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Messages - ROBINV

796
481 - We have in this ep what some consider the Big Blooper today, when Barnabas screams to Julia in the doctor's office, "Remember. . .remember someone," and Dr. Lang fills in the name of someone he never even knew: "Dr. Woodard." Wanted to get that out of the way first thing.

The men pound on the door and Lang holds the gun on the closed doors. Julia gets a busy signal from the Collinsport police, and dials the operator, asking frantically for an emergency number for the cops. Connected to Collinsport's finest, we have the scene I mentioned above as Barnabas tells Julia not to get the police involved. "Remember Dave Woodard," repeats Barnabas as Lang feeds him the name. Julia does remember and slowly hangs up the phone.
The men listen at the door. Barnabas orders Lang to put away the gun, which he does. Julia opens the door and faces them. Then follow her into the office. "You always win, don't you, Barnabas?" she asks, resigned. "We can always checkmate each other, Julia," he responds. No, she says, you stop me though I seldom stop you. He was trying to stop her from making a fool of herself; this wasn't in the province of the police. Isn't it? she asks, and Barn says a firm no. Julia goes to Lang, shocked at his creation of the body. She thinks him mad, but he calls himself a scientist. He knows it's important and he's proud of it. He might bring back life, one step beyond the heart transplant-- would she call in the cops for a doctor doing that? No, she admits. Lang knows one word from her to someone as the hospital could destroy his experiment so easily. While Julia has her back turned to Lang, facing Barnabas, Lang starts to pull out the gun. Barnabas sees this, and assures him that Julia will be silent. Julia says she can't promise that, but Barnabas says he can. (He sure puts trust in her love for him.) Lang insists on Julia's word, saying he tried to stop her coming, he didnt want her to know. Julia looks at Barnabas and says he needed her. Yes, agrees Lang. Julia asks for Lang's word that he won't try to kill anyone else as he has Jeff, and Lang gives his promise.
She feels he gave in too easily, but the creature still needs a face. Lang says he can get the face the same way he got the rest of the body. Julia gives her word she'll say nothing, but she also says she will do everything possible to stop that experiment. She and Lang exchange looks and she leaves.

Later, on the terrace at Collinwood, Julia tells Barn he can't consider Lang's offer to put his life force into that monster and bring it alive. Barnabas says he won't be a monster then, unless Julia considers HIM one, which he is sure she does. She denies that, she wishes she did, then she could simply let him do it. Barnabas insists he had no choice. You do for the first time, says Julia, you aren't a vampire now. Barn says the cure isn't permanent, he finds himself regressing, and afraid. Julia says she and Lang can control that, but Barn reminds her about Angelique--she won't let him escape the curse! She's done nothing, says Julia. But she will, predicts Barn, when she's done enjoying herself, when she thinks he's suffered enough, made him feel fear--he can't live this way! The only way to catch her, says Barnabas, is to catch her in the crossroads at the dead of night-if he goes along with Lang's plan, he'll escape Angelique forever, be a stranger to her. As they speak, Cassandra is at the gate, listening to their conversation. Julia asks if he feels there's any chance for Lang's plan to succeed, and Barnabas reminds her she told him the doctor was brilliant, but THIS, says Julia. Barn says he trusts Lang, and Julia says he does so only because he's desperate. Barnabas wants to live a normal life with ordinary fears that everyone has. Is that asking so much? Julia thinks he must want to die then. At this point, Barnabas spots Cassandra, watching them. Barnabas denies wanting to die, and Julia plies him with other questions--even if it works, where will he live? How? He won't be able to return to Collinwood--what will he do? There's a great deal to be decided, agrees Barnabas. He'll leave his wealth with Julia (that's nice!) Still speaking, he begins circling around the gate. She will keep it for him, but there's something far more important to do tonight. He grabs the eavesdropping Cassandra. "We have a visitor, Julia!" cries Barnabas triumphantly, holding her tightly imprisoned in his grip. Cassandra, wearing a much nicer wig now, struggles against him--she was just taking a walk. Barnabas demands to know how long she was listening, what she heard, and Julia chastises, "Barnabas!" Cass begs him to let her go, insisting she doesn't know what he's talking about. "You're lying, Angelique!" Barnabas shouts, still clutching her. She orders him to stop calling her that, and he says she won't upset their plans, he'll see to it. "Why do you keep accusing me?" demands Cassandra. "Why do you think I hate you? Julia, why does he? He's mad. Everyone says Roger is, but it's Barnabas who is insane! I'm the only one who knows it--I'm the only one he treats this way!" "YOU KNOW WHY!" thunders Barnabas, but Cassandra cries, "No, I don't!" and pulls herself from his grasp, sobbing. Julia tells him to let her go or make it worse. Barnabas says they're fools to be there, discussing their plans, which Cassandra will ruin if she knows of them. Another reason you must not do it, says Julia, but Barnabas insists they must escalate their plans. Upset, he races off, leaving Julia alone on the terrace, crying, "No, Barnabas, no!"

Cassandra peers through the window, holding up a candle. She orders Tony to come to her, awaken if he's asleep and come to her--he must meet her at Collinwood, tonight. And Tony does so, he comes to the terrace. She knew he'd come to her, but he has no idea why he's there. He was driving back from Rockport and felt something was wrong at Collinwood. She agrees, but he asks if Carolyn is all right. She asks him not to think about Carolyn now, and she simpers. "You're angry," she says, and he says, "You--you made me come here." He doesn't understand her power, but she says there's no need for him to. It's wrong meeting her, she's married to Roger, but she says they aren't doing anything wrong. She demands he look at her, and reluctantly, he finally does. "You will do anything I ask," she demands, "anything, but you will not remember what I have told you or what you must do."
He agrees. She needs something Eric Lang has. Tonyadmits her knows where the doctor lives. Tony must go there tonight, she insists. He refuses and starts to leave, but she raises her hand and stops him, warning him that she can always stop him very easily, so he had better not do it again. She tells him to try to move and speak, but he can't. She asks if she should let him, and says if he does what she says, she'll release him. In a very Samantha-like gesture, she lets him go, and says he will learn something new every time he sees her. Don't make me angry, she warns, just do as I says. He shouts, "Why did you choose me?" and she tells him because she likes his eyes, and because he reminds her of a man called Reverend Trask (and how much satisfaction this gambit must be giving her!)--I wanted to use him once, but it wasn't safe at the time. She caresses his forehead and tells him not to think so much. Your mind is calmer now, she says, and he agrees that it is--I will help you. She explains that Lang is definitely not home, and in his study is a desk with a medallion in it, small, round and old, a talisman against witches. "To protect him against you!" says Tony, sounding much like Trask. "No," she coos, again caressing his forehead. "That's a very unkind thing to say. I told you to be kind. . .you will not be able to sleep until you bring this to me." He nods. If it isn't there, she says, you'll have to wait until Lang returns, but he mustn't know you've taken it. "I won't kill him!" explodes Tony. "No," she says, you must leave that privilege to me--overpower him, take his watch and wallet, but be certain to bring me the medallion. Tony understands. I will wait in the gazebo for you, says Cassandra and you aren't to fight what you're going to do, because if you do, you'll be discovered and taken for a common thief--and you won't know why you went there. "Go," she says, "you cannot afford to fail." She kisses him before he goes, just a quick one, and gives his face one final caress. (seems she wants more than just errands from this errand boy, huh? She never did any of this stuff to Ben.)

