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Messages - ROBINV

766
Current Talk '02 I / Re: Your own dream curse
« on: May 19, 2002, 09:58:49 PM »
While in college, especially my final year, I kept having a dream in which I was ordered to report to the Dean's office.  Once there, he told me I was missing a math credit (my least favorite subject, of course) and wouldn't graduated until I satisfied that requirement.  I spend the rest of the dream arguing with him, outlining the math courses I'd already taken, pointing out that they completely fulfilled my requirement and I deserved to graduate!

The Dean kept arguing with me, finally telling me that he didn't want to listen to me anymore, and I should just make arrangements to take the missing math class and tell my family not to come to graduation.

My father died suddenly only a month before I was due to graduate, and I had that dream just about every single night until I actually DID get my diploma, all necessary math classes taken!  

To this day, under moments of tremendous stress, I dream that same nightmare.  

Love, Robin

767
"A tree whose hungry mouth is pressed
Against the earth's sweet flowing breast"

(giggle)

We all laughed when we read that poem in junior high school.  Like Beavis and Butthead, it was, "The teacher said. . .'breast.'"  

I know this has nothing to do with Dr. Lang, but Bartender Bob brought up "Trees," so it's his fault!

Love, Robin

768
Calendar Events / Announcements '02 I / Re: HELLO ALL!!!!
« on: May 18, 2002, 10:48:46 PM »
A most warm welcome to you, DSFA4EVER!  This is the best board in DS fandom--have fun posting here!

Love, Robin
Author of Robservations on the DS Forums BB

769
Current Talk '02 I / Re: Smokin' in the Drawing Room
« on: May 18, 2002, 03:34:37 PM »
I only wish Grayson Hall had given up smoking sooner.  I always wince when I see her with a cigarette in her mouth.  

I think on soaps in the era of the 60's, only BAD characters smoked, and perhaps they wanted to present Julia as a bad girl (remember, she was slated to be killed off).  Once the show returned from the past, she was morphing into Barnabas' friend/confidant, and they changed her persona by mostly eliminating the smoking.  She was only smoking in this scene because of extreme nervousness and stress.

Love, Robin

770
Calendar Events / Announcements '02 I / Re: DS mention in BUFFY mag
« on: May 18, 2002, 03:30:28 PM »
What a turd!

Does he think his acting is something special.

I don't.  Enough talk of Tom Lenk.

Bored now.  

Love, Robin :-X

771
Current Talk '02 I / Re: ROMANTIC HINTS
« on: May 18, 2002, 03:20:53 PM »
SPOILERS. . .





When Joe was still going with Carolyn, Maggie expressed interest on the dance floor at the Blue Whale.  Once Carolyn was out of the picture, Maggie pounced--and got her man!

I always enjoyed Maggie's aggresiveness, but After Alex Moltke left, she changed into a namby pamby Vicki type.

Willie always loved Maggie, but there was no interest in return.

Eve wanted Nicholas Blair, but he refused to give her a tumble and told her she belonged to Adam, who she despised.
I always thought Eliot Stokes had a thing for Julia, too, but he kept it well-hidden.

Roger loves Cassandra, but she is just using him to get at Barnabas.

Bill Malloy definitely had a thing for Liz, and Sarah Johnson had a thing for Bill Malloy!

Love, Robin  




772
Current Talk '02 I / Re: Why does she rush away?
« on: May 18, 2002, 03:12:42 PM »
Cassandra said:

I feel that poor Julia is probably  finding it hard to really accept what he's saying as sincere.

I agree.  Remember all the sweet words Barnabas said to Julia prior to Vicki's trip to 1795, how he made her blush like a schoolgirl because he was trying to get something out of her (i.e, telling her that Woodard wasn't first in her class, SHE was)?  Then after Sarah rejected him, he told her, viciously, that he meant none of it.  

I'd be extremely wary hearing anything kind at all from a man who has used my love for him against me in the past.  While what Barnabas said were words of appreciation, they weren't the words she longed to hear, and if she didn't believe him sincere, that he was "appreciating" her because of the experiment, then I'd take off, too, before I burst into tears and allowed my emotions to betray me.

Love, Robin

773
Current Talk '02 I / Re: Jeff Kicks Barney's butt!!
« on: May 18, 2002, 03:07:46 PM »
Barnabas has the veneer of gentlemanliness, but you KNOW he's probably been in several brawls in his life; he grew up in raw times and lived through the Revolutionary War, albeit as a child.  I have no doubt that, if necessary, Barnabas could kick Jeff's butt easily.  And since Jeff pisses me off sometimes, I wish Barnabas would!

