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Messages - ROBINV

586
Calendar Events / Announcements '02 II / Re: Happy Birthday, Bobubas!
« on: August 06, 2002, 12:28:13 PM »
Bob, you handsome devil, I'm sorry this birthday wish is a bit late, but I hope your day was great and you had a blast!  

Love, Robin

587
Current Talk '02 II / Re: Adam, the Profound
« on: August 06, 2002, 12:25:30 PM »
I doubt Julia was a virgin.  Professional gal though she was, I suspect she also had feelings, got horny and was very curious about sex.  So I think she experimented, if not in high school (she was a good girl, not a slut), in medical school, where the guys probably outnumbered her by quite a large margin and there was plenty of opportunity for experimentation of an erotic nature.

Love, Robin

588
Calendar Events / Announcements '02 II / Re: Happy Birthday to Jase!
« on: August 06, 2002, 12:20:57 PM »
A happy belayed birthday to my "son", Jason.  You're certainly growing up, my boy.  Sniff!

Love, Mama RobinV

589
Ringo, I think your doggies are beautiful, precious angels, and I SO admire what you do for the Humane Society!  In so many ways, I believe animals are better than humans, and nothing brings me greater joy than to come home from a tough day at work to find my 20-pound schnoodle, Snapple, (aka Snaps) waiting to give me kisses and love.  

Whenever I hear of animal abuse, I go crazy and want to KILL that person who is preying upon a helpless creature.

I believe fully in spaying/nutering, and always make a contribution to my local animal shelters.

Keep up the wonderful work, Ringo!  

Love, Robin

590
Good going, ProfStokes!  Couldn't happen to a more deserving poster!

Love, Robin

591
Allow me to wish you a belated happy birthday.  I hope it was a terrific day for you!

Love, Robin

592
Robservations / Robservations 8/6/02 - #592/593 - Astonishing Recovery
« on: August 05, 2002, 08:33:37 PM »
592 (Nancy Barrett) - Time passes at Collinwood, and life goes on, but only from moment to moment, its fate dependent upon the frightening game of life or death being played out in the Old House on the Collins estate. There, on this night, a bizarre experiment is about to be performed.

The juxtaposition in the re-taping of the final scene was wonderful, moving from Carolyn to the clock to the creation and back--really well done!

Barnabas doesn't understand--if the life force is being drained from Carolyn into the other body, why isn't it showing any signs of life? Julia doesn't know. Barnabas orders her to shut down, they can't allow Carolyn to die. Adam demands to know why they stopped. Barnabas explains that they're proceeding as they did the first time. Adam wants Julia's answer, and she says she must check the bodily functions. Adam asks why they're both so still, but she asks him to wait. He agrees, reluctantly, petulantly. Julia prepares a shot for Carolyn, perhaps the only way to revive her. She injects Carolyn, then unstraps her. Adam asks what's happening, and Julia tells him Carolyn is unconscious and she's doing what she can to make sure she wakes up. Carolyn lies still. Barnabas, Adam and Julia watch her. Nothing. Julia checks Carolyn's pulse and Barnabas notes it's taking quite a while. Her pulse beat is decreasing, says Julia, and Barnabas becomes upset. Julia says recovery should have started and Adam gets angry--it isn't over, his mate isn't alive yet!
Julia tells Barnabas there's no point in further stalling--they had to stop because the experiment wasn't working. Adam accuses them of failure. Barnabas says Carolyn was in danger, that's why they stopped. Adam warned them that if something has happened to Carolyn. . .--she isn't breathing. It's faint, but she's breathing, Julia assures him, and she will do everything to make sure she recovers. Adam wants to take Carolyn upstairs, but Julia warns him he can't. Adam wants to take her where it's warm, but Barnabas reminds him he isn't a doctor and they must do what Julia wants. Adam tells him he's through listening to both of them, and moves to take Carolyn from the table. Barnabas orders him to leave her alone, but Adam reminds him he said she'd be all right, but she is now in danger--I won't keep her in danger, insists Adam, lifting her--I'm taking her upstairs and she will never be in this room again. Barnabas bars his leaving, but Adam screams for him to get out of his way. Julia advises Barn to listen to him, and Barnabas reluctantly steps away. Adam slowly carries Carolyn upstairs.