Lang knocks at the Old House door. Barnabas, carrying a candle, comes downstairs and lets him in. Lang says he got a message from Barnabas on his answering service that he should come to the Old House, there was some kind of accident. Could it have been Roger? asks Barn, but Lang says it was definitely Barnabas. Barn says Lang must not leave tonight; Angelique/Cassandra wants them together here for some reason. "Are you here listening, watching us, Angelique?" calls Barnabas. Lang asks if they shouldn't be able to see her, but Barn says she's got lots of powers. They have no idea why Cassangelique would want them together, but Barn says it must make sense to her or Lang wouldn't be there. Barn asks Lang if he has the talisman, but dopey Lang left it in his desk. Barn insists they both go there; Lang is his passport to his new life, and he won't allow anything to happen to him. He goes upstairs to get dressed.
Flashlight in hand, Tony enters Lang's office and searches the desk. He finds the talisman quickly and later presents it to Cassandra on the terrace. She clutches it (HOW? I thought it would repel her and vice versa?) and says, "Now, Dr. Lang, it's my turn. You cannot save Barnabas from me, and now you will not even be able to save yourself." She grins down at the talisman, pleased with herself.

NOTES: How can a witch hold a talisman against witches? I don't know, but this is a big discrepancy. She was unable to harm Lang when he had it in his possession, so how can she just hold it, without witchly potholders or something?

Great scene between Barnabas, Cassandra and Julia on the terrace. She just keeps denying who and what she is, and he keeps accusing her. At this point, Julia doesn't even seem all that convinced that what Barnabas says about Cassandra is true, that she is Angelique and has returned to torment him and make him a vampire again.


482 - Barnabas and Eric return to Lang's house. Eric, trying to calm Barnabas, says Cassandra is a most inefficient witch, doing little but costing him sleep. Barnabas insists that isn't so. There's no sign anyone was in the house--but the talisman is gone--and with it your safety, says Barn--and now she can do whatever she wants to you. Eric agrees the talisman and the protection it provided are gone. He says she couldn't have known it would be there, he could have been carrying it. Barnabas says whoever came for the talisman would have been waiting for Eric to return, and he would have had an accident--talismen are rare, so they don't know if they can find another one. Barnabas apologizes--I feel badly that you've changed my life for the better and this is your payment. Eric says he'd do it again. Barnabas wants to find and burn Cassandra, it could be done and no one would know. Eric says too it would result in too many questions, and doesn't want his work to be endangered. Jeff Clark, on his way out, demands to know what happened to him. Eric says he fell asleep, which Jeff finds odd. Barnabas looks guilty and walks away, allowing Eric to speak alone to Jeff. Jeff refuses to help Lang with the experiment, and Barnabas thinks they should let Clark leave Collinsport. Jeff is staying in town, he has friends here now. Jeff's parting shot to Lang is that he knows something happened to him last night. Barn assures Eric Julia's hypnotic skills will prevent Jeff from remembering. Eric and Barnabas discuss the qualities needed for a eplacement assistant--good hands and lots of nerve. Barn suggests Willie Loomis, and Lang says he needs him immediately. Barn says Julia can release him from the mental institution, if she will, and Eric says Barn must talk Julia into it, if he wants to be free. Lang will go without sleep until the project is finished, and tells Barnabas he is as important to the experiment as he is--Barn will give his creation life.
Barn explains that Angelique came to him in a dream, looking as she did when they were married, and warned him against all dreams, his own and those of others--we must finish the experiment, says Barn, before Angelique finishes what she's doing.

At the Evans cottage, Maggie, dressed in her colorful (and much maligned) quilted robe-skirt, says she has to take her mind off that awful dream. She looks through a pattern book--she could sew something. She talks aloud about how awful the dream was--that knock on the door--and then someone knocks at her door for real. She lets in Jeff Clark, and is terrified of him until he introduces himself and explains that Vicki is meeting him here. She reluctantly invites him in and says her father agreed it would be OK. (Are there three bedrooms in that house; I always thought there were two)? Maggie starts to tell him about her dream and his appearance in it. That's weird, considering they never met before, says Jeff. She offers to show him her room, and he sees her reluctance and offers to stay elsewhere. She says it isn't him, but the dream, and he asks to hear about her dream. She would prefer to forget it, but he suggests she tell him--he won't psychoanalyze her since he's never met her, Jeff assures Maggie. She describes her dream; he was even dressed as he is now, he was silent, she followed him, he slammed the door and left her alone. A wall of doors. . .she recites the poem, not exactly the way it was recited to her in the dream. Behind one door she heard tinkling music, went to it, opened it, and there was a skull inside, staring at her, moving toward her.
She gets hysterical as she continues describing her dream, and Jeff shakes her. Maggie apologizes and Jeff says he can't wait for the next installment. She feels much better now that she's told him, and he assures her they all have their dreams. She thanks him for listening and seems far more relaxed. Vicki arrives, angry at Jeff for his not contacting her, letting her stay up all night. Maggie tells Vicki to speak her mind and goes to make coffee. Jeff tells Vicki he fell asleep at Lang's house the previous night. Vicki doesn't believe him; she went to Lang's at 10 PM and Lang said he hadn't seen him. Jeff says his memory is going blank and he fears he'll end up back at the hospital. Why would Lang lie? asks Vicki. She touches his wrist and he recognizes her bracelet. I haven't worn it since I came back from the past, she says excitedly; he was there when it was used as evidence at the trial--Trask held it up. "Trask?" asks Jeff. He was the witchhunter who vanished after the trial, explains Vicki--he left a note saying she was innocent but they could never find him. Jeff remembers the name Trask, and Vicki explains he called himself a reverend. It's familiar, admits Jeff, but that's all. "Jeff," chastises Vicki, and he accuses her of liking him only because of his resemblance to Bradford.
What if he turns out to be a normal guy with a regular past, he asks Vicki--what if he's someone she hates? She looks depressed at that possibility.