Love, Robin

774
495 - Frustrated, Adam tries to break the metal bonds, but is unable to. Barnabas enters with his tray of food and greets him, "Good evening." Adam grabs for his meal, but Barnabas orders him to sit and tells him when he does so, he'll get his supper. Adam touches his mouth, sits, and points to his tray. "Good," says Barnabas. Then Adam says, "Barnabas", twice. "You spoke!" says Barnabas, elated, and seeing the joy on Daddy's face, Adam keeps repeating the name of the only father he knows.

"You know my name," praises Barnabas. "Remarkable! What a wonderful feeling it must be. How I envy you, even though you have so much to learn."
Adam stops laughing and Barnabas tells him to go on doing so. Papa is pleased--he'll keep talking to him, the only way he'll learn. Learn--try. Barnabas gestures to his tray and says, "Food." Adam looks like he wants to. Barnabas brings over the crate with the tray and says "Food," again. Adam repeats it, grinning, and picks up a spoon. Barn wants to know where he learned that. Adam brings the spoon to his mouth and spills it all, and he angrily slams the spoon down. Barnabas demonstrates and shows Adam how. Adam watches and does what Barn showed him, getting it into his mouth again. They both agree it's good, and Adam picks up the bowl and begins to just drink from it, like a pig from a trough. Seeing displeasure on Papa's face, Adam takes the napkin and spreads it on his lap. Barnabas asks if Julia taught him that. Adam tries to use the spoon again, his left, and Barnabas takes it from him, explaining he wants him to use the hand he used before. Barnabas sighs--I won't be a very good teacher--I've lived so long expecting everyone to know everything. (hmmm!) Adam continues to shovel the soup into his mouth. Barnabas wonders how much he understands--Adam will get tired of his voice even when he knows what he's saying. Adam finishes and lifts the tray to leave. Adam wants him to stay, and Barnabas promises to come back tomorrow. Barnabas leaves, telling Adam to sleep. He points to the bed. Adam looks out the barred window and sadly says, "Barnabas." "Good night--Adam," says Barnabas in reply. Adam is very agitated and sad. He sits down, trying to pry apart the chain binding him, sobbing, "Barnabas!" Miraculously, he is able to free himself from the wall, and, laughing, Adam pulls open the door with his enormous strength and, screaming, "Barnabas!", walks upstairs, the chain clanking behind him. (Sad scene in some ways; Adam really has bonded with his Papa, but Barnabas is acting as distant as Joshua would).

Adam exits the Old House doors, and, still calling for his life-force pop, walks off.

Roger is looking at the clock. David comes downstairs and shows his father a new knife Cassandra bought for him. Roger is glad David likes his new stepmom, who, according to David, would have bought him anything he wanted. David insists he always liked Cassandra, which Roger finds curious--there are many things Roger would like to forget as easily.

Barnabas visits Collinwood, where David shows him the knife. David heads outside. Barn is looking for Julia, but she isn't home, Liz went to the Old House, says Roger, and Barn says he'll go catch up with her. Roger then asks Barnabas why he's being so nasty to his wife--he isn't being polite to her! Barnabas wants to know what Cassandra said, and apologizes--he DID have some difficulty in accepting her. Why? demands Roger, and Barnabas says it's because she reminds him of someone he knew once. Roger is annoyed--that's a poor excuse for Barn's bad behavior--if he can't be civil to her, don't come to Collinwood anymore!
Barnabas, shocked, asks if Roger has discussed this with Liz. No, says Roger. Doesn't Roger think he should? Roger says Liz can tolerate rudeness even less than he can--"It's your choice."

Liz runs into Adam in the woods and demands to know who he is.
Poor Adam can't respond, and just shakes his head, bummed out. Liz informs him that this is private property, but he still can't respond. "Barnabas," he says, and Liz asks if he's looking for him. She sees the chain on his ankle and gets upset--he's escaped--from where? She backs away and runs off, leaving Adam piteously crying, "Barnabas!"

