret room is empty; he orders Ben to close the panel and come with him. Ben asks if he can stay a little while, finish paying his respects to Barnabas, who was so kind to him. Joshua agrees, his hard shell seeming to soften a bit, but tells Ben to report to him in the morning for his new duties and not try to run away again. Ben promises.

After Joshua leaves, Ben enters the secret room and finds Angelique in the coffin, her eyes still open, staring at nothing. Outside the tomb, Barnabas appears before Ben, seemingly out of thin air, and, with combined revulsion and awe, tells him he is learning he has some strange, remarkable powers. Ben tells him he buried Angelique and that Joshua knows nothing. Dawn is coming, says Barnabas, they must go inside the mausoleum. Ben notes with concern that Barnabas' mouth and clothes are stained with blood--is he all right? Yes, I am, says Barnabas sorrowfully, but I attacked some poor villager. He realizes he needs human blood to survive, and painfully says there will be talk of an attack in the village the next day. The marks will make it look like the attack of a wild animal, but I am the guilty one. . .I needed blood!
Ben covers his face, tortured, trying to comprehend. Barnabas miserably wishes he'd let Angelique kill him--he'd rather be dead than go through eternity as what he's become. . .

NOTES:  That is so SAD, so painful to watch!  We care about these characters.  Trying to deal with Joshua's anger, sorrow and cruelty toward Ben, Ben's own horror and sorrow, Barnabas' realization of what he is and what it means to the outside world--great episode, perfect performances, especially from Frid, David and Edmonds.

It rarely gets as good as this on DARK SHADOWS, at least IMHO!


412 - (Alexandra Moltke) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795.  There, each of the Collins ancestors resembles a present-day member of the Collins family, but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces.  She has learned that history is not always written down as it actually happened.  Thus far, two members of the Collins family have died under mysterious circumstances, and soon someone in the great house will attribute one of those deaths to Victoria Winters herself.

At Collinwood, Josette crisply informs Natalie that she's going to the gaol to tell Miss Winters that for not saving Barnabas when she begged her to, she's going to ensure that she is convicted and hanged as a witch.

At the gaol, Peter stays while Josette verbally attacks Vicki, accuseing her of pretending not to know Barnabas is dead--news which genuinely shocks Vicki, who must already be wondering from where the Barnabas in her time originated. Barnabas went to England, insists Vicki.  Josette calls the Collins history a book of sorcery--Barnabas said he knew the identity of the witch, but didn't say who. Vicki denies being a witch, but Josette says the book has convinced her, and she wants to use it as evidence against her in when her trial begins. Vicki desperately points out that Barnabas was going to help her, so why would she do such a thing, but Josette doesn't listen--she's going to testify against her  and make sure she's punished for taking away the one person she most cared about. And if the book is right, and she is going to die by her own hand, she'll make sure Miss Winters hangs first!
Josette leaves, and Vicki is crestfallen and miserable. All these people she's trying to help, she laments, and look at the result! Peter assures her he still wants to defend her, that believes her innocent. That book will convict her for sure, says Vicki. Peter feels sure he can discredit Trask, but Vicki believes that if she doesn't get that book back, she has no chance of acquittal. She asks him to let her out so she can go to Collinwood and retrieve the book; I'll come back, she promises. He offers to go in her place, but she says she knows where to look. He allows her out of the gaol and goes with her on the quest.
Trask comes to Collinwood and tells Natalie and Josette he had a meeting with the town elders about the two attacks on women in the last two nights. He told the elders he feels the witch, Vicki, is responsible and advised that her trial date be moved up, which they are considering in order to end the senseless terrorism. Natalie tells him Josette wishes to testify, plus they have damaging evidence against her. Trask and Josette exchange satisfied smiles.

Upstairs, Collinwood - Vicki searches Josette's room.

Josette describes to Trask the printed book of Collins history, which foretold Josette's death, but not Barnabas', and how Vicki refused to save Barnabas even though she begged her to. Trask wants to see the book, so Natalie goes upstairs to get it.

Vicki has finally located the book in Josette's desk, but she is caught red-handed by Natalie, who shouts for Trask when she spots her.
Vicki gazes around, trying to figure out what to do. Trask enters the room alone despite Natalie's protests of danger, but he finds it empty. Josette checks for the book, but it's gone, too, so they know Vicki took it.

At the gaol, Vicki tells Peter the Countess caught her, but she escaped through the secret panel in Josette's room. She gives Peter the book, which he hides in his stand-up desk, then hustles her back to her cell and locks her in. Trask is pounding at the door and it takes Peter a while to get Vicki back in her cell and the book secreted away, so he pretends he'd fallen asleep at his desk as his reason for taking so long to answer. Trask accuses Peter of allowing the witch to escape, but Peter denies it--she was in her cell since Josette's visit earlier. Trask insists Miss Winters used witchcraft and demands to see her.  Natalie insists she saw Vicki holding the book at Collinwood. Trask returns to report that Miss Winters is asleep, in her cell, and, grinning, he says the book is no longer necessary. He asks Peter if he'll testify, under oath, that Miss Winters was in her cell all evening, to which Peter replies of course. Well, says Trask, he, Josette and Natalie will testify they saw her at Collinwood--and everyone knows only a witch can be in two places at once! Trask happily assures the ladies there will be an early trial, conviction and hanging death for Miss Winters, then curtly wishes Peter a triumphant good night.

NOTES:  Uh oh, this isn't good!  Amazing how Trask can twist everything to his own ends, isn't it?  So in its way, the Collins family history book will ensure Vicki's conviction and execution.  Peter should have gone himself, with the knowledge of the secret escape panel provided in case he was caught.

What is going to become of poor Vicki now?

Love, Robin

950
Calendar Events / Announcements '02 I / Re: Introduction
« on: March 23, 2002, 10:50:31 PM »
Welcome, Chris! This is such a fun place to discuss DARK SHADOWS, I'm delighted you joined us. We're talking about everything from the DS festivals to what music box music is appropriate for the various characters to all the characters/plotlines for 1795, which is my favorite too.

Here's a brandy, or a sherry, or whatever suits your fancy, and may I propose a toast: To new friends and old joining us here!!

Love, Robin

951
Calendar Events / Announcements '02 I / Re: (Another) Introduction
« on: March 23, 2002, 10:42:55 PM »
Welcome to the DS Forum, Jake!

DARK SHADOWS continues to inspire people of great taste and intelligence, as you can see.

Whatever your problems of the past, I'm glad to hear they're behind you and that you are flourishing and happy.