Maggie finds Jeff out in the living room, reading. He asks if Vicki is really as good as he thinks she is, and Maggie says yes. Maggie expresses her opinion that Jeff isn't used to being in love, then says goodnight. Jeff thanks her. He falls asleep in the chair and has the dream! (I don't want to put in every detail of these dreams, but suffice it to say that Jeff's doorknocker was Lang, door #1 contained the skull, and door #2 contained a guillotine, which dropped when Jeff opened the door.).
Jeff awakens with a terrible start, staring, horrified, around him.

NOTES: OK, now Jeff has had the dream. Interesting how Maggie had hers and found a stranger in her version, someone she wasn't destined to meet quite yet.

Cassngelique, using Tony, managed to successfully steal the talisman from Lang, without any trouble at all. Sometimes you wonder just whose side the fates are on in this show.

It certainly appears that Jeff is Peter Bradford, but he doesn't yet know it. Was the shock of time travel too much for his tender psyche? It's funny how he accuses Vicki of liking him only because she thinks he's Peter, when he could be just an ordinary fella. And Vicki, what happened to your great love for Burke? Technically, he died only a few days ago!

Love, Robin

797
Current Talk '02 I / Re: PLEASING PLOT
« on: May 12, 2002, 02:40:47 PM »
THE DREAM CURSE - Fine on first viewing, can't tolerate it since.  I fast forward through it.  It had a promising beginning but an anti-climatic ending, and that just pissed me off!

THE CREATION OF ADAM AND EVE - So-so.  My favorite portion of this storyline (spoiler ahead) is when Nicholas turns Angelique into a vampire and she comes after Barnabas.  Very hot!

RETURN TO 1796 - I liked this little foray into the past to get rid of Vicki's character for all time.  I wish they had revealed who her parents were, but I just see it as excellent fodder for fan fiction.  Angelique was fun here, and seeing Ben again very nice.

WEREWOLF & GHOST OF QUENTIN  - Excellent, if lengthy buildup to the longest DS storyline ever.  Selby was a hunk and a wonderful actor, but I had more than my share of Count Petofi.

Love, Robin

798
Current Talk '02 I / Re: Dr Lange's length of stay
« on: May 12, 2002, 02:34:27 PM »
I also think Lang was intended to be a "bullseye" character, although one of longer duration.  He was probably told by Curtis and Co. to go with that mad doctor characterization and take it to the hilt.  He also wanted Barnabas to open his mouth ridiculously WIDE so fans could see the fangs therein.

Methinks Curtis himself is an over-the-top kind of guy who wants everything done that way.  Subtlety isn't his strong suit, is it?

In seriousness, I find Powell's acting method so different from everyone else's that it gives every scene he's in a strange flavor--and not a good taste!  He could have toned things down and still come across as sinister.

Love, Robin

799
479 - Luckily for Jeff, Barnabas appears at Lang's office just in time to stop the surgery. Lang covers Jeff with a sheet as Barnabas bangs on the door, demanding to see him. Barnabas tells Lang he's frightened, he was taking a stroll in the moonlight and felt the urge for blood--to find someone, anyone--I'm changing back, says Barn desperately. Lang touches Barn's shoulders with both hands (a touchy feely kind of guy). Lang warned him the symptoms might recur. Barn can't deal with this terrible feeling. He sees the sheet draped form and asks who it is. Part of you, says Lang, he interrupted him during surgery. Barnabas seems shocked to see he's really going to do it. I am a man of my word, Lang declares. (There was some kind of film mess up here.) Lang warns Barn the anesthetic is wearing off, he must go. Barnabas removes the sheet from Jeff's face and comments that there's a kindness and simpleness of spirit in this smile--how will he look when the goodness and sweetness goes and reveals a monster's soul? Lang says he'll be a new man, living a safe new life. How can I be a new man and still be me? asks Barn--will I be free of memory, or will I look in the mirror and see the ghost of a man haunting me to the grave? Barn stares down at Jeff, fighting with himself. He can't let Lang do it! Lang calls it a sudden surge of sentimentality--Barnabas is recoiling from such a horror--you are surely no stranger to horror. Barnabas says even he can cry enough, but not yet, insists Lang, not until you're free. Barnabas says he will never be free of guilt and self-loathing for what he's done. Lang asks if he really wants him to stop. Yes, says Barn. Lang asks if he really wants to see Jeff marry Vicki, and live a life of unending joy? Don't say that, begs Barn, but Lang says he thought Barn loves Vicki and would dare anything for that love. Barnabas hangs his head. Lang digs in the verbal knife.
"If you really want to change back to what you were, and very probably destroy Miss Winters in a rage over your loss. . .? "NO! cries Barnabas--I wouldn't do that. Lang insists he would, he'd want revenge! Barnabas disagrees. You can live a life with the woman you love or destroy yourself, and Vicki, says Lang--take your choice, the doctor says. "Do it," says Barnabas, resigned. Barnabas wearily exits the room. Lang's doorbell rings, interrupting him again. It's Vicki, who lets herself in when she gets no answer, and calls to Lang from the hallway. Barnabas hears her calling Jeff in Lang's office and quickly retreats and returns to the lab. Lang is annoyed. Barnabas says Vicki is there, calling for Jeff. Lang's eyes widen.

Lang asks Vicki why she came here looking for Jeff. She thought he was coming here, she says. Lang says he isn't there now and hasn't been in all evening. Vicki's worried about him--he was supposed to be moving to the Evans cottage. Barnabas stands outside, eavesdropping. Lang did notice some of Jeff's things gone, but Vicki says he hasn't showed up at the Evans' cottage. He was supposed to meet her at Collinwood, but that was 3 hours ago. Lang says she'll soon find how unreliable Jeff is, and Vicki asks how can he take it so lightly. He wants to know how SHE can take it so seriously, but she reminds him they both know Jeff has been ill--she fears something has happened to him, something terrible. Lang is sure Jeff is OK, and she's scared. If anything happened to Jeff, she doesn't know what she'd do (shot of Barnabas' sad face here).
Lang is sure nothing has happened, but Vicki says she loves Jeff, needs him, and he needs her, she knows it. She apologizes for coming close to tears, but she's so close to being happy, and afraid of losing everything--and by that she means Jeff. He's all she wants, and she knows she is all he wants. Barnabas looks very upset at this point and leaves the hallway, goes to the lab, and turns on the light. He lifts the sheet off Jeff and says, "It's you. I know it is so. She will never change. Never." He takes a scalpel from the tray and stares at it, anger on his face. He struggles with himself over killing the man Vicki loves. "No," he says, "the time has come for me to cry enough. Enough!" He begins to open the straps holding Jeff to the table.