Barnabas tells Roger he doesn't want to leave with ill feelings between them, but Roger says that's up to him--treat Cassandra as he treats everyone else in the house. Barn asks Roger if he's asked Cassandra why she thinks he treats her badly. It began the first time Barnabas saw her, says Roger, and Barnabas promises to resolve the matter. Liz bursts in--she saw a mute giant on the path halfway to the Old House--and he said Barnabas' name. Barnabas pretends surprise. She mentions the shackle around his ankle with a broken chain--David!--they must find him. Roger leaves to get his gun, and Barnabas asks if that's necessary. Liz says, "If Barnabas knows him. . ." "ELIZABETH!" bursts out Barnabas. She doesn't understand why the man said her cousin's name, and Barnabas says they'll have to find out. Liz tells them both to be careful and Roger advises them to close and lock all doors in case the man shows up there. Liz closes the door on them, worried.

David is out in the woods, playing with his new knife. Adam is watching him, smiling. David begins to hum, and Adam joins in, tunelessly. David spots him and remarks that he likes that song, too. Adam nods and grins. He tells him to come out from behind the bushes, and Adam does. David is impressed by how tall the guy is and asks just how tall. Adam can't answer. David asks if he can't speak English and seems pleased at this mute friend--people talk too much.
He wishes no one could talk at all, they're always asking where you're going and what you're doing. David shows him his game of getting the knife to stand straight up in the ground. Adam kneels beside him companionably, then grabs the knife out of David's hand, accidentally hurting the boy's arm. Adam takes the knife away and David reaches up to retrieve it, ordering Adam to give him his knife back. The two of them struggle and David falls down, twisting his ankle. Adam tries to help him, lifting him up. "Let me down!" protests David. Barnabas and Roger overhear and rush to David's side. Adam is moaning, upset, unsure of what to do. Roger orders Adam to put David down, holding the gun on him. Barnabas points out that the man doesn't understand. Roger threatens to shoot Adam. David continues to order Adam to put him down. "Roger--David!" reminds Barnabas. David begs his father not to shoot. Barnabas tells Roger he'll get David; Roger wonders why the creature would listen to him. Barnabas gently tells Adam to lower David to the ground--"He's a nice boy, you don't want to hurt him. Put David on the ground." Adam does as Barnabas quietly tells him. Roger asks Barnabas how he got him to do that, and Barnabas doesn't answer. David hobbles into Barnabas' arms, leaving Adam reaching out for the boy. Barnabas assures him he's all right, and David mentions that he took his knife and wouldn't give it back. Adam advances and Roger shoots him--twice. "ROGER!" screams Barnabas, pushing down his arm to deflect the aim. Adam, shot in the shoulder, runs off, in pain. "He tried to kill David!" insists Roger--"We have to find him." David, Roger and Barnabas trail after the wounded Adam, who returns to the safety of his basement cell, bleeding. He collapses on the cot, holding his shoulder, gasping in pain.

NOTES: I felt SO sorry for Adam in this episode. He really is a well-meaning person, but being unable to communicate is making his existence hell. He likes kids and really seemed to want to befriend David. Adam is just misunderstood--Barnabas should spend more time teaching him to talk and less showing him how to spread a napkin in his lap. It's not like he's going to be dining with the queen, for God's sake!


496 - Aw, Adam's no killer!

Cassandra and Julia return from a pleasant visit with Stokes, only to find Roger all bent out of shape--David was nearly killed this evening, he tells them, and he's calling the police. I shot the man in the shoulder who tried to abduct David, explains Roger, and Julia's face seems to say she knows who this man was.

Cass and Julia listen as Roger gets on the phone and reports a shooting--he did it, near Collinwood, and the man was trying to kidnap David. The man was a stranger--he was enormous, well over 6 feet, broad shoulders, dressed in black, with an ugly, disfigured face. Julia quickly excuses herself to Cassandra. Roger says the man was badly wounded and could not have gotten too far. Send all the available men you have, commands Roger, or I'll interrupt Patterson at his banquet. Cassandra apologizes to Roger for not being there--she thinks he shouldn't be allowed to play alone in the woods, but Roger says David never listens. Roger said Liz told him she ran into the man in the woods, and Roger, gun in hand, went with Barnabas. Thanks to Barn, says Roger, he had some influence over the strange man. The man was holding David in his arms and Barnabas warned Roger not to shoot. He spoke gently to the man, who was affected by what Barnabas said, listened to him, and put David down. The man started to growl and came toward David--and Roger shot at him. The man didn't say anything to any of them--except to Liz, to whom he said "Barnabas." Liz said he kept repeating it. Could Barn and this man know each other? asks Cassandra.
Roger says a cultured, well-bred man like Barnabas could never be acquainted with this man of lower class--mean-tempered, grotesque, downright unnatural. (snob, Roger--wonder what you would have thought of Ben Stokes?) If Roger hadn't seen him moving around, making those grunting sounds, he would have easily imagined he was dead. A walking dead man? asks Cassandra (much like my first husband?). Absurd, says Roger. Fascinating, she suggests, he must ask Barnabas about this strange creature. Cassandra looks happy to hear this potential trouble in Barnabas' life.