Love, RobinV

952
Current Talk '02 I / Re: disappointment with josette's portrait
« on: March 23, 2002, 10:37:00 PM »
The powers that be didn't decide to have KLS permanently play Josette until after that picture made its debut on DS. In the 1991 remake, the picture looked exactly like Joanna Going, who portrayed both Victoria Winters and Josette. They made little or no effort to change the portrait on the original DS because I guess they hoped that if the audience saw it enough, they would eventually superimpose KLS' face on the portrait and decide it really DID look like her after all!

;D

Love, Robin

953
Current Talk '02 I / Re: Barnabas and Baseball
« on: March 22, 2002, 04:39:10 PM »
Vam wrote:

Any ideas for a team name?

The Collinsport Supernaturals!

Love, Robin

954
409 - (Joan Bennett) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795.  There, each of the Collins ancestors resembles a present-day member of the Collins family, but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces.  The family history she has carried from the present day has been found by a woman whose fate was written inside.

Josette is shocked over what she has read about herself in the book in Vicki's room, but Natalie calls Vicki a devil. Does Barnabas live or die according to the book? wonders Josette, and they continue to read despite being terrified. It says Jeremiah met Josette on a business trip to Martinique, which Josette knows is false. There is no mention of her being engaged to Barnabas. It says the marriage was unhappy, and that Barnabas was attracted to his uncle's wife--which was true. Josette and Natalie realize that some aspects of the book are correct, but. .  .the book also says that Barnabas, unable to get over his infatuation with Josette, left for England where he lived long and prospered.  Barnabas will live! says Josette joyfully, and reads on. (Don't believe it!!!)  The marriage suffered after Barnabas' departure--but Jeremiah is dead, so that one is wrong. The candles blow out by themselves, a sign, says Josette. She doesn't know what to believe, she sobs in her aunt's arms.
Naomi sits sadly by her son's bedside. He continues to rant about the bat. "Get it away!" he shouts. Joshua, walking like an old man, comes in and he and Naomi hug each other when she tells him their son is no better. She thinks Barnabas will fight harder if he knows his father is there. Joshua, his voice cracking, tells Barnabas how stupid he's been (sure, you say that NOW!)--he had the right to marry whomever he wished. I want you to know. . ..Joshua, miserable, turns to Naomi and asks if there isn't anything they can do--a doctor from Bangor, perhaps? It would take too long, laments Naomi.  In a heartbreaking scene, Barnabas recalls when he was a boy and saw his father brought in from being wounded in the war. He didn't recognize him and began to cry, but he knew his father would be angry to see his tears. Barnabas promised himself then that if his father survived, they'd live together peacefully. Joshua swears that WILL happen.
Writhing, Barnabas again begins screaming about the bat while his parents try fruitlessly to comfort him. "It's coming for me, help me, Josette!" wails Barnabas. Joshua looks helpless, sorrowful, and Naomi covers her face, unable to bear her son's suffering.  Joshua tells Barnabas that Josette is there to see him, but Barnabas insists that his father help him sit up on pillows before she comes in--Josette will give me strength, he assures his father, and asks Joshua to keep Angelique away (she isn't even in this episode, which I found fascinating). Joshua walks out as if carrying a huge weight on his person and leaves Josette alone with Barnabas. She takes his hand and observes that he seems better. Because of her, he says. Then she'll stay, she promises, feigning a smile. He's pleased. She'll stay until he's well again, she says. Natalie read the Tarot, and he's going to live long and happily in England.  I hear the bat, he moans, grabbing at the marks on his throat. She promises to do anything he asks.  "I love you still," he says.
"I never stopped." She kisses his hand and holds it tightly. "Don't leave me," she begs, "I love, you as wrong as it is. He swears he'll come back to her, and she says she will wait for him. Then, quietly, his head drops to one side and Barnabas Collins dies.  Josette screams, "Mrs. Collins!"

Naomi and Natalie, waiting downstairs, hear the squeaking of a bat. Naomi says she wants to see Barnabas, but Natalie tells her not to go. They see a bat flying towards them and back away, scared, but it disappears, seemingly into thin air.  Joshua walks painfully, slowly downstairs and tells them Barnabas is dead. Naomi falls into his arms and they try to console each other.

Later, Natalie revives Josette with smelling salts. Josette sobs. What will she do? Take one day at a time, advises her aunt. I love him, wails Josette--I was never able to say it when he was alive, but I had loved Barnabas from the first time I saw him. He can't be dead, sobs Josette. He is, says Natalie, the book is wrong, a vicious lie!  Josette wanted to make the part about Barnabas surviving true.
Naomi sits, too sad to even drink. Joshua comes in and is hesitant to tell her what he's done about Barnabas' death. She asks if he's contacted Reverend Taylor, and says Angelique is with Barnabas now. When Josette and Natalie come down and Josette hugs Naomi. Joshua finally admits that he doesn't want to cause a plague-generated panic in town and make people afraid to come to his shipyards. He must consider other people! Therefore, he announces, no one will even know of his son's demise. He is spreading the story that Barnabas went on a business trip to England. Josette throws herself into Naomi's arms. The book was right!

NOTES:  Many hankies today, folks. Great eps. Great acting. So sad!


410 - (KLS) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795.  There, each of the Collins ancestors resembles a present-day member of the Collins family, but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces.  Over at the Old House, a storm approaches from the sea, but inside, another storm rages, caused by the mysterious death of the Collins' only son.

Old House, upstairs bedroom - Angelique is furious when Joshua tells her that, because he fears word of the plague will spread and panic the town, Barnabas is to be buried in a secret place, without a service (yeah, like she really wants a service), and that he is telling everyone his son went to England.  She threatens to tell everyone that Barnabas was buried in a secret grave if he doesn't agree to leave her husband with her, she insists, at least until morning, but he nastily informs her she has no rights or protection and what he says goes! Joshua walks out. Angelique, clearly frightened, summons Ben--she needs him immediately!

Josette comes into the Old House drawing room to find Natalie pouring over the Collins family book. Natalie wants to take Josette back to Martinique as soon as possible, even if Jeremiah's estate isn't settled yet. Natalie denies believing the suicide prophecy in Vicki's book, but she feels it would be better not to chance it. Josette informs her concerned aunt that she's going to stay and wait for Barnabas to come back--he promised he would, and she said she'd wait until he does. Even if it takes forever? asks the upset Natalie. Even then, says Josette calmly. She loved him, she's waitin'! They mention that Andre is in New York during this conversation, and Josette also tells her aunt she and Naomi were discussing Barnabas.
Josette cries out, "No!" when Barnabas' coffin is carried past them, and Joshua apologizes; he thought they'd returned to Collinwood. He refuses to tell a protesting Josette where they're bringing the body and asks them to trust him. Ben peers in through the window and Josette spots a figure, but when Joshua goes to investigate, Ben is no where to be found. He suggests the ladies return to Collinwood and leaves, too.
Later, Ben quietly enters the Old House and Joshua returns to find him there. He curtly tells Ben that Barnabas is dead and accuses him of coming to rob the body. He was my friend, protests Ben, then adds, touchingly, "If you had any love for your son, you'll let me grieve for him." Angelique, coming downstairs, agrees with Ben. Joshua orders her to stay out of it, but Ang insists Joshua must treat Ben as Barnabas would have wished. Joshua asks Ang if she's afraid of being alone with Ben, and she says of course not--they were servants together. Joshua curtly responds, in a delicious diss, "THAT I will NEVER forget!"  He stalks out.