Lang returns and finds Jeff sleeping but no longer bound.
He asks Barnabas what he's done. "He's free and safe," says Barn. Lang is perturbed--he could awaken at any moment. Let him, says Barn, and Lang asks him if he's mad. Barnabas says he's seldom been more sane. Lang orders him to go so he can begin the surgery, he's had enough interruptions! Barn says his mind is made up--he offered him a choice and he's made it--he overheard Vicki, she loves Jeff. Lang insists she will love Barn if they proceed as planned--she'll love him after the experiment is over. No, says Barn, it will always be Jeff. All the more reason to go through with the experiment, insists Lang, but Barn is adamant. Lang says the time has come to tell him that he has a decision to make, too, and they will continue. Barn says he wants to set Jeff free but continue with the experiment, but Lang says Jeff knows everything. It made no difference before, Barn reminds him. A new element has been added, Lang reminds him--he knows about the doctor's plans to use him, Jeff, in the experiment. Jeff awakens and listens to them speak. Barnabas thought he had told Jeff he was treating him for his own difficulties, and Lang says while that was the plan, Jeff guessed the truth. He can't blackmail him anymore, and if Jeff talks, all of them will be implicated. Barn suggests he tell Jeff he was having a delusion, and that Lang meant him no harm. Lang fears Jeff will pretend to believe that, then come back and take revenge on them. Barn says Lang is imagining that, but Lang says neither of them can afford to live as long as Jeff is alive. Jeff quietly reaches for a scalpel from the table while the men continue to argue. Barn is willing to take a chance, but Lang isn't, and Jeff jumps off the table and tells Lang he won't have a chance to think about anything. Lang orders Jeff to drop the knife, but Jeff threatens to stick it in his ribs. Barn and Lang step away from Jeff, slowly. Jeff knows what Lang was going to do to him. "You heard," says Barn. Lang insists Jeff was only getting a treatment, but Jeff says he was giving him THE treatment. Barnabas reminds Jeff he's free now, nothing will happen to him now, he can't touch Lang. Jeff accuses Lang of trying to kill him, but Lang insists he had changed his mind. Jeff approaches Lang with the scalpel, and Lang backs away, reminding him he doesn't want another murder on his conscience--guilt is a terrible thing for the mind--it's Jeff's last chance, his sanity hangs by a slender threat, and if he uses the knife, the thread will snap!
Stop it, orders Jeff. Lang says his mind will go deeper into madness, seeking a refuge he'll never find. Destroy me, says Lang, and you'll destroy yourself. Behind Jeff's back, Lang prepares another hypo, adding, it happened before, it could happen again. "Never!" cries Jeff. Lang lurches forward and injects Jeff, who falls to the floor. Barnabas fears he's dead, but Lang says not, yet--but soon, very soon. Lang binds Jeff back to the table, and Barnabas asks the doctor to listen. He nearly died, says Lang, but Barn says killing Jeff isn't necessary--Jeff can be completely harmless. Lang is doing this to protect his experiment, and will allow no interference. Barnabas suggests they call in Julia to save Jeff's life--she can hypnotize him. Lang refuses to listen. Lang implies Barnabas is stupid to believe such a thing. It's been successful, insists Barn, but Lang doesn't want Julia to know about the experiment. She needn't know, insists Barn, but Lang is sure Jeff will tell her right away. Tell Julia Jeff was momentarily deranged, suggests Barnabas, but Lang feels the inquisitive redhead would probe until she learned the truth. Then let her know everything, advises Barn, but Lang considers this a mad idea. She'll keep his secret, insists Barn, but Lang considers him too trusting and stupid. Julia isn't without her guilts, says Barnabas--she had her mishaps when they tried her experiment. No one can know what he's doing, insists Lang. Jeff starts coming to, calling to Vicki to help him. Barn grows more agitated and threatens to call Julia himself. Lang refuses to believe Julia could hypnotize Jeff or keep his secret. Barnabas heads for the phone--he's calling Julia! Lang orders him to put down the phone, but Barn says no, and Lang pulls out a gun and points it at him, ordering him to hang up. Barnabas says that's a hollow threat, and Lang says he'd better hang up by the time he counts to three, or he'll shoot. An ordinary bullet would have no effect, says Barn, but Lang reminds him that one of the melancholy aspects of his cure is that he, like all mortal men, are now susceptible to death! This is shocking news to Barnabas, who listens as Lang begins to count. Barnabas stares fearfully at the gun barrel, wondering what to do.

NOTES: The acting today wasn't the best, on everyones' part. Frankly, I think Addison Powell and Roger Davis bring out the worst in each other, and unfortunately, the worst in Jonathan Frid, too. These were not my favorite episodes, although it was fun watching Barnabas' face when it hit him that he can die just like any other guy.


480 - Barnabas gives in to Lang's threat to shoot and reluctantly hangs up the phone. He's shocked to learn that he can actually die now, which Lang assures him would happen if he pulled the trigger. It almost gives Barn pleasure to think he's THAT human. He agrees not to call Julia but still wants to bring her in, even though Lang continues to insist he doesn't want her to know about the experiment. Barnabas reveals that Julia "cares" for him, unfortunately, but she does. Lang says he knows that. (how casually they discuss this good woman's feelings!) Barn points out that Julia can be trusted for this reason--she'll keep the secret because she knows that it would endanger him. Possibly, says Lang. Barn says he won't allow Lang to kill Jeff and again heads for the phone to get Julia--she'll hypnotize Jeff and make him forget all. Again Lang raises the pistol, but Barn knows he won't shoot him--he needs him for the experiment, and that means more to Lang than anything else. Lang advises Barn not to test him, but Barn says for both their sakes, he must do so.

Julia and Cassandra walk the landing at Collinwood. Cass wants Julia to meet Prof. Stokes, an interesting man. They might become good friends, says Cassandra, who wants Julia to know and like her--and knowing Stokes would aid in that endeavor. Julia remarks that she admires Cassandra's honesty, and they head downstairs. Cassandra answers the ringing phone. It's Barnabas, asking for Julia. Cass hands over the phone, looking pissed. Barnabas says he urgently needs Julia's help--come to Lang's immediately and bring your medallion--come as quickly as possible. Julia agrees and tells Cassandra she has an emergency. Julia excuses herself and leaves the house, with Cassandra looking like she wishes she knew where the hell Julia was going.