Barnabas and Julia return to the Old House at the same time. She tells him Roger has called the police, and they realize they must find Adam before the police do. They go inside to think this through. They don't know how Adam got out. Julia says Barn was supposed to stay with him until she got back. He tells her, smiling, that Adam spoke his name, and went to look for her to tell her. Adam got upset being left alone and followed you, says Julia--he sees you as a father figure and wants to be with you. Willie is out searching, and Julia suggests searching the house--he might return home--when a child is hurt, he goes home--so Adam could well be downstairs in his cell. Barn tells her to get her medical bag--Adam could be seriously hurt. They head down to the cellar. Julia keeps a hand on Barnabas' shoulder as they go downstairs. When they peer into the cell, they see Adam on his bed, his face contorted with pain.

Julia and Barnabas enter the cell, Barnabas pushing open the door with his cane. He did come back! They carefully enter and close the door--until Adam attacks. Julia explains he's afraid of them again, understandably. Roger was with Barnabas when he shot Adam. Julia says Adam is hurt, angry and confused--they must move carefully. Barnabas tells Adam they want to help him, and slowly opens the cell door again. Barnabas tells him they must stop his arm from bleeding. Adam, shivering, looks piteously at them. Barnabas says Dr. Hoffman will make Adam well again, and Adam raises his hand in supplication. They approach, slowly, and Barnabas promises to take good care of him. Barnabas examines his shoulder and they help Adam off with his jacket. Barnabas unlocks his ankle cuff. Julia cuts off the sleeve of Adam's sweater. His arms is a bloody mess, but she says either Roger is a dreadful shot or Adam is lucky. She cleans the wound. Barnabas says Adam realizes they don't want to hurt him. She says it will take half an hour and Barnabas says he's going to Collinwood--he wants to prevent the cops from prowling around Collinwood. Adam moans--he doesn't want Daddy to go. They don't know how to convince Adam that Barnabas must leave. He tells Adam he's going outside but will be back very soon. Adam winces under Julia's ministrations. Let Dr. Hoffman help you, says Barnabas, and Julia says Adam can sense what he's saying even though he doesn't understand the words.
Proudly, Barnabas says Adam will learn fast. Adam cries out in pain as Julia works on his wound. Barnabas leaves.

Cassandra, attired in her butterfly dress, answers Barnabas' knock at the door. Roger wondered where Barnabas had gone after David's rescue. Cousin Barnabas explains he was trying to find the man who apprehended David, but he disappeared into the woods--perhaps the police will have better luck. No, says Roger, and asks if Barnabas has ever seen that man. Barnabas evades the question, then says he's never seen him before. How did he know your name? wonders Roger. Barnabas has no clue why the man could only say Barnabas. It strikes Roger as odd. What about the man's reaction to Barnabas?--he seemed to know him. Impossible, says Barn. Only Barnabas could persuade the man to put David down, Roger reminds him.
Cassandra listens avidly. Barnabas says he felt persuasion, not gunfire, was the best approach. Roger is still curious. Barnabas says they'll have to wait until the man is captured before they can know the answer to that question. He bids Roger and Cassandra a cool good night. Roger sees his cousin out, and Cass' eyes are filled with a look of mystery.

Julia finishes tending to Adam's arm and both seem relieved. He takes her hand and shakes it in gratitude, delighting her into a giggle. Then she complains that he's hurting her hand, and he lets it go and pats it. Adam points to the tape recorder outside the cell. "Music!" he says. Julia is pleased he remembered the word he taught her. She brings the recorder into his cell, rewinds it, and puts the music on. They grin at each other. She agrees with Barnabas--Adam will learn fast. Adam looks very happy as he enjoys the music, barely noticing Julia locking him in. Then, with Julia safely out of earshot, we hear Lang's recording (and yes, we're getting tired of it).
Adam listens, smiling, then, after the music resumes, he sways his head, happy. "Music!" he calls, swaying.

NOTES: Hearing that blasted message from Lang over and over is totally annoying; we get the picture!