Ang, nervous, tells Ben she did love Barnabas, and Ben must help her.  He observes how scared she is as she tells him he must follow Joshua and find out where they are burying Barnabas, then make a sharp, 10-12 inch stake from a holly tree and bring it to her. He wants an explanation, but she says, "Do it before night falls or we will all die when dusk falls!"
Joshua asks Angelique what her plans are, and she says she'll stay at the Old House, refurbish it, throw wild parties, have her friends over--all to piss him off, at which she succeeds. He starts out with $10,000 in gold (he was ready to give her that much to not marry Barnabas, she sniffs), then $15,000, then $20,000. She wants him to leave the passbook and the paper he wants her to sign promising never to return to Collinwood, and he refuses--until she asks him if he'd leave it for Josette in the same circumstances and points out that he has no choice but to trust her and treat her like a lady! He's furious that she bested him, but hands her the papers and stalks out. She immediately takes them to the desk to sign them.

Ben brings Angelique the stake. She orders him to have a carriage waiting for her by nightfall. She won't tell him anymore, but nervously notes how dark it is with the storm outside.  Upstairs, as she packs, Ben demands to know how Barnabas died. He was bitten by a bat, says Ang, she didn't want him to die, but he'd shot her, and she thought SHE was going to die! Did Ben tell Barnabas about her, she asks? He never said a word, Ben replies (ironically). Barnabas will ris at nightfall, she explains, and every night thereafter. As one of the living dead, he'll do terrible things, worse than she'd wish on anyone! The stake Ben made must be driven into his heart, says Angelique.
Ben takes her to the secret room of the Collins mausoleum. It was used to hide guns during the war, Ben explains--weird to think of it, but Joshua was a patriot. He's upset at what she's planning to do, and what she's saying about Barnabas returning from the dead, even though she keeps insisting it's necessary. He opens the panel and she enters, clutching the stake and a mallet. She asks Ben, "Have you ever heard the word vampire?" (the first time the V-word is EVER uttered on DARK SHADOWS.)  Ben closes Angelique in the secret room, shouting, "If he comes to life, he'll settle YOU!" Locked in, Angelique determinedly opens the coffin, places the stake over Barnabas' heart, and readies the mallet. . .

NOTES:  How good was this?  Will Angelique destroy Barnabas?  Will Barnabas, in Ben's words, "settle" her?

How terribly sad have these eps been?

Love, Robin

955
407 - (Joan Bennett) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795.  There, each of the Collins ancestors resembles a present-day member of the Collins family, but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces, as all about her the fateful tragedies of the Collins family surge to their fulfillment.

Angelique is on her hands and knees, frantically trying to wash her own blood from the floor, but it's dried and won't come up. Naomi stops by and gets her daughter in law very flustered. She wants to see her son, says Natalie, but Angelique says he went somewhere, and he refused to tell her where--maybe something to do with business.

Upstairs, moaning, Barnabas pulls the bandage from the holes in his bloody throat. (He plays sick so very convincinglyl!) Naomi continues to quiz the nervous Angelique about her husband's whereabouts, then says she wants Ang to come stay at Collinwood while Barn is away. Ang refuses, but Naomi insists, and they go back and forth about it for a while. Barnabas hears them talking, sounding echoey, through his sweaty fever. Ang argues that she wants to be there when Barn returns, and besides, Joshua won't welcome her. Naomi spots the huge bloodstain and is immediately alarmed, but Angelique assures her she just spilled some wine, Barnabas' favorite, darn it all. Naomi is suspicious.  Barnabas rises from the bed. Ang tells Naomi she doesn't believe in witches, but it's good Vicki Winters is in custody, anyway. Angelique does tell her mother in law how much she appreciates her kindness. Barnabas knocks a brush to the floor and Naomi hears the sound, but Ang convinces her it's just the sound an old house makes.  Naomi finally agrees not to force Ang to stay at Collinwood, and after the door closes behind her and Angelique leans against it, relieved, Barnabas exits the bedroom, calling, "Mother!", then collapses.

Angelique finds him, wounds re-opened, and he murmurs that he heard his mother. Ang tells him he heard nothing! She helps him back to bed with great effort. Rest, she tells him.  I feel something terrible is happening to me, Barnabas says. She promises to help him. "Help me," he mutters. She lifts his head and orders him to drink what's in the glass. It's the only thing that will help you, she says, sighing--if only you hadn't tried to betray me, this wouldn't have happened.  She pushes his eyes closed, then tells him to open them when she orders him to. I don't want to open my eyes, he protests. She pulls back the drape, letting light into the room, and orders him to open his eyes. He does, screaming piteously, then covers them with his hands. Defeated, she lets the drape fall, sobbing that the medicine should have helped. Why did you betray me? she asks again, then says, chillingly, "What's done cannot be undone."
At Collinwood, Joshua pooh poohs Naomi's fears about Barnabas' mysterious departure, and says he doesn't care what his son does anymore. Although Naomi asserts their son would never just leave his wife, Joshua is sure Barnabas has gone to Josette, and that they will never see either of them again. There's a knock at the door.  Naomi wonders if Angelique didn't change her mind about staying at Collinwood.  Joshua insists he won't have her! It's Josette and Natalie. Standing on the landing, Joshua gazes down contemptuously and says, "Josette."
Natalie explains to Naomi and Joshua about her forebodings. Josette describes how Barnabas felt she was in danger and sent her away, and was planning to meet them at the Inn. Joshua accuses Barnabas of deception, of plotting to run away with Josette, but Natalie gets angry-she wouldn't allow anything improper to go on, sure assures him. They were going to return to Martinique! Naomi explains that Barnabas isn't at the Old House and Angelique claims not to know where he is. Josette doubts that Barnabas left and insists on going to the Old House. After they leave, Joshua tells Naomi he couldn't care less about Barnabas and Angelique, but after his wife goes upstairs, Joshua looks very concerned indeed.
Old House drawing room - It's a tense scene between Angelique, Josette and Natalie as the latter two try to explain that they're concerned about Barnabas and there was nothing improper going on. Josette admits to Angelique that she left because Barnabas felt her life in danger, but Angelique essentially tells them her husband's whereabouts are not their business and orders them out of her house when they become insistent. Natalie definitely feels bad vibes at the Old House.  Upstairs, Barnabas overhears their voices   floating up to him. He sits up, muttering, "Josette. . .I'm coming to you!"