Barnabas paces Lang's living room. Lang comes in--he moved Jeff to his bedroom. They hear the doorbell and Lang says Barn had better be convincing. Lang admits Julia to the house. She immediately asks if Barn is all right--what's the emergency? They need her help with Jeff, explains Barnabas--to hypnotize him as she did Maggie--he has to forget five hours of his life.
Julia is puzzled. Lang says there's much about Jeff she doesn't understand. Julia is aware Jeff was once in a mental institution, Vicki told her. The story unfolds--Lang was his doctor, and he's still treating him. He's intensely paranoid, dangerous. He came in and said he was moving to the Evans cottage, but then became quite violent and irrational. He accused Lang of trying to kill him, of trying to cut off his head! He attacked Lang, but Barnabas came at that moment and they restrained him, then Lang sedated him. Barnabas agrees that his arrival was fortuitous. Julia is sorry for Vicki, who loves Jeff. Lang fears Jeff will end up permanently insane if the memory isn't blocked off. Julia agrees to do what they ask, and she and Lang go up to Jeff's room. Barnabas stands in the living room, probably praying and hoping they can get away with lying to Julia.

Jeff lies in bed, his hands tied in front of him with rope. Lang explains to Julia he did that because Jeff was violent. Clark could wake up at any moment; Julia asks the doctor to leave the room so she can do her work--and yes, he must go. Lang agrees to wait downstairs and leaves. Julia checks Jeff's pulse. Lang returns to Barn, concerned about leaving Julia and Jeff alone. Barn feels Julia won't believe anything Jeff tells her, and their story will be accepted.

Jeff wakes up. Julia introduces herself as Julia Hoffman, Vicki's friend, and a doctor. He's upset to hear he's at Lang's house, and says the latter tried to kill him, cut off his head! Julia looks perturbed at this accusation, but says she's here to help him. Jeff can tell she doesn't believe him. She assures him she wants to help because she's Vicki's friend--try to cooperate, she advises, relax and listen to her instructions. Lang tried to cut off my head, says Jeff, and I'm not insane. Why would he do that? asks Julia. To complete his experiment, explains Jeff--he's trying to make something alive out of something dead. He's been forcing Jeff to help him, made him rob graves, dig up the dead to make his "thing." All Lang needed was a face--and he wanted Jeff's. Julia rises from her chair, upset.
Jeff tells her to go to the lab on the second floor--she'll know he's telling the truth. She promises to do so. Now that she's cooperated with him, he must return the favor. She sits back down and begins doing the ol' medallion-twirl on him. "Find the center." He stares, searching for the center of the light, and does. Julia tells him that, when she snaps her fingers, he'll sleep, and when he wakes up, he won't remember anything that happened there tonight--just finding his belongings and falling asleep. "Yes," he says. She snaps, his head falls to one side. Julia thinks that Jeff must be mad, what he said was impossible. The lab. . .she gets up and leaves the room.

Lang frets to Barn that Julia's taking too long. He gestures for Barnabas, who makes an annoyed face, to follow him. Julia enters the unlocked lab and turns on the light. She glances at the equipment, the empty table, turns on the operating lights. She sees the other table and gasps, then draws back the sheet and screams uncontrollably. (Sorry, folks, but she's a doctor, and seeing a body with an arm sewn on shouldn't have turned her this freaky-screamy).

Lang and Barnabas find her in the lab and Julia cries hysterically that everything Jeff said was true--he was going to cut off his head and Barnabas was going to let him do it! No, insists Barn, he was preventing Lang from doing it! Julia is glad to hear this. That's why Jeff is still alive, and he called Julia because it was the only way to silence Clark, to save him the only way he knew how. Then he isn't going ahead with the experiment? asks Julia, but Barnabas says he still intends to do that--it's his only way to escape Angelique.
Julia says this experiment is madness, which Lang denies--he wants to bring death to life, transmit Barn's life force into his newly-made creature. Barn won't be what he was, and free forever. "Forever?" asks Julia with forlorn hope. This means a great deal to me, says Barnabas, and she dazedly says they'll have to find someone else's face now that they don't have Clark, an idea which horrifies her. Lang reminds her lives have been sacrificed before in the name of science (tell that to Dr. Woodard), and Barnabas says, "One more life, that's all it will take, and the destruction will be ended forever." Julia battles tears, repeating, "One more life." Barnabas reminds her that she tried to save him and failed; does she wants the experiments she started to succeed? "Yes," sobs Julia. Then agree to cooperate by remaining silent, Barnabas asks. Lang asks if they can trust her, and she admits she wants Barn to be cured, sincerely. She has to go, she can't stay any longer, she says, and tells Lang he needn't escort her to the door. After she leaves, Lang says he doesn't trust her. Barnabas feels she'll cooperate for his sake, she's just had a bad shock. Lang says he can believe that if he wants to, but he's following her. Julia, heading for the door, clutches her throat and thinks that she can't let this--another killing, another death--to go on, not even for Barnabas. She spots the telephone in Lang's office and locks herself in there. Lang and Barnabas see the closed door and Lang tries it--it's locked, and Julia is in there. Julia dials the operator, asking for the police. Hearing this, Lang pulls out his gun. Barnabas knocks at the door, begging Julia to let him in. This must be stopped, insists Lang, as Julia, hysterical, cries into the phone, "Get me the police quickly, quickly, quickly. . ."

NOTES: A tense situation as Lang is prepared to do whatever he has to in order to protect his experiment. He will have no qualms about killing Julia, and perhaps Barnabas, too, but where else is he going to find someone like Barnabas to utilize for his nutzoid experiment? Former vampires don't grow on trees, after all!

So will Julia come to her senses, remember her love and agree to help Barnabas and Lang? Will Jeff forget they were going to cut off his head to make their creature?

Cassandra is getting awfully chummy with Julia--is it because she knows of the Barnabas connection and wants to keep tabs on her former husband? Or does Cassandra genuinely like Julia, within the limits of which she is capable?

Love, Robin

800
Current Talk '02 I / Re: Right Off the Rack
« on: May 11, 2002, 11:19:34 PM »
This topic is making me feel old!

All of what you listed, Gerard, is so vividly enmeshed in my memory chips, it's almost sepia-tinted!  Damn!

I wore all the same dreadful, incredibly bright colors we see on DS now, skirts up to THERE, fishnet stockings (Ruby would have been proud).  I had a bright, electric yellow coat that I just adored!  
Yeah, the 60's were a more innocent time for kids, no doubt about it.  I used to play with my friends allllll day, not returning home until dinnertime--or maybe not until after.

Remembering. . .

Love, Robin

801
Calendar Events / Announcements '02 I / Re: A Mother's Day Message
« on: May 11, 2002, 11:13:25 PM »
I want to wish all moms on this forum a most happy Mother's Day.  I don't care who or what you mother, whether it's human kids, cats or dogs, if you consider yourself anyone's mama, I wish you a wonderful day filled with joy.