I loved Julia's moments with Adam. She really is, for all intents and purposes, his mama, and hearing her giggle when he remembered the word music was so sweet to see.

Adam is apparently very strong. Not only was he able to break his metal bonds and yank opened a locked cell door, he also sustained a wound that we suspect might have killed or certainly incapacitated someone else. Adam is a superman, it seems, but he's got to keep away from those who want to harm him.

Love, Robin

775
Robservations / Robservations 5/22/02 - #493/494 - Baby Comes Home
« on: May 18, 2002, 01:39:01 PM »
493 - The new baby comes home to meet sibling Willie!

Old House cellar - Julia, Willie and Barnabas survey the sleeping Adam, cozy on a cot, and Papa Barnabas comments how innocent Adam looks in sleep. All malice and evil leave when we sleep, he suggests, but Julia advises Barn not to stand too close to him; he might awaken any moment. Brute force incarnate, disguised now as one of earth's gentlest creatures, murmurs Barnabas. Adam stirs. Julia fearfully draws him away. They have no idea what he'll do.

Willie, cringing, wonders why they are so afraid if he's as harmless they claim. They must be cautious, says Barnabas, a lesson Julia learned at some expense. Julia explains they must show no fear. Willie says he is afraid, which Barnabas says communicates itself to Adam. Julia says Adam reacts to fear the same way any fearful creature does, to which Willie responds, "Oh, he runs away." (LOL!) Sarcastically, Barnabas tells Willie not to judge everyone by HIS standards--the natural reaction is to strike out. Willie doesn't like this. Barnabas says they must do nothing to cause Adam pain. It frightened him more than hurts him, says Julia. Adams awakens. Barn tells them to act naturally. Julia asks how Adam is feeling. Barnabas tells him they brought him to a new home, and Julia introduces Willie, his "friend"--as they are his friends. Barnabas assures Adam Willie will take good care of him.
It scares Willie that Adam knows no words. He has to learn to speak, points out Julia. Barnabas gently explains to Adam that Willie will teach him certain things. As Julia taught Adam to eat (when did that happen?), Willie will teach him to speak. Willie says he's scared, he can't do this! Barn says he has no reason to be frightened, and Adam gazes angrily at Willie. Barnabas tells Adam there's nothing to fear, but Willie shakes his head and begs not to be left alone with him. Teaching him calms him, says Julia, but Willie protests he doesn't know anything (see, Adam, here's a PLAYBOY magazine). Stay with him and help him, urges Barnabas, and Adam will respond. Julia says she was the first to hurt him and he was hostile, but now that she taught him to eat, he's forgotten his anger. Willie thinks THEY should stay with him, then, rather than him--he likes them--when Barn was talking to him, Adam was calm. Barnabas assures Willie he can do the same. Barnabas and Julia start to leave as Willie again begs not to be left alone. Barnabas tells Willie he's responsible for Adam and himself--talk to him, be friendly, and there will be nothing to fear--either from Adam or Barnabas. Adam grunts disapproval when he sees Barnabas leaving and Willie points out that Adam doesn't want him to go either. Barn promises to come back and see him and says goodbye. He holds out his hand to Adam, a custom of parting, he explains, a gesture of friendship. Adam slowly, reluctantly puts his hand in Barnabas', and the latter says goodbye. Adam seems fascinated by this and examines his hand afterwards. Julia promises Willie one of them will be back to check on the two new brothers. She says goodbye to Adam, who is continuing to stares at his hand. Willie locks the door and gazes fearfully at Adam. He asks if it's OK for him to sit down, then answers himself. Adam warily watches as Willie sits down and offers him a cigarette. Willie lights it with a match and sucks on it like he's a nervous wreck. He tells Adam what a nice fellow he is. Adam is rubbing his lips. He grabs the cigarette out of Willie's hand, immediately burning himself, and Willie cries, "I didn't hurt you!" Adam knocks Willie to the floor, bangs on the locked cell door and pulls it open, gazing around him in terror. He stumbles up the cellar steps, crying in pain, leaving Willie unconscious on the floor. (Willie always had trouble following orders.)