Julia tells Barnabas Adam shouldn't have been allowed in the lab, but Barn says Adam won't listen to reason. Julia notes Adam showed no concern at all for the mate, but Barn says he will once he knows Carolyn is all right--and she WILL be all right, won't she? Julia isn't sure. They're talking about something unique, and she doesn't know the effects of the experiment--Carolyn reacted differently from Barnabas. Could Carolyn die? asks Barnabas, and Julia replies yes, if she stays unconscious, her chances of survival are very slim. Barn tell Julia to go upstairs and save her, but Julia says the injection should have revived her--there's nothing else she can do. Go up and be with her, urges Barnabas; if Carolyn dies, there will be no stopping Adam--he will turn Collinwood into a blood bath!

Adam takes Carolyn up to Josette's room and places her limp body on the bed. He covers her with the infamous all-over-the-place crocheted quilt and tells Carolyn she's safe now--he'll stay with her and they won't hurt her anymore. Carolyn comes to with a start. Adam assures her she'll be all right, he won't leave her. He brought her upstairs, he explains. She asks what happened. The experiment? She remembers now. I never should have let you do it, he laments--I had to stop it, something was happening to you. She realizes it didn't work and is sorry he doesn't have a mate.
He doesn't care about anyone; as long as she's alive, he's happy. She feels terrible, sharp pain that lifts her body off the bed; she asks him not to leave her. It's better, she says. The experiment. "I was alone somewhere," she says, "in a room, a cold, empty room. No way out." She envisions the two tables in the lab, side by side. "I cried out for someone, but no one could hear me. And then the walls began to crack, big cracks all around! And the walls fell down." Adam doesn't understand. "The walls fell down and disappeared." Different body parts begin to drift through her vision. "Outside, there was fog, I couldn't see anything, the fog was so thick, I was frightened. I tried to run, but I couldn't move. Then I saw something in the fog, hazy forms floating in the air, it began to take shape, a collection of dead things, disconnected, coming toward me, wanting something from me, wanting life, MY life! They want to take my life from me!" Adam tells her he won't let them do it. Growing hysterical, Carolyn goes on, "I felt it in that room, I felt life being drawn out of me!" She writhes in agony and he begs her to let him get Julia. The pain won't stop, she tells him, until it's all over.
He promises not to let it happen, but she says no one can. She must go to Collinwood, she says, she wants to tell them to take care of Adam. Adam doesn't want anyone, only her. She's so cold, she says, and she lifts her head and says, "Adam. . ." Carolyn falls onto the pillow. Adam calls her name, then takes her limp body into his arms. Julia comes in and asks what happened. He's rocking her, crying, telling Julia Carolyn was awake. They spoke to each other. He told her she'd be all right, he wasn't wrong, was he? Julia wants to examine her, but Adam doesn't want to let her go. He finally releases her after one last hug and keeps caressing her hair as Julia listens to Carolyn's heart. Julia, horrified, walks away. "She's dead," she says. "Dead," repeats Adam in disbelief. "Carolyn's. . .dead?" He orders Julia not to say anything more to him. He stands and leaves the room. Julia asks what he's going, and he just turns and looks at her, his eyes looking nothing less than monstrous. Julia turns to look at Carolyn, lying dead on the bed.

Barnabas stands in the basement, his face bathed in red light. Adam comes downstairs. Barn asks why he isn't with Carolyn--what does he want down here? Adam won't respond, then finally says, "Carolyn is dead." "Oh my God," says Barnabas. "You killed her, you and Dr. Hoffman," accuses Adam. Barnabas says it isn't true, and Adam says it is, and Barnabas will pay for it: "You will pay, Barnabas." Barnabas says, chillingly, "You think no one else will miss her, only you, because you think it is YOUR loss. Well, it isn't! She is part of ME, not you, she is one of MY family, and I feel as deeply about her as you THINK you do. YOU were the one who wanted her as the life force. If anyone killed her, it was you!"
Adam reminds Barnabas he told him what he was going to do if anything happened to Carolyn--"first Vicki, then everyone in your family!" Adam starts to go, but he and Barnabas get into fisticuffs, and grapple on the stairs. Adam smashes Barnabas on the head and sends him tumbling down the stairs where he lies unconscious at the bottom. Julia comes downstairs, looking exhausted. She sees Adam leaving, calls his name, but he doesn't respond. She closes the door after him. Barnabas lurches upstairs and tells Julia Adam is insane--he tried to stop him, but he wouldn't listen--he's heading to Collinwood to make good on his threat. They must go after him. Julia, trying to support him, cries, "No!" They must stop him, he says, grunting in pain. She leads him to the drawing room and helps him into a chair. We must warn them at Collinwood, insists Barnabas, but Julia says he'll never make it to the front door--she'll go to Collinwood. Barnabas says he can't just sit there, and painfully insists he must go, Julia couldn't stop Adam once before, in the woods. She tells him she'll give him some medication and orders him to sit and wait. He leans back in the chair, gasping in pain. Julia rushes upstairs to get her bag and is stunned to find Carolyn's body has disappeared!