Josette wonders why Barnabas didn't meet them at the Inn as he said he would, and Ang plays the wounded wife and tries to force them out of the house. Nat begs them to forget the petty quarrels for now, and after again begging Angelique to help them, coldly says she hopes that, wherever Barn is, he's safe. Calling Josette's name, Barnabas hoists himself out of bed, stumbling across the room. Angelique is still insisting she knows only too well what's happening here, and Josette, angry, is just about to leave when Josette hears Barnabas calling her and vaults upstairs. Angelique tries to stop her, but Natalie stops Angelique, holding firmly to her arm and giving her a warning look.
Josette finds Barnabas sprawled on the floor, calling her name. She sees his puncture wounds and screams. Still calling, "Josette!" he pulls away from her and totters to the doorway, calling her name over and over.

NOTES:  This is where we learn that Ang is great for putting curses on, but not taking 'em off. Poor Barnabas. Poor Josette. Poor Joshua, pretending he doesn't care about his son when he clearly does!


408 - (Alexandra Moltke) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795.  There, each of the Collins ancestors resembles a present-day member of the Collins family, but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces.  As she is being forced to witness the first moments of the Collins tragedy that was to reach across the centuries.

Barnabas comes out of his delirium long enough to recognize Josette and fear for her safety. He thought she was far away! He tells her he is going to die soon, upsetting her terribly, and she asks him who the witch is. He's about to tell her when Angelique comes in, and he immediately passes out before uttering a word.
Barnabas is back in bed with Josette and Angelique hovering over him.  The jealous Mrs. Collins wants Josette to leave Barnabas alone; she's only upsetting him! Natalie comes in and is horrified when she see the gashes in his throat. Angelique beckons them away from the bed, and Josette, sobbing, says she doesn't believe he's going to die. It's   witchcraft, says Josette, but Angelique says it's worse than that--it's the plague, so they had better get out, because it isn't safe for them!  A huge argument ensued; Natalie insists on getting a doctor, Angelique insists if they do, he'll send Barnabas away to die, alone--better he stay there where his wife can take care of him! Although Josette agrees with Angelique, Natalie has the last word, and goes to get a doctor. "Josette!" Barnabas calls. Angelique implies that Barnabas' condition shouldn't concern her, but Josette says he's her friend, so it sure does. Angelique tries to make her leave, but Josette says she ain't going anywhere until she hears from the doctor.  Angelique coldly says Barnabas wants to be alone with his wife, so Josette says she'll wait in the drawing room--even if it offends Angelique, begging her forgiveness. Our girl Josette actually displays some major cojones here, good for her! After Josette has gone, a furious Angelique says aloud that Josette will be begging for more than her forgiveness before she's through with her!
The doctor examines Barnabas, gives him a sedative (early Julia relative?) and tells Natalie and Ang that he does suspect plague, saying he appears to have been bitten nastily by a rodent--and he wants to send Barnabas away to protect everyone else in the community--there are no remedies for the plague. Josette bursts in--she had to know what's happening. Hearing that the doctor feels there's no hope, Josette begins to cry. Natalie coaxes the doctor out of sending Barnabas away-he should stay with his family. Besides, should he really risk panicking the town when he isn't sure it's the plague? It could only be an isolated case, so why not keep him at Collinwood? Angelique agrees--she'll take care of him, all she needs is time. Besides, reminds Natalie, the Collinses would be ever-so-grateful if he just keeps quiet about this. They can't banish the man on the evidence they have, right?  The doctor, thus convinced, agrees to do nothing and say nothing, and Natalie escorts him downstairs.

Angelique tells Josette she should leave. Josette says they have time now, which is good. Barnabas almost named the witch! She thinks she knows who the witch is and intends to protect Barnabas, she says, showing true spunk. She'll return, hopefully, with a means to save Barnabas. After Josette leaves, Angelique gazes at her husband in consternation.
Josette, determined, goes to the gaol to see Vicki. Lift Barnabas' curse, she begs the governess, and I'll get you out of here somehow. Or, begs Josette, destroy ME, I have no life without him anyway. Vicki denies being a witch, but, disturbed to learn how ill Barnabas is, once again makes a foolhardy decision--go get the Collins family history book out of my room, she tells Josette. Something terrible is going to happen to you, and perhaps if you have foreknowledge, you'll be able to prevent it. You're in terrible danger, leave Collinwood, advises Vicki passionately.

Angelique caresses Barnabas' hair. She knows he almost told Josette about her, but that isn't important. His family knows now, and will want to see him. If he doesn't keep his mouth shut about her to them, Josette will die. One word, and Josette is doomed! Barnabas agrees he must never tell her anything--he must save her.

Natalie and Josette search Vicki's room and find the Collins family history book. Natalie always thought Miss Winters pretty dull, but this business about coming from another century is sure interesting. They see the book was published in 1965, in Bangor, ME (which back in 1795 was in Massachusetts). Josette sees a picture of her just-painted  portrait and reads about herself--she died by her own hand in the winter of 1795 (actually, 1796)!  I'd never do that, protests Josette, horrified.

NOTES:  So sad to see Barnabas suffering this way, knowing that Angelique was unable to break her own spell and that he is doomed.  His love for Josette has come sweeping back, both over him and his once-intended, and Angelique won't stand for it.

Will Joshua, learning how sick his son is, finally come to see him?

Love, Robin

956
Yes, Ringo, the accompanying screen captures MAKE Robservations, as far as I'm concerned, and I can't wait to see what our beloved Mysterious Benefactor has chosen to illustrate the episodes.

As for THAT title, well, one poster expressed disgust to "Who Get's Kitty's Pussy?", so I might have to change that next time I post it.  I certainly don't want to offend!

Love, Robin

957
Robservations / #0405/0406: Robservations 03/20/02 - Cursed!
« on: March 19, 2002, 10:00:24 PM »
405 - (Lara Parker) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795.  There, each of the Collins ancestors resembles a present-day member of the Collins family, but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces.  And in that fateful time, she is soon to learn that one person's attempt to alter the course of history is doomed to failure.


One of DS' most important eps, as we learn exactly how Barnabas became a vampire.