Love, Robin
Author, LAUGH OUT LOUDS FOR MOMS
(A great last-minute gift for Mother's Day!)
URL:  http://www.writers-exchange.com/epublishing/humour.htm

802
Current Talk '02 I / Re: Quentin's Return
« on: May 11, 2002, 11:07:59 PM »
We are presently watching around episode 471.  Quentin appears for the first time, I believe in #679, approximately 200 episodes away.  

10 episodes per week gives us about 20 weeks before we see Quentin, give or take for holidays, etc.  So we should see Quentin sometime in September.

Math is NOT my strong suit, and all of these numbers represent guesstimates on my part.

Love, Robin
   

803
Current Talk '02 I / Re: Tally This
« on: May 11, 2002, 11:02:41 PM »
I prefer to think Barnabas killed those who deserved it, like Jason McGuire, or Nathan Forbes, but he did kill his share of innocents.  I don't hold him responsible for anyone who died as a result of the curse--Sarah, Angelique, Naomi.

Pre-curse, Barnabas killed Jeremiah as a point of honor, which might seem stupid to us but was most important in those days.  And again, Angelique put the spell on Jeremiah that caused him to fall in love with and marry Josette, so she was responsible for Jeremiah's death, and Josette's, too.

It was all just a nasty mess!    

Love, Robin
   

804
Current Talk '02 I / Re: The Dream Curse is here!
« on: May 11, 2002, 10:58:24 PM »
They already covered one of my worst fears in Mrs. Johnson's dream--the giant spider.  I have always hated them, especially since I once saw a fat mama spider giving birth on my bedroom wall and screamed for my brother, who immediately killed them all with half a can of bug spray.  

I also hate wasps, hornets, bees, flies that buzz, snakes (although I can watch them on TV or behind glass at a zoo) and conceited men.  

Love, Robin

805
Current Talk '02 I / Re: IDENTIFIABLE IDIOSYNCRASY
« on: May 11, 2002, 10:54:29 PM »
"I really wish Barnabas would start using some sense when it comes to Angelque/Cassandra.  No sooner does he meet her alone at the old house, does he start blabbering to her about how he knows she is  REALLY ANGELIQUE!!  AND  "she won't win this time!!"
Now I know he has alot of anger & resentment towards her,  but he made the same exact mistake with her in the past, when he found out she was a witch.  I just wish he would play it cool with her for awhile.  Doing what he does only makes her more angry and determine to cause him more suffereing."

Barnabas is supposed to be very passionate and rash.  It's one of the things that is either most endearing about him or most annoying.  He rarely thinks before he speaks or acts, and sometimes reminds me of a little kid in his impatience and desire to "let it all hang out", as we used to say in the 60's.  The man was often a basket case and needed some tempering, which is what Willie and Julia were for.  

I still adored him!

Love, Robin

806
Current Talk '02 I / Re: SUSPENSION SNAP
« on: May 11, 2002, 10:50:58 PM »
SPOILER. . .







When Angelique, in the Leviathan storyline, comes to Collinwood after learning her husband, Sky, is in league with the Leviathans, she decides that Barnabas is her One True Love after all.  Realizing that Barnabas is sweet on Maggie (he's even given her a ring that Josette's ghost returned to him, a ring we never, ever saw), she immediately pulls the old Jeremiah-Josette ploy and makes Maggie and Quentin get the hots for each other, complete with pitchforks.  Since I thought Angelique had finally done some maturing, I felt this a huge, disappointing step backwards in her character.

I don't know if I it messed with my belief system, per se, but it sure pissed me off!

Little things like Lang not turning on the tape recorder when he was supposed to be recording an all-important message, which we will shortly see, did that to me, too.

Love, Robin  

807
477 - Carolyn finds the door to Collinwood locked and is forced to knock. Cassandra answers. You must be Carolyn, she says, and introduces herself as Mrs. Collins, Roger's wife. Carolyn's mouth drops open with astonishment.

Stunned, Carolyn says, I had better sit down (her reaction is very amusing). Cass asks if she's terribly shocked. "Uncle Roger, married, I don't know what to say," says a dazed Carolyn. Cassandra suggests congratulations, and Carolyn apologizes--she never dreamed Roger would marry again. Neither did anyone else--they all reacted as Carolyn did, says Cassandra, expressing hope that they'll be good friends. Carolyn is shocked to hear they knew each other only a day when they wed, and decides to stop asking questions. (this was very funny and well-written.) I'll unpack and we can get to know each other, says Carolyn--David stayed in Boston a few days longer. Cass asks if Carolyn thinks David will disapprove of her, and Carolyn responds that she might win him over immediately--or be furious with his father for not consulting him over such a big decision. Tony Peterson barges in as Carolyn ascends the stairs; she accuses him of conducting business at strange hours. He isn't there on business, he says, and wants to talk to her. I'm not in, she says grandly, and he orders her to come down. She marches down and tells him she doesn't like him ordering her (but she did as he demanded). Cassandra is ready to go upstairs, and Carolyn introduces him as "occasionally a lawyer and almost never a gentleman". Carolyn introduces Cassandra as Roger's new wife, and Tony says he didn't know Roger was married.
Since last Wednesday, beams Cassandra, and Tony congratulates her on the marriage and on Roger's good taste. When Carolyn tries to dismiss Tony, he excuses them to Cassandra, grabs Carolyn and yanks her into the drawing room. Cassandra listens as he asks Carolyn if she's forgotten how to use the telephone--he was waiting for an explanation about the cozy incident with Barnabas, and she reminds him she told him there was nothing between Barnabas and her. Tony didn't believe it. There's nothing to discuss, insists Carolyn. "There's you and me," counters Tony. She's sorry, but it takes two to tango. He refuses to leave until she tells him why she went to the Old House. You'll need a suitcase, then, she advises. (love this dialogue!) The man is your cousin, says Tony, and old enough to be your father--I'm concerned and don't believe you really love Barnabas. It wasn't what he thought, she says, and accuses him of having unbelievable nerve--you stormed out without giving me a chance, and you still think you're owed an explanation--and you aren't going to get one now--get Barnabas to tell you, she simpers. I will, he assures her. He angrily exists the drawing room, grabs his briefcase, and storms out. While they're talking, Cassandra rifles through Tony's briefcase and steals something from it.