NOTES: Where did Carolyn's body disappear to? Adam left empty-handed. Was this another case of Julia mistakenly declaring someone dead who is actually alive? Or did someone else show up and steal Carolyn's body? Do dead bodies get up and walk away? As Sarah Collins once said, sometimes they do!

In any event, this was great stuff! Loved Barnabas' retort to Adam about just WHOSE loss this is--Carolyn is Barn's relative, granted, but a few generations removed. Adam sure seems to adore Carolyn, and her death might send him on a deadly rampage.


593 - (KLS) - The shadow of death hangs over the great house at Collinwood. On this night, at the Old House on the Collins estate, two people live with the fear that all those who live at Collinwood may be destroyed before sunrise.
Julia races back downstairs to inform Barnabas that Carolyn's body is gone. Barnabas says that's impossible - a body can't just disappear. (Since when is that unusual around Collinwood?) Did Julia make a mistake? Julia insists that Carolyn was DEAD. Barnabas thinks Adam must have taken the body, but Julia says no, she saw him leave the house. But IF he did take it, then that means he didn't go to Collinwood, and they have more time than they thought to warn the family. Julia meanwhile insists that the reluctant Barnabas take some stimulant pills. (that Julia, always ready with the drugs. This really IS the 60's, isn't it)?

Willie arrives to complain that he and Maggie are both going stir-crazy in the mausoleum's secret room. Barnabas isn't interested--they've got a bigger emergency here. Carolyn died following the attempted experiment, and Adam's gone to Collinwood to destroy the Collins family. Willie says Adam can't be at Collinwood, because he saw him sitting alone under a tree in the woods (aw, poor guy, but it's nice that he put his killing spree on hold to mourn Carolyn a bit).
Barnabas explains that Carolyn's body has disappeared. Julia theorizes that Adam must have changed his mind about getting revenge. Barnabas wants to know if Adam didn't take the body, who did? Willie says none of it's going to matter if Maggie gets out and tells the police about Barnabas. Maggie's discovered how to open the secret door, and he's only been able to keep her there when he leaves by chloroforming her. He can't keep doing it, and besides, he's got to get some sleep--sooner or later Maggie's going to get out and Barnabas will be finished for good. Willie's amazed that Barnabas doesn't act worried, but Barnabas is too preoccupied with the Adam-killing-everybody situation. Julia tries to convince Barnabas that Adam has probably changed his mind and that they should concentrate now on doing something about Maggie--she'll go hypnotize her. She tells Willie to come to the mausoleum in an hour to take Maggie home.

Maggie wakes up on the floor of the secret room and pulls herself upright by holding onto the coffin. Seeing that Willie isn't there, she slides aside the door--opening step-stone and pulls the lever. The door grinds open to reveal Julia standing in the doorway. Maggie's not thrilled, screaming at Julia to stay away and demanding to know what she's going to do now--kill her? Julia tries to calm her and assures her she's not going to die here. Maggie assures Julia that she remembers everything Barnabas tried to do to her--how can Julia be willing to help that monster? Julia explains that Barnabas regrets everything and he's changed now. Maggie's skeptical--he's not even human, he's an animal. Julia calmly tells Maggie that if she wants to be free to go home, she just has to cooperate. She pulls the hypnotizing medallion out of her bag and starts twirling it around. Maggie stares at the kaleidoscope colors as Julia soothingly repeats that it's the key to her survival--she's going to get very drowsy and close her eyes--close her eyes... Instead of closing her eyes, Maggie opens her mouth and lets out a crazed scream. She knows now why she forgot two months out of her life--Julia hypnotized her with that same medallion to make her forget what Barnabas did to her! (Uh oh, now only is Barnabas in serious trouble, Maggie's remembered Julia's role in her "forgetting," too!)
Julia says it was for Maggie's own good then and now--it's the only way for her to be set free. Maggie shouts that she'd rather DIE than forget what she knows--and Julia can just tell Barnabas that the whole world is going to know what he is!  (Excellent acting on KLS' part, but both she and Karlen were totally brilliant during these scenes, which must have been physically grueling as well as emotionally draining.)