In Collinwood's drawing room, Josette firmly tells her Aunt Natalie to make her goodbyes--she's leaving Collinwood. Natalie is upset, knowing this is Barnabas' doing (she says she considers HIM the danger to Josette), and even though she forbids her niece in this foolhardy act, Josette is determined. Well, then, says an exasperated Natalie, Josette is a lady and can't travel alone--she's going with her to Boston!  Abigail hears of this sudden departure and is both scandalized and disappointed--she wanted Natalie to testify at Vicki's witchcraft trial!  Natalie points out that Trask himself and Angelique saw Vicki flee from the house; they're the best witnesses. Abigail is shocked to learn that Natalie has no idea why Josette wants to leave so quickly, but Natalie says Josette is quite prepared to leave without her, so they're both going.
In the gazebo, Barnabas presents Josette with the music box. Keep it with you, he encourages, to remind you I will be with you very soon.  She's frightened, but he says she will be going to the Inn at Portsmouth, where he hopes she will be safe. She points out that she's fearful for HIS safety, and he again asks her to trust him. She promises she does, but has a terrible feeling she won't see him again.  By the way, asks Josette carefully, what about Angelique? Barnabas won't go into details, but he does say when he sees Josette again, he won't be married to Angelique (doesn't this clue her in about the identity of the witch)? It's not goodbye? she asks. Think of me often, he says softly, and remember I love you. He gives her a kiss and she gazes at him with a face filled with naked love and trust.

Abigail goes to the Old House and is shocked to see Josette's portrait hanging over the mantle. Angelique says that although she objected to it, Barnabas hung it there anyway.  Well, sniffs Abigail, Barnabas' obligation is to his wife! Abigail asks Ang if she'll testify at Vicki's trial, and Angelique says of course she will. Abigail explains they really need her testimony because Natalie and Josette left Collinwood an hour ago! Angelique looks like her head is going to explode at this news, but Abigail says she should be glad Josette is gone. Angelique claims she is, then asks Abigail to leave, she wants to go to bed. Barnabas comes downstairs as his aunt is leaving, the box of pistols in his hands.

Angelique and Barnabas square off. He's made a big mistake, she says, her eyes glinting angry sparks. He tried to betray her, but he won't succeed--does he really think getting Josette out of town will stop her?  She's got more powers than he thinks, spits Angelique, and proves it by turning Josette's portrait into a bloody skeleton. Oh, sure, you can distort the portrait, but not really hurt Josette, says Barn. She asks where Josette is, but he refuses to tell her. She could force him--but then, he says smugly, she wouldn't be getting him the way she wants him, thus defeating her purpose. She accuses him of being unfaithful to her, which he denies, and says she knows he'll keep lying to her. When is he going to Josette's side? He denies this, too, but she says she knows his plan is to kill her and then go to Josette! She has no hold over him, he says, with Josette out of harm's way--he can leave at any time! Well, Josette may be safe, but NO ONE ELSE IS! vows Angelique. She races upstairs and while she's gone, Barnabas takes the box of pistols and places them on a chair.
Ang, livid, returns with Sarah's doll and the hat pins. She can keep him there, all right! she snarls, and begins stabbing pins into Sarah's doll. I can put one right into the doll's heart, killing yout sister! She cries.  Barnabas, turning pale, begs her to remove the pins; he'll do whatever she wants! Sarah will come very close to death is he deceives her again! screams Angelique. Barnabas slowly backs away, then turns, grabs one of the pistols from the box, and fires at his wife.  "Oh, Barnabas, what have you done?" she moans, holding her hand pressed to her bloody shoulder. She drops the doll.  He immediately retrieves it and removes the pins.  And then, Angelique says, with bitterness and fury, "You didn't do the job well enough, Barnabas. . .I am not dead yet, and while I can still breathe, I'll have my revenge. I set a curse on you, Barnabas Collins!  You wanted your Josette so much, well, you will have her, but not in the way you would have chosen. You will never rest, Barnabas, and you will never be able to love anyone, for whoever loves you will die! That is my curse, and you will live with it for all eternity!"
Bleeding, she falls over, unconscious. Barnabas calls her name and checks her body. He rises and hears the sound of breaking glass. A bat flies in the window and chases him. Barnabas shouts, "Get away from me!" and tries to back away, but it's useless--the bat latches onto his throat, and Barnabas, screaming, falls down against a pillar.

NOTES:  Whoa, baby, I know the bat Bill Baird used looked really fake, but that scene left me shuddering all weekend long when I saw it in 1968!  Where did one see stuff like this on any other soap back then?  So amazing!


406 - (KLS) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795.  There, each of the Collins ancestors resembles a present-day member of the Collins family, but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces.  On this night in the old Collins house, a curse will he uttered--a curse that will forever haunt the Collins family.

Barnabas lies slumped against the pillar, screaming for help, but passes out, his punctured neck streaming blood.
At the Three Belles Inn in Portsmouth, Josette feels an odd tingling on her throat, in the same spot where Barnabas was bitten, but seems to feel it's a communication from Barnabas. He's in danger, she tells her aunt. Nonsense, insists Natalie, and suggests a Tarot card reading to help them figure things out.

At the Old House, Ben peers through the window and sees the horrific sight of Angelique lying in a pool of blood and Barnabas lying unconscious against the pillar. He wonders--did Barnabas kill his wife?  Did she kill him, too? He sees the oozing marks on Barnabas' throat and decides he'd better help him upstairs and get a doctor. He can't risk letting Joshua see him.
Natalie finds the Tarot reading very vague, yet disturbing--the lover is surrounded by cards of destruction. Holding her neck, Josette insists Barnabas is in danger; Natalie checks her niece's throat and gasps--blood is running from non-existent wounds in her neck!

Ben hauls a pasty-faced Barnabas into bed. The injured man weakly tells Ben he wants to leave, and describes the curse that Angelique set on him--the bat came flying in and attacked him, says Barnabas, in delirium. Ben tells Barn that Ang is dead, and he wants to go for a doctor, but Barnabas insists it's too late, and advises Ben to watch out for the bat.  Barnabas, cautiously hopeful, tells Ben he shot Angelique--are you sure she's dead, Ben? Then Angelique, still holding her bloody shoulder, comes in and tells the two disappointed men she isn't dead and isn't going to die. Ben tries to keep her away from Barnabas, but she says she must look at him, and they must keep him alive. If he dies. . .never mind, she says savagely to Ben. She touches Barnabas' face and says she wants him to know how sorry she is. Ben explodes at her--first she puts a curse on the man, now she's sorry! He tried to kill me, says Ang, that's why I set the curse! But now she wants to reverse it. She'll fix her own wound, then take care of him. Ben wants to go for a doctor, and inform Barn's family, but she orders him to stay and essentially says to hell with his family, she's got work to do. Ben doesn't want to leave her with Barn; he's afraid she'll kill him, but she tells him he's just going to have to trust her. He was attacked by a bat, explains Ang, but they must keep him alive, because after he dies, even worse will happen--he'll become one of the living dead! Ben denies there is such a thing, but she assures him there is, and if this happens to Barnabas, he'll be cursed with eternal life!
An upset Natalie keeps wiping blood from Josette's throat, but is puzzled because the flow seems to have no origin. Josette insists Barnabas needs her and they must return to Collinwood, but Natalie talks her into waiting until morning. Josette sends Natalie upstairs to sleep, but sits in a chair, touching her throat.