Tony goes to the Old House to see Barnabas, who knows who he is. Peterson confesses to following Carolyn the night they had a date; Carolyn began behaving strangely. What about it? asks Barn. Tony confesses that he stood outside the window, watching them, which Barnabas says was an uncalled--for thing to do. I'm interested in Carolyn, says Tony. Barnabas counters that by saying it's a pity he isn't a gentleman. Tony did what he believed right; Carolyn was acting oddly. Barn says he's fond of Carolyn and interested in her. In what way? demands Tony, and Barnabas begs his pardon. Tony, chastened, says he's concerned Carolyn is making a grave mistake. "What the devil are you talking about?" asks Barnabas. Tony asks him his intentions toward Carolyn. Barnabas is perplexed--you can't be serious! I'm very serious, says Tony, and Barnabas grins widely.
Tony resents being laughed at, and Barnabas suggests he not go around being so amusing. There was nothing funny about what he witnessed, says Tony. "There is always something faintly amusing and rather sad about a man who's jealous for no good reason," says Barnabas, who leads Tony to a chair and assures him he'll set the record straight for him.

Cassandra, in shocking green, waits at the gazebo. She "speaks" to Tony, telling him he's lost his lighter--he'll discover the loss and keep looking for it. She fires up the lighter. "You will feel the warmth of the flame on your cheek," she says, "and your instinct will tell you to follow the flame, to find the flame, Tony, and you will find me waiting for you."

Barnabas has apparently finished his explanation (wish I'd been a fly on the wall), assuring Tony he's gotten himself worked up over nothing. Tony rises from the chair, not completely convinced--I saw you kissing her. Barnabas says he has the right to give his cousin a friendly kiss, but Tony, pulling out a cigarette, insists that wasn't a friendly kiss he saw. Whatever Tony saw, he isn't romantically interested in Carolyn, Barnabas says--he can't make it clearer than that. Tony goes for his lighter in his briefcase, but can't find it. Perhaps you left it at Collinwood--go there and look for it, suggests Barnabas. Tony apologizes for taking up Barn's time, and they wish each other goodnight as he leaves. Tony touches his cheek, feeling Cassandra's promised flame.

When Tony arrives at the gazebo, Cassandra clicks the lighter closed. She sits, sobbing, and Tony touches his cheek upon finding her. She tells him not to look at her. He asks what's the matter. She says she wasn't crying, but he says he heard her. She admits she was, and he says he doesn't mind listening. She feels no one at Collinwood is willing to accept her. She feels so lonely all the time. He sits beside her and says everyone will be friendly when they get to know her better. He keeps reassuring her that they're fairly reasonable people. She's still a stranger, and she and Collinwood will need time to get to know each other. He asks to escort her back to the house. She asks him why he came there, and he says he doesn't know. He had misplaced his lighter and was heading back to Collinwood to look for it, but somehow ended up at the gazebo. Amazing coincidence, says Cassandra--she has his lighter! She takes it out and lights it, explaining that the flame was helping her forget her trouble. Isn't the flame fascinating? Yes, he agrees, going into a trance. She asks if he sees the flame flickering in her eyes, and encourages him to keep looking into her eyes, deeper and deeper. What does he see? He seem a man, his face isn't clear.
Look deeper, she says. The man is him! he says. "Yes," she agrees. It's you because I need your help--will you help me? Yes, he says. When she needs him, she'll call him, and he'll come to her. Yes, he agrees. She closes the lighter and the trance is broken. Freed, Tony says he wants to take her back to the house. Cassandra says Carolyn is wrong about him--he's been a complete gentleman to her. Arms linked, the head to Collinwood. (It must amuse her so much to have a Rev. Trask lookalike in her power--but how will this affect Carolyn?)

Barnabas sleeps in his drawing room chair. He hears Angelique calling to him, and his wife, dressed in her 18th century clothing, says she must see him and tell him what the future holds. Barnabas orders her to get away from him, but she insists they must talk. He can't move, what is she doing to him? Nothing she says--you're having a dream, and I'm causing it so we can be together again for just a moment. She walks toward him, touches his head. He wants her out of his sight, but she says she won't harm him. Do what you want to do get it over with, he moans. You won't escape me, she swears, and no doctor will help you. Go away, he cries. Only a dream, she says.
He wants to awaken, and will, she giggles, when the time comes. It happened for the first time in this room, Barnabas, she asks, and he answers, weakly, yes. It used to be such an elegant room, she reminds him. What do you want to say? he asks. Beware of dreams, she cautions. What evil game will you play? he asks. Beware of dreams, she says, because that's how the curse will return to him again--a DREAM CURSE! First one person will have the dream, and that person will remain terrified by the experience, until they tell the dream to a second person, only this time the dream will go a step further and be even more terrifying. Then that person will not rest until he's told that dream to a third person, and that person will have the dream, and tell it to a fourth, and on and on it will go, and each time the horror of the dream will increase. Angelique grows almost orgasmic as she continues?"And the terror will mount and the fear will be more unbearable until finally, someone tells it to you, Barnabas, and you will have the dream, step by step you will go until the very end and the dark and terrifying thing that you will find there WILL TURN YOUR BLOOD TO ICE!"

Barnabas awakens, screaming, "STOP IT, STOP IT!" He looks around. "Angelique!" he cries, his face filled with fear and loathing.

NOTES: So she came back in a nightmare to tell him he's going to experience a nightmare of his own, one that will end in a terrible way. She scared me in his dream, she really did. She really got being bad down pat by this time, didn't she? Brrrr!

Doesn't Barnabas ever sleep in a BED?

Tony Patterson will be her slave in this era, apparently, a Trask clone to do her bidding. She can destroy Carolyn's budding relationship with him--and aren't Carolyn and Tony a hoot in their Bogey-Bacall bouts?


478 - Cassandra, in a fairly hideous black and white dress, answers the door at Collinwood. It's Maggie Evans, and Cass is clearly shocked to see this Josette look-alike. She introduces herself to Maggie, who congratulates her. They stare at each other, and Maggie asks her if something is wrong. (must be that hatred.)
Cass says you look like someone I knew long ago. Vicki enters the drawing room as Cassandra is telling Maggie how nice it's been to have met her--Cass is on her way to the study to write some (poison pen?) letters. Alone in the foyer, Cass tells Barn's portrait that she will start his dream curse with Maggie Evans--the irony appeals to her, and is so appropriate.

Maggie stares vacantly into space, and doesn't react when Vicki asks her if she wants more sugar in her tea. Maggie doesn't respond to lemon or cream and Vicki suggests her mind is elsewhere. Vicki pays close attention as Maggie explains how Cassandra kept staring at her; both women are spooked by it. Vicki says she can see why, and suggests Cass said Maggie reminded her of someone--but didn't say who. It's too fantastic, says Vicki, but Cass came so suddenly into Roger's life--they married the day they met. Maggie finds it strange, too.
Vicki needs Maggie's help--she wants Jeff Clark to stay at their cottage for a while. (aren't there only two bedrooms?) Vicki admits she knows little about him, but says Jeff is a nice guy. Maggie wonders if romance is in the air, and Vicki admits to liking him very much--but she isn't sure if it's love. Maggie asks if Vicki loves Jeff, and she says that she DID. They met after the accident, but she feels as though she's know him a long time. Maggie can't bear this half-info, why so mysterious, she demands. Cass knocks at the door--Jeff Clark is on the phone. Vicki asks Maggie if Jeff can move into the cottage, he won't stay long, only until he gets a job, and Maggie promises to try her best. Vicki goes to the phone and Maggie picks up her cup. Cassandra eyes her like a piranha waiting to strike, making Maggie uncomfortable.