Barnabas is in deep thought in the drawing room of the Old House. The despondent Julia arrives and tells him that Willie did get back to the mausoleum, but Maggie's still there because the hypnosis didn't work. She's sorry, and Barnabas, a rarity for him, says it's OK--he knows she did what she could (what? He actually seems to appreciate something Julia tried--but failed--to do? Barnabas, you're getting better!) They argue a little about whether Maggie can or can't be kept longer in the secret room, but Barnabas says it doesn't really matter. He's feeling guilty--one family member is already dead and the others are in danger from Adam, all because of him. Julia's inclined to think that if Adam was going to do something, he'd have done so already--Adam wants a mate more than he wants to destroy the Collins family and knows they can try the experiment again.
So, says Barnabas, shall we risk somebody else by trying it again? He's made up his mind to go to Collinwood and tell them everything, including that Carolyn is dead as a result of the experiment She wants him to reconsider, but he snaps that he's prepared to accept all the consequences. She says he's committing suicide, but he insists that he doesn't want Julia to suffer any of the consequences--he'll do his best to exonerate her (the pre-1795 Barnabas would have tried to blame the whole mess on her; he IS changing for the better)! But he's sure he's doing the right thing. He exits the Old House, leaving the unhappy Julia to stare at the fire.

At the front door of Collinwood, Barnabas has second thoughts. He can't tell them Carolyn is dead and explain everything he and Julia have done--where will the explanations end? But he steadfastly decides he must tell them, no matter what happens to him. He knocks with the knocker, his head bowed and resting against the door. The door squeaks open slowly. Barnabas is astonished to see CAROLYN standing in the doorway!

NOTES: I still remember how this shocked, stunned and completely freaked me out in 1968. I half expected it, because I didn't think Nancy Barrett was leaving DS, but whoa, baby, she amazed me when she did that!

Imagine what would have happened if Barnabas had gone through with telling the family everything--it would have been such a shock, and surely would have led to Barnabas having to tell ALL.) Something has once again saved Barn's bacon, and Julia's too--but there's still Maggie to worry about, and what can be done about her? If she reveals what she's remembered, Barnabas and Julia are goners.

Love, Robin

593
Robservations / Robservations 8/5/02 - Carolyn Risks Her Life - #590-591
« on: August 04, 2002, 12:51:02 PM »
590 - (John Karlen) - While some sleep a quiet sleep in the great house of Collinwood, others in the Collins family face great danger, for in an Old House on the estate, there is a mysterious secret laboratory, and in it, a doctor prepares for an experiment which, if it succeeds, will save many lives.

Julia labors in the lab, working on the female creature's body. She sets up instruments, removes her rubber gloves. Barnabas comes downstairs and asks if she can leave now. Someone has REMEMBERED, he says, agitated--Maggie remembers what Julia hypnotized her to forget, and now wants to go to the police. Barnabas wants Julia to stop her using hypnosis again. But I'm ready to start the experiment, protests Julia. Barnabas suggests she imagine the police showing up now that he's free of his affliction, of having to pay the penalty for those first months--I can't, and won't--if you won't silence Maggie, I must!
Julia is perplexed; Maggie's memory shouldn't have suddenly returned--perhaps Willie is exaggerating? He was hiding her in the mausoleum, says Barnabas significantly. Julia realizes Maggie saw the coffin, stirring up memories. When Willie comes downstairs, Barnabas orders him to tell Julia everything. Willie sees no point--besides Maggie could escape, as she almost did once before--what'll we do? asks Willie, panicking. Julia calms him down and requests details. He asks her not to treat him the way she did when he was back at Windcliff--Maggie remembered about the music box, thinking she was Josette, and about Barnabas and how he frightened her. Julia insists there's nothing incriminating about that, but Willie tells them she said "I know what Barnabas Collins is."
Julia asks what will happen with the experiment while she's seeing to Maggie, who she doubts is in a receptive mood. Barnabas says he can't be effective help with this hanging over him, and Julia says she isn't sure what she dreads more, or which is more dangerous to them--seeing Maggie in the tomb or Carolyn here. Barnabas orders her to go; Willie will accompany her--he'll tell Carolyn something is wrong with the equipment. Julia says no, that'll scare her, but then she changes her tune--she doesn't care, perhaps Carolyn will begin to have some doubts about the experiment and change her mind about doing it. Barnabas thanks Julia for her help and after she leaves, Willie plaintively asks Barnabas if Julia can erase Maggie's hatred of him, too. (poor guy!) Barnabas says he can't concern himself with Willie's personal problems--you did something you shouldn't have, and brought me to the edge of disaster--I must find a way back. Julia calls to Willie to come downstairs. The front door opens. A hand snakes in. It's Adam, who asks where Julia is going, on a case?--no, you're not going anywhere, he says, barring the door.