Barnabas, feverish and irrational, gets out of bed, grabs a suitcase and staggers over to his dresser, where he begins tossing clothing into the suitcase. Wait, Josette, I'm coming! he calls obviously feverish.  Angelique, in a fetching blue dress, enters and tries to stop him. Tell me where Josette is, she asks Barn, I'll get her, bring her here! No, says Barn craftily, she'll never find Josette--she's safe! He'll go to Josette and nothing will stop him!
At the Three Bells, Josette sleeps, blood still oozing down her neck. A bat hovers outside the window, squeaking.

NOTES:  Was that the same bat that attacked Barnabas?  Why was it outside Josette's window?  Was the plan to sic the bat on Josette after Barnabas?   What will become of Barnabas now?  What kind of danger will Josette be in if she insists on returning to Collinwood?

Love, Robin

958
403 - (Nancy Barrett) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795.  There, each of the Collins ancestors resembles a present-day member of the Collins family, but names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces, one of whom has unknowingly married a practitioner of black magic-and after his discovery of his wife's secret, he feels he has only one chance of escape.

Barnabas pulls back the covers and realizes he has just stabbed wadded up bedclothes. Do you hate me that much? demands Angelique from where she has been standing. You are the witch! he cries. He knows all, he heard her incantation. She never meant for him to find out, she admits, but does he realize that she loves him, and always will? Ignoring her words, he raises the knife to plunge it into her heart, but she raises a hand and forces him to drop it. He disparages her claims of love, tells her she made him hate himself. He wants to kill her! He lunges for her, reaching for her throat, but she makes him drop his murderous arms and tells him she can use her powers to force him to embrace her, if she wanted to--but she can't be that cruel. Cruel? shouts Barnabas--you've been practicing witchcraft all along. She swears she'll stop, if that's what he wants, but he sneers that he can never forget that she turned Josette against him. She wanted a man, not a puppet, she insists, so she would never actually cast a spell on him.  He saw a woman in Martinique, not a witch, she reminds him. He calls her a destroyer, and she says she never wanted Jeremiah to die. He says she is as responsible for his uncle's death as if she'd pulled the trigger herself, and she agrees with him. Abigail and Natalie were right, he fumes, there WAS a witch. He demands she set the record straight and tell him everything. Angelique says she didn't do anything the first night when she came to his room, he loved Josette and she wanted to change that--have something that belonged to her. (Here is where we wonder about Ang's "loving" motives, and even Barnabas shoots her an incredulous look here, like she spilled the beans on a very important revelation.) She was furious at his rejection that first night, and if he'd only resumed their Martinique relationship, none of this would have happened. She confesses to being responsible for the choking incident and how she realized she didn't want him to die; the Josette/Jeremiah love potion; Sarah's illness. Barnabas has had it--he's leaving. Oh, no, warns Angelique, you're going to stay with her, play the loving, attentive husband, and after a few years, even you will believe we can have a good life! If he dares to tell the authorities about her or tries to leave her, Josette will die--and if she has to produce a realistic vision of her death, hell, she can do it! Barnabas shoots Angelique a look of unrelenting hatred and walks out on her.

Nathan and Millicent giggle together on the terrace. They've apparently been meeting in secret, and he's been quite touchy-feely with the airheaded heiress. She shocks herself in his presence, she says breathlessly. He tells her she's falling in love, but she wisely points out that he always talks about her loving him, but never the other way around. (Millicent is sharper than she appears.) He wants her to invite him to tea, but she insists that's flaunting the rules, and he says he hates rules. He kisses her neck to prove it.  Barnabas appears.  Millicent moans, "I'm ruined!" She lies and said she and Nathan met by chance while strolling outside. He begs her to awaken Josette, but the Countess appears (eliciting another moan of disaster from Millicent), congratulates Barnabas on his marriage and says it's a strange way to be spending his honeymoon. Josette doesn't wish to see him, says Nat firmly.

Angelique is upset Barn had the nerve to leave her.  I must have eyes that follow him wherever he goes, to spy on him, she decides.
Natalie tells Barnabas he can't see Josette. Does he want to tell her how sorry he is that he married her maid?--Josette is unhappy enough.  Without telling her why, Barnabas just says that Josette must leave Collinwood, go to Boston--her life is in danger! He begs Natalie to follow his instincts, but she seems to feel he wants them out because their presence is ruining his honeymoon. Is he saving Josette's life or his curious morality, she demands. Forget Josette, advises Natalie.  Barnabas is upset, he thought the Countess his friend. Natalie says his marriage has made her lose all respect for him, and making friends of the Collins family is impossible--they're too difficult to understand and speak in riddles. She doesn't trust him not to try to see Josette, and insists on accompanying him downstairs.
Angelique draws a pair of long-lashed eyes on paper--these "eyes in the night" will follow Barnabas and watch him.

Millicent sobs to Nathan that they were seen by TWO people, and she is now compromised--Nathan is not a gentleman. He feigns being hurt by her comment, and says if he isn't a gentleman, why is she hanging out with him? Perhaps SHE is no lady, suggests Millicent. Everyone knows about them now, he points out, and is about to kiss her when Barnabas appears again. He begs Millicent to have Josette out in the garden at 9 AM the next morning--he must speak to her. She waffles about it, insisting it's improper, but Nathan reminds her that she might need a favor from Barnabas sometime, and she giggles and agrees. She feels a sudden chill, saying someone is watching them, and Nathan and Barn encourage her to go into the house.
Nathan asks Barnabas if he needs someone to talk to; he looks like he does. He's more familiar with women like Angelique than Barnabas is (women like what, I wonder?), so, no offense, but can he help?  Barnabas agrees he does need to talk to someone, but they're interrupted by the sound of loud squeaking. Nathan points out a bat, hovering near the gate, watching them!

NOTES:  One of the very best DS eps in the archives, folks, it rarely gets better than this!  Is that bat Angelique's "eyes" plus a portent of things to come?

Barnabas and Angelique's confrontation is one of the reasons I always adored this show.  They are so passionately pissed, and the way she makes him drop that knife is amazing, mesmerizing.  You almost get a glimmer of the passion they must have shared in Martinique from watching them together here.