At Collinwood, Julia examines Lang's journals. Mrs. Johnson comes in and gasps when she sees Julia. She asks if David is there. He isn't. Mrs. Johnson doesn't want to find him, she tells Julia, she's afraid to see him--she's going to her room and stay there. I've had the dream, says Mrs. Johnson--it was so terrifying! Julia doesn't want to hear Mrs. Johnson talk about bats screeching and begs her to stop. Sarah is crying, saying she tried to resist her beckoner, David, but couldn't. Never tell him the dream, Julia orders. Sarah explains that she was forced to do everything in the dream--and she must tell it to David! Julia sits Mrs. Johnson down and tells her they must stop the dream before it's too late. If she doesn't see David, she can't tell him, Julia reminds her. Leave Collinwood! Mrs. Johnson says she has no place to go, but Julia insists it could be a matter of life and death for David. Sarah keeps hearing the bats. Willie bursts in, all shaken up. Julia sends Mrs. Johnson to her room to rest. "I can't go anywhere!" wails Mrs. Johnson, and prays she doesn't see David on the way. After the housekeeper leaves, Willie tells Julia Adam knocked him out and escaped. He's gone, and he doesn't know where he is!

Adam wanders the woods, cradling his hurt hand, terrified.

Julia orders Willie to stop sniveling and come with her. She chastises him for the cigarette incident. He clutches the chair--he wants to find someplace to hide. She orders him to get hold of himself, come with her and look for Barnabas. He needs to go someplace safe, he whines, but she again orders him to come with her. Reluctantly, Willie follows her.

Adam finds his way to the terrace. He sticks his hand in the fountain and finds the water soothes his burnt hand. (A doctor in the making?) He also finds it good to drink, and catches it in his hands and takes it into his mouth greedily. Something upsets him and he angrily smacks the fountain. Mrs. Johnson catches him and demands to know what he's doing there, who he is, what he wants?--you don't belong here, she tells him, and he opens his mouth, unable to speak. He holds out his hands in a gesture of supplication, trying desperately to communicate.
She orders him not to come closer and begins to scream for help. Adam runs away as Barnabas, Julia and Willie join her. She saw a huge, huge man, a monster, she cries. Barnabas looks to where the man ran away.

Julia and Mrs. Johnson wait on the terrace. Mrs. J thinks Barn should have called the police before going after the man. Julia thinks it was only a stranger who wandered onto the grounds, but Sarah said it seemed the man was more animal than man. Julia says her imagination is running away, but Mrs. J says the man really frightened her. Julia again suggests Mrs. J leave Collinwood, visit her sister in Boston, but Sarah says she's too scared to do anything or go anywhere. Sarah hears a sound. She and Julia stand. Maybe it's the bats or that mad animal crashing in the woods, suggests Mrs. Johnson, who decides to leave Collinwood for her own sake and David's. Just pray it doesn't come any closer, whoever or whatever it is, frets Mrs. J. Julia is grateful the housekeeper has decided to leave.
Barnabas and Willie have found Adam in the woods. Barnabas offers him his hand. "You know I'd never hurt you," says Barnabas--I want to take you home. Willie says they need help, but Barn says that's impossible. Gently, Barnabas tells Adam to come home with him, there's nothing to be afraid of. Adam is nervous, afraid. He very reluctantly accepts Barnabas' hand gazing happily at "Daddy", and they walk off, leaving Willie staring unhappily after them.

At Collinwood, Julia paces the drawing room. Barnabas tells her they got Adam back to the Old House; he took the medicine she left for him and fell asleep. Was the restraint applied? She asks, and he sadly says yes. It was the only thing they could do under the circumstances, says Julia, trying to comfort him, and Barnabas sighs and replies, "I know." They look like two very depressed parents with an unmanageable little boy.
Adam awakens in the basement and finds an iron cuff wrapped around his ankle. He's chained to the wall. Moaning piteously, angrily, he tries to wrest the cuff off, at this new confinement.

NOTES: Poor Adam. You can't help wishing they could find a better, more humane, way of caring for him. Newborn babies are small and can't wreak much havoc (besides parental sleeping), but Adam is a huge newborn and difficult to control. He just seems to bewildered about his surroundings--and growing very close to Barnabas.

Of course they never get into this, but is Adam wearing adult diapers, or did they potty train him from the get-go?

It's apparent Willie isn't ready for any of this. He's really not much better than a child himself, a kid with a tad more restraint, but not really much beyond Adam in the brainage capacity. But Willie is still providing sterling comic relief!


494 - From the intro: Man and mortal, life and death, have been drained of meaning.