Lang prepares an injection while Jeff learns he has a place to live--he'll be at Maggie's in half an hour. Lang tells Jeff he's making a big mistake, but Jeff says that's his opinion, he has to pack. Jeff tells Lang he already leveled with Vicki and told her what he knows about himself. What about your being a murderer? asks Lang. I'm not, insists Jeff. Lang threatens that he has proof, but Jeff advises him to keep quiet--if Lang tells Vicki anything about him, Jeff will call the police and reveal everything about Lang and his monster. The police won't believe you, insists Lang, but Jeff thinks he won't want cops around the lab asking questions. They should be helping each other, says Lang, but Jeff has no interest.
Jeff wants out, no threats, no deal. Lang intends to conduct the experiment tomorrow, he only needs Jeff one more day. Jeff refuses adamantly, even though Lang says he'll be completely free. Theatrically, Lang tells Jeff they will only destroy each other--give me one more day!!!! Jeff thinks it over for a few moments, and Lang repeats one more day, for sure. Jeff agrees to stay one more day and leave tomorrow night. Lang thanks him, but Jeff doesn't want his thanks. Jeff goes to call Vicki to change the plans, and while he's on the phone, his back to Lang, the doctor strolls up behind him. Jeff learns Vicki has left Collinwood, and as Lang says that's too bad, he jams the hypo into Jeff's back. Jeff cries out in pain and demands to know what Lang did to him. Jeff chases Lang, but collapses to the floor.

Drawing room - Cassandra, in a black velvet cape, tells Barnabas the time has come. His fate was sealed almost 200 years ago, and he can't change his destiny or permanently escape. The curse will fall back on him, forever, she promises. "Let the dream curse begin this night," she says, "it will be carried by the wind until it finds its way to someone who is the image of one you loved--go deep into the sleeping mind of Maggie Evans, and she will be the first to know the terrible fear it carries with it." Cass takes a leaf from the tree outside the window and tosses it. "Sleep, Maggie, sleep," she murmurs.
Maggie sleeps in her bed. Cassandra tells her she will allow the dream to enter, become its prisoner, until her fear reaches the limit of her endurance. "Let the dream begin, now. . ." In her dream, Maggie climbs from her bed and finds Jeff knocking at her bedroom door. She asks him who he is and what he wants, and threatens to scream, but her scream is silent. Jeff beckons for her to follow him and says she won't follow him--she doesn't know who he is. She is compelled to follow, however, through darkness, candles, into another room. Jeff locks her out. She begs to be let out, doesn't want to be left there, but footsteps retreat away. Jeff recites, "Through sight and sound and faceless terror, through endless corridors by trial and error, a head of blazing light does burn and one door leads to the point of return." Maggie begs to be let out again, she doesn't know what that means. She continues to walk to the sound of tinkling crystal, and tries one door, which doesn't open, and then another, which also doesn't open, and the third. She hears the music from Josette's music box, then opens the fourth door. Inside is a skeletal head with bulging eyes, and Maggie screams. She awakens screaming, staring around her with horror on her face. She huddles back against the pillows, perturbed.

Lang sets up surgical instruments. Jeff lies strapped to a table. He awakens, stares around, and finds himself unable to move. Lang observes he's awake (this doc doesn't miss a thing!) Jeff demands to know why he's strapped to the table. Lang says he couldn't let him go, knowing what he knows. Jeff says he can trust him, but Lang doesn't believe him--he can't trust anyone. Jeff calls him insane, which Lang calmly accepts--he's in distinguished company, challenging the forces of nature. Jeff struggles against his bonds, saying Lang is unleashing a monster on the world, not making a contribution--why not just kill me? asks Jeff, why am I strapped to the table? Lang holds up a scalpel and says he has plans. Light dawns--Jeff realizes he's going to be providing the creature's face! Lang orders him to lie quietly while Jeff demands he let him go. Then Lang gives him another injection filled with air, by the way, and Jeff passes out. Lang picks up the scalpel again and tells Jeff he should feel honored--it's through his eyes Barnabas has chosen to see, through his lips he has chosen to speak. The scalpel descends towards the unconscious Jeff's throat. . .

NOTES: Re: the Dream Curse - I have always despised the dreams everyone has, this is my least favorite segment of this storyline. After a couple of viewings, I simply fast forward through all the dreams.

Lang is going to use Jeff's face, so familiar to Vicki, on his creation's body--doesn't he think she will notice the difference? I realize her understanding is limited, but damn. . .! This just strikes me as silly. I can't help it. After the brilliance of 1795, to come to this!

Love, Robin

808
Current Talk '02 I / Re: PERILOUS POSSESSIONS
« on: May 08, 2002, 11:11:58 PM »
The bleeder valve from Roger's car, used by angry son David in the hope of offing dear old dad.

Julia's medallion, used to make people. . .um, forget stuff.

Nicholas' cigarette case, which easily hypnotized Tony Peterson.

Petofi's hand, Judah's head, Judah's body, Adam's arm, a rifle which will be used more than once in the current storyline, Gerard Stiles' ring.

Love, Robin

 



809
Current Talk '02 I / Re: SMALL STINTS-BIG IMPRESSIONS
« on: May 08, 2002, 11:07:40 PM »
SPOILERS...

Madame Findley was pretty memorable, although I didn't much care for her.  Watching her being terrified to death thanks to one very nasty ghost made for interesting watching.

I, too, enjoyed Elizabeth Eis, especially her scenes with both Barnabas and John Yaeger in PT.  She made that dreary storyline come to life every time she was featured.

The old guy (Braithewaite as portrayed by the same guy who played Fish?) killed by that very same ghost prior to 1897 also was an interesting character to watch.  

Anita Bolster, for sure.  She was responsible for one of DS' most infamous bloopers and well-chosen for the role of the white witch trying to cure Barnabas.

The various strumpets--Maudie, et al, made for fun, quickie bullseye characters, as did Donna Friedlander, Carolyn's friend brought in just to be mauled by the werewolf.

Love, Robin

 

810
Hope it was an especially wonderful birthday, Cheryl, and that you had as much fun as you deserved to!

Love, Robin