404 - (Alexandra Moltke) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795.  There, each of the Collins ancestors resembles a present-day member of the Collins family, but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces.  And she has been accused of witchcraft.  One member of the Collins family knows that she is innocent, but for the moment he must remain silent, in order to protect others whose lives are in grave and immediate danger.


Barnabas nervously paces the gazebo, waiting for Josette to show up. He has to warn her about the danger she's in, but can't reveal it's Angelique, or the witch will kill his beloved. He's very distressed, therefore, when Millicent shows up and says Josette refused to see him--at the Countess' insistence. Millicent thinks Josette doesn't want to meet him because she still loves him and doesn't trust herself in his presence. Nonsense, says Barn, but he's clearly pleased to hear this. Josette must leave Collinwood, insists Barn, and Millicent must arrange for him to bump into Josette by accident. She is afraid of Naomi  and Joshua's reaction to participating in this scheme, but then Barnabas utilizes a little blackmail--he saw her with Nathan, and he brought her home VERY LATE! She's flustered, but she insists Nathan is genuinely fond of her--and besides, both of them are single. Barnabas tries to warn Millicent that the charming Nathan is too much for an innocent like her to handle, but she refuses to listen, and diverts the discussion by saying she COULD arrange for Josette and herself to be taking a walk when Naomi and Natalie are in town, and he COULD accidentally run into them--the garden gate after sundown! Don't fail him, says Barnabas soberly; this is a matter of life and death.

At the Collinsport Gaol, Barnabas brings Judge Matigan, who he hopes to defend her at her witchcraft trial, to see Vicki. Although Barnabas does his damndest to deflect Vicki's responses, saying she was hurt in that carriage accident and her brain has suffered as a result, Vicki decides to be completely honest. Barnabas offers to be her character witness, but the judge says he hasn't known Vicki long enough.  Unfortunately, the judge's questions about her family and friends in the Boston area where she claims to have come from a foundling home, unnerve Vicki, so the brilliant Miss Winters decides to tell Matigan that she came from another century! To no one's surprise, including Vicki, Judge Matigan bows out of defending her.
Vicki sits miserably in a chair, and that's when Peter Bradford, her jailer (gaoler?) and lawyer-in-training, who had been standing by, listening to every word of what she told the judge, tells her that he's been watching her since she came to the gaol, and he decided she's not a witch.  Witches don't cry, he says gently, and he's heard her crying in her cell. He gives her back a locket taken from her when she was brought to the gaol, a gift from Burke, it seems, and she is very grateful to him.  They play really sappy music over this exchange, as he tells her he's felt pity for her, and doesn't believe he'd feel pity for a witch. She says hearing this from him made her feel less alone. He explains that he's studying law and that if Mr. Collins can't find anyone to defend her, he is willing to try. He finds her story of coming from another time strange, but believes her. Vicki, thrilled to hear this, smiles. He's right outside if she needs anything, he promises, and she returns to her cell with a smile--she's not afraid to return there now!

Barnabas waylays Millicent and Josette on their walk past the terrace.  The latter says she has been forbidden to speak to him, but he insists, and sends Millicent back into the house. It's better not to see each other, murmurs Josette, but Barnabas explains that she's in danger and must leave Collinwood immediately. He explains to her that she and Jeremiah were never in love with each other; they were under a spell cast by a witch. Her marriage seems a dream, both then and now, she admits. He knows who the witch really is, he says, but he can't tell her such dangerous knowledge. She can't believe anyone hates her so much, but Barnabas asks her to trust him. The witch is plotting her death, and is watching them! As he says this, there's a squeaking sound, and a bat with glowing red eyes is indeed watching them!

Love, Robin

959
Current Talk '02 I / Re: DS hookers
« on: March 18, 2002, 01:13:49 AM »
I must admit, when I saw the title of this posting, I was hoping we'd have a lively discussion of the doxies Barnabas accosts on the Collinsport wharf.

Ruby Tate, Maude Brown. . .flirtatious ladies looking for a good time with an eye for the handsome, hungry Barnabas.  

At least the fledgling vampire went for the ladies instead of the cattle.   ;D

Love, Robin

960
401 - (Alexandra Moltke) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795.  There, each of the Collins ancestors resembles a present-day member of the Collins family, but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces.  There are those who believe she has practiced witchcraft and would destroy her.  But one member of the Collins family is besieged by doubts.

Collinwood basement - Barnabas awakens the sleeping Ben, who has been imprisoned in a cell.  He questions him about the witch.  It was just a story I made up, says Ben evasively.  I don't believe you intended to rob Abigail, protests Barnabas.  I'm certain there is a witch in this house, and it's one of two people--Victoria. . .or Angelique, my wife.  Ben insists he doesn't know anything.  There's no reason for you to rob Abigail, says Barnabas, who has neither money nor jewelry in her room--are you afraid of the witch?  There is no witch, says Ben, reminding Barnabas that he never used to believe in witches, either.  I used to be a rational man, says Barn, but things have happened here that defy rational explanation--I'm beginning to believe in the forces of evil. If Vicki isn't the witch, continues Barnabas, she's in danger--and he explains how Trask spiritied Vicki away. Ben is concerned, but refuses to budge.  We've been friends a long time, and I've never known you to lie to me, says Barnabas quietly.  Go away and leave me be, pleads Ben.  Barnabas grabs Ben, demanding he tell him the truth.  Frightened, Ben grabs a china vase and hits him over the head with it.  When Barnabas collapses, Ben, instantly horrified at what he's done, escapes the cell and runs off.
Joshua, alerted to Barnabas' presence in the cell by Riggs, enters.  Barnabas rises to his feet painfully and sits on the cot, head bowed.  Outraged, Joshua demands to know what he's done to deserve this behavior.  Barnabas denies helping Ben escape; he struck him over the head. You're forbidden to enter this house, Joshua reminds his son.  I had to question him, insists Barnabas, it's possible he was telling the truth about the witch.  Joshua says he still isn't convinced the supernatural is at work here. Barnabas reminds him of his fahter's own mysterious disappearance--how can you continue to deny the possibility of the supernatural?  Grudgingly, Joshua admits it could be true--but the witch has been caught, he says. Learning that Vicki is in the Collinsport Gaol, Barnabas asks his father to use his influence to help her.  I suspect she's guilty, retorts Joshua--Miss Winters is a stranger to me, I owe her nothing--now good night, sir!  (sooooo cold!)
Collinsport Gaol - The jailer brings Vicki out to Barnabas, then leaves them alone.  She's very happy to see him.  I'll try to help you, he promises, and asks her to tell him exactly what happened.  She describes the strange fire which gave off no heat, but rather an icy coldness.  Fire and ice, he says, stunned, and then tells her there was no evidence of fire in her room.  I'm innocent, she says, perturbed.  I believe you are innocent, too, he assures her.  The jailer takes Vicki back to her cell.  Barnabas remembers the words he overheard Angelique speaking in her old room and decides he has to find Ben.
Fishing shack - Inside, Ben slugs booze from a jug.  He's going to leave Collinsport, he vows.  He's dismayed when Barnabas, hastily promising not to turn Ben in, enters. Ben apologizes for hurting him, but Barnabas says he understands.  I wanted to let you know you're safe from the witch, says Barn craftily--she's been caught and will be executed.  Who are you talking about? asks Ben.  Why, Victoria Winters, replies Barnabas.  Are you sure of her guilt? asks Ben, disturbed.  I am, says Barnabas--the evidence was overwhelming.  Ben ponders Vicki's possible fate, unhappy, and reminds Barnabas that he suspected someone else.  I'm certain of Vicki's guilt, says Barnabas, because of you--you're my friend, I can trust you--if Angelique was the witch, you'd have warned me.  What if the witch cast a spell on me that prevented me from speaking her name? queries Ben.  I've been teaching you to write, Barnabas reminds him, and points to the dirt on top of a barrel--write her initials.  Fearfully, Ben writes a "V" in the dust.  V--for Victoria? asks Barnabas, perplexed. After hesitating a moment, Ben adds the crossbar, making the "V" an "A".  A--for Angelique, says Barnabas, pleased that Ben "spoke up."