Adam sits on his cot in his cell. Willie brings him some food, but Adam seems too dejected to eat it. Willie says he's doing this to help him, but Adam looks like he doesn't believe that. Willie reminds Adam that he knows how to eat, so he can do it himself. Adam looks sad. Willie tries to hand feed him. Adam, annoyed, knocks the tray off the bed, and Willie flees the cell, leaning back against the locked door, breathing hard.

Julia tells Willie he must expect this kind of reaction from Adam--time and patience are necessary. Willie fears Adam will "get through" to him first, and Julia says she dislikes his attitude. I'm scared, says Willie, and Julia says Adam must be convinced they won't hurt him again, and that will gain his trust and they can begin teaching them. Willie would rather return to Windcliff, and Julia says if that happens, he'll be admitted as a patient beyond cure (that's not fair, Julia!)--she needs his help with Adam. I'm too scared, he whines. She orders him to learn to work with Adam or return to Windcliff never to leave again. (You're a bitch, Julia.) She takes the tray from Willie and orders him to stay with Adam--perform your duties! Willie nervously closes the door. He and Adam are alone again. Adam pulls a pair of shiny buttons from Willie's jacket and holds them up to his eyes. He tastes them. This is one thing Willie and Adam have in common, so Willie opens the secret panel, counting down the bricks, and takes out Barnabas' jewel stash.
Willie is gleeful as he opens the box loaded with shining, glistening diamonds and gold. They belonged to Josette Collins, explains Willie, and hands Adam a long strand of pearls to play with. Now we're friends, says Willie as Adam takes out a pretty earring. Willie says he saw a girl who looked just like Josette, named Maggie, wear those earrings. She came downstairs into the drawing room, candles alight, and made Willie feel in a special way. He helped her, sort of, but she was scared of him, and he can't feel the way he wants to toward Maggie because she's scared of him and he can't be near her. Adam listens raptly to this tale of woe, even though he might not comprehend all the words. Willie takes back the jewelry and returns it to the secret spot. Willie decides he could secretly give those pretty earrings to Maggie and make her happy--something he'd like to do. Grinning at his idea, Willie puts back all the jewels--except those earrings, over which he laughs with pleasure.

At the Evans cottage, Willie looks in the window and watches Joe and Maggie sharing a nice evening. She's cleaning brushes. Joe volunteers to clean up the coffee mugs while she gets ready for their date. Willie enters the empty room, drops the earrings into Maggie's purse, and flees. Maggie teases Joe for breaking one of the cups while he helps her into her coat.

Julia praises Adam for his excellent eating habits, annoyed that Willie left him. When Willie returns, Julia expresses her displeasure. Willie was gone at least half an hour--where did you go? she demands. He says nowhere, and she points out his muddy shoes. She doesn't believe his fresh air story and orders him to remain with Adam at all times. She promises to check him, periodically, and threatens to send him right back to Windcliff if he leaves. (she sounds like a nasty schoolmarm!!) Willie grins at Adam. Adam indicates he wants to see the jewels, but Willie says not now--Julia might come back.

Cottage - Maggie is annoyed--she can't find her keys--maybe Sam left with both sets? Joe says they can stay home, but she wants to find them. Joe suggests she check her purse, he didn't see her do so. She opens her purse--the keys are there! She also finds the diamond and emerald earrings. Josette's music begins to play. Joe swears he didn't give her the earrings; he couldn't have afforded them. Sam couldn't, either--how did they get into her purse? Joe suggests she ask Sam, and if he didn't give them to her, turn them over to the police--she'll get them back if no one claims them. Maggie admires them in the light and says the woman who wore them must be beautiful. All you need is money, remarks Joe, but Maggie says she thinks of someone lovely, elegant and--sad owned them. Joe says she has sentiment and imagination, but she says they remind her of something she's forgotten. Joe tells her to put them safely away so they can go out, but Maggie feels compelled to put them on. Josette's music plays, and she admires the beautiful, thoughtful gift. Joe wishes they were from him, and she says only a man who had gazed into her eyes with deepest love would know they were meant for her--in a very Josette-like voice. Joe eyes her uncomfortably, she's getting carried away. She thinks he looks worried--why? He's surprised--he didn't think she was the diamonds and emeralds type. Laughing, she assures him she loves a good book or a box of candy as a gift any day of the week. She hugs him and says the earrings are different. He agrees they look special. She's never felt this way about jewelry--she feels drawn to them. He agrees they're beautiful, any woman would love them.
It's more than that, she says dreamily, and he gets kind of angry and tells her to put them away until their owner can be found. She takes them off and says he must admit they're really exquisite--there's nothing like them in the world.

Adam is banging on the walls while Willie cowers in a corner of the cell. Like a kid having a tantrum, Adam wants to see the pretty jewelry. Julia comes in and calms the big guy down.
Willie tells her to give him her necklace, it will calm him down and save Willie's life. Julia holds it up, per Willie's orders. When she does so, Adam takes it, happy, and sits back down on his bed. Julia tells Willie to leave quickly, which he does, and he informs Julia outside the cell he won't go back in there--he thinks Adam should be destroyed. No, says Julia. Then Adam will destroy YOU warns Willie, but she disagrees. Adam has an alert mind, but it's trapped inside him. They must free it so he can learn. Willie calls Adam dumb, and Julia haughtily informs him "It takes intelligence to know intelligence." (Julia's being even more nasty to Willie than Barnabas, I swear!) Willie refuses to go back in there, and Julia agrees--he's done enough damage. Julia tells Willie she's going to play Adam some music and reach his intelligence and imagination. Willie thinks Adam needs a bullet between the eyes. They leave Lang's recorder--with the infamous tape!--outside the cell so Adam can enjoy it. Willie and Julia head back upstairs. When they are gone, the music on the tape is interrupted by Lang's dissertation on "if both live." Adam listens very carefully to this, peering out the cell door, and says, "Barna--Barna-bas."
NOTES: Adam he said his first word--Daddy's name!

Isn't Julia being cruel to Willie? I think so. She must realize they made a mistake letting him out of Windcliff!

Love, Robin

776
Current Talk '02 I / Re: david collins
« on: May 18, 2002, 02:37:58 AM »
Welcome home, Ringo, you were very much missed here.  

Oh, you write some very SPECIAL DARK SHADOWS publications, and they are beautiful to behold.  A trifle superficial, but who needs content when you've got such great covers???

As for David, I think it was a combination of Vicki and Liz that turned him around.  Vicki endured a lot of crap at the hands of the little monster, but she persevered, stuck around and won him over.  Saving him from his mother went a long way toward engendering David's trust of Vicki, and that despite all the awful things she did to him.
 
Love, Robin

777
Current Talk '02 I / Re: Three Little Words
« on: May 18, 2002, 02:32:29 AM »
I suspect Vicki bought Jeff those clothes.  Seriously, I think she's keeping him.  If I were her, I'd give him away.

I'm not quite sure what you mean by Julia's spilling her guts out to Stokes.  Perhaps it's a scene yet to come?

Love, Robin

778
I saw this movie (with our own dear Gothick) at the Whitney Museum in NYC.  It was quite an interesting movie, and seeing Grayson in her role was a chance of a lifetime.

See it if you can!

Love, Robin

779
Current Talk '02 I / Re: Cemetary Plots-(No pun intented)
« on: May 18, 2002, 02:01:53 AM »
SPOILER. . .








In 1840, Roxanne returns as a vampire and her brother, guilty and miserable, prevents her from getting to her coffin, forcing her to face the sun, which immediately obliterates her.  

Also, in 1897, I recall Carl Collins learning that Barnabas is a vampire.  He is determined that his cousin shall be destroyed for killing Pansy Faye, his fiancee, but after Quentin betrays him, he ends up being locked in the Collins mausoleum as Barnabas is rising.  Creepy!

Also, the Angelique-Alexis switch in 1970PT was pretty damned frightening, too.

The earliest Barnabas-Maggie scenes in the cemetery were bone-chilling, especially in black and white.

Love, Robin

780
Rest in peace, my dear Dr. Lang,
To see you die gave me such a pang,

It was tough to decide who was best
As you versed old Jeff in a shouting contest,

You created a man, big everywhere,
With really bad scars and curly dark hair,

You spoke to a recorder that didn't work,
I know some folks think you're a jerk.

But Dr. Lang, I think they're wrong,
And for you I've written this sweet lil' song.

We knew you briefly but that was enough,
When the going got rough, you got tough.

Goodbye, Dr. Lang, it was whirlwind and wild,
Now Barnabas and Julia will raise your child;

Your death was an accident, a whoops, a slip,
Cassandra was startled and lost her grip.

The judges have decided--Dr. Lang, it's you!
You won the shouting contest, hands down, it's true!

Posthumously, we'll award it, stand proud and tall,
You did it--you're the overactingest actor of all!

Love, Robin