NOTES:  One of the best episode endings ever!  Now Barnabas knows he married a witch, and someone, one senses their relationship won't be of the Samantha/Darren variety.  How will he handle this?

Great scenes between Frid and David.  Together they made magic.  Edmonds and Frid were excellent too.  Can you believe how coldly this father continues to treat his son?


402 - (Joan Bennett) - A seance has been held in the great house at Collinwood, a seance which has suspended time and space and sent one girl on an uncertain and frightening journey into the past, back to the year 1795. There, each of the Collins ancestors resembles a present-day member of the Collins family, but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces, some of whom believe she is a witch, for witchcraft is certainly being practiced at Collinwood, and only one man knows who the witch is.

Barnabas painfully tells Ben he overheard Angelique's fire-starting incantation and knew from that point that his wife was the witch.  To think that Victoria Winters is in prison while Angelique is free! He asks the shame-faced Ben how he found out, but Ben says he really can't tell him anything--just, whatever Barnabas thinks she did, she probably did. Josette and Jeremiah. . .Barnabas frets over the realization that he killed his uncle and friend thanks to Angelique's love potion; he takes pleasure in the idea that Jeremiah now is haunting his witch-wife.  She made Barnabas ill, too, proving she has the power to cure and kill.  Ben assures Barnabas grimly that Angelique can make anything happen.  Why did she do all this, demands Barnabas. Because she loves you, says Ben. Love? explodes Barnabas--she ruined my family!--no, she did this out of hate, and I'll teach her the meaning of hate! Be very careful, warns Ben, but Barnabas seems far less concerned for his own safety than finding a way to kill Angelique--revenge isn't sweet for Barnabas, but a necessity. Ben offers to do it himself, hide in the woods with a gun and shoot her, but Barn insists he must do it himself--Angelique took his reason for living away, and it's payback time!

Barnabas returns to the Old House. He's purchased a vial of poison--one drop will kill Angelique; all her magic won't save her from this!  When she comes downstairs, she's thrilled to see him, warm, affectionate. She wants to know where he was, and what he was doing, and he asks her the same questions. Why, I have no secrets from you, she laughs, clinging to his unyielding body. She hardly dared to dream that they'd be married, she says, to which he replies, "You dared, I think." Although it would be prudent for him to pretend he loves her, he's icy cold, and she notices his reticence. He suggests they have a drink together, and while she gazes out the window, prattling on, he slips a good 2-3 drops of the poison in her drink.
He sits down in the chair and she kneels at his feet, resting her arms across his knees. The double entendres continue and she grows more puzzled by his attitude. She admits she wants to go on a honeymoon; once they're away, alone, her love will make him forget all the terrible things that have happened.  He denies this is possible. Angelique keeps raising the glass to her lips, but never actually drinks the sherry. (There's an amusing exchange about how Angelique can't make anyone disappear and Angelique remarks that that is Miss Winters' province). However, when Naomi, the sherry queen, shows up, Angelique quickly offers her glass to her mother in law. Barnabas hastily claims there's a chip in the glass and before his mother can drink the deadly sherry, he knocks it from her hand, spilling it on the floor. Angelique, angry, leaves to get a cloth to mop it up, but she checks the glass for the non-existent chip and sniffs the remnants suspiciously. While Ang is out of the room, Naomi tells Barnabas a wedding gift arrived from France for him and Josette. Naomi desribes how Ben inexplicably stole Abigail's hair ribbon, which the latter claims was to be used by Miss Winters to cast a spell, and laments that nothing makes sense anymore. Her son promises her all that is going to end, and Angelique, who insists if she heard of a man stealing a ribbon, it would be for a woman he loved, overhears his last statement.  Naomi, heartbroken, wishing everything could be as it was, leaves. Thwarted in the poison-the-wife caper, Barnabas opens a drawer in the desk and pulls out a knife, testing its sharpness with a determined look on his face.
The huge package, once unwrapped, turns out to be Josette's portrait, intended as a gift for Barnabas from Miss duPres. Barnabas gazes sadly at it, then opens the accompanying letter, which says she told her father Barnabas didn't need this portrait; he'd have the real thing! Barnabas crumples the note with anger and sorrow and tosses it into the fireplace. Angelique, in a fetching blue nightgown, enter and observes the way he's looking at the portrait. She comments that isn't a wedding gift for THEM and wants to put it in the attic, but Barn says he'll offer it to Andre. She can't understand why he's looking at that portrait the way he is, has he forgotten what Josette did to him? What was that? demands Barnabas. She fell in love with Jeremiah, answers Angelique, as if to a child. Did she?--or was she under a spell? counters Barnabas.  Ang isn't happy he's being so kind to his former fiancee; a month ago he called Josette fickle and callous. I have a right to change my mind, he says. Angelique, shouting, accuses him of still being in love with Josette, then immediately reins in her temper. I love you, and I'm jealous, she admits, sorry. Angelique, what is love to you? he asks softly. You know what I think it is, she responds. "Do you?" he counters.
Later, his face a mask of pure hatred, Barnabas creeps into their bedroom and raises the knife above the body huddled under the covers, and viciously thrusts it in.

NOTES:  Amazing performances.  The little cat and mouse game between Angelique and Barnabas was riveting.  It's obvious that he gave himself away, when he should have been pretending to love her as much as she loves him. But he couldn't pretend, and that will prove to be his downfall.

Love, Robin