Adam orders Julia back inside. She refuses, but she can see he means business, so she obeys. She must leave, she says, I have an ill patient. He refuses to let her go--she has responsibilities to HIM. Willie comes in, spots Adam, and screams for Barnabas. Adam thanks him for kidnapping Maggie, and offers to shake his hand, confusing Willie. Adam keeps his hand outstretched--he's happy!--I'll have my mate the way I want. Adam says Julia's patient must find another doctor. Barnabas enters the fray and Adam says now they can all go downstairs and begin the experiment. Julia says she tried to explain to Adam, but the latter sarcastically says it's hard to explain anything to him. Julia must go, says Barnabas--she can't concentrate on the experiment otherwise. Adam makes his Vicki threat. Willie starts to head upstairs, and Adam demands to know where he's going--Willie was going with Dr., Hoffman, accuses Adam--why did Willie lie? He gives Willie a push, and Willie races upstairs. Adam tells Julia Willie won't be much value to her patient. She says she was just dropping him off in town. Adam calls this a lie, too, and Barnabas tells him to wait one hour--this is no stall!--they want to get it over with. Barnabas says Carolyn isn't ready, she needs more rest. Julia agrees. Always something new, says Adam--new rules, and he doesn't believe them--he will go get Carolyn! He heads upstairs, ordering them, with a "please," to come with him--Stokes told him that's a sign of a gentleman who doesn't forget his manners during a crisis, and he wants his mate to think of him as a gentleman. On the landing, Willie appears with the house gun. He orders Adam to stop, he isn't going anywhere. Willie tells Julia to go. Adam orders Barnabas to make Willie drop the gun. Willie says no one is telling him anything, but Barnabas advises Willie to do what Adam says. No, says Willie, I've been wanting to kill him since the moment I met him. Julia begs Willie to think, and not shoot Adam. Willie says he IS thinking, he isn't scared now--all he must do is pull the trigger! "And Barnabas will die," says Julia, taut-lipped. Adam chimes in, "You forget, Willie, there's some connection between Barnabas and myself." Adam advances on Willie, who orders him to stay away. Willie cocks the gun and warns him not to get closer. Adam accuses him of bluffing--you care too much about Barnabas. Adam wrests the gun from Willie and Barnabas tries to shoo Julia out, but Adam, holding the gun on them, tells them that the first one out that door is going to be his mate, and he will follow her!  Adam holds the gun aimed on them and says they must get to work. Willie says he isn't needed down there, and Barnabas agrees, but Adam doesn't trust him and wants him there. Barnabas says he and Julia won't be able to concentrate and Willie should stand guard in case someone shows up. Barnabas tells Julia to go start the equipment, Barnabas will join her shortly. "NO!" barks Adam, but Barnabas tells him gun or no gun, he can't tell him what to do in his own house--he has to give Willie instructions. Adam makes fun of this--Willie has to be told even that. He points the gun at Julia and they head down to the lab. Willie asks Barn not to tell him what he should have done since he already did it, and Barn agrees. Willie doesn't know why everything he does turns out badly. Because you don't think, chastises Barnabas, ordering him to the tomb. Willie is afraid Adam will come after him, and wonders what he'll say to Maggie. Keep her quiet and don't let her out of your sight, demands Barnabas. Willie reminds him Joe is searching for Maggie, but Barn says he'd never think of the mausoleum. Willie begs him for something to say--he did treat her so badly--and he feels sorry for her. Those days are gone, and should be forgotten by everyone, says Barnabas--make sure Maggie doesn't get away from you! After Willie leaves, Barnabas gazes worriedly upstairs.

Julia has set the equipment in motion and it's making lots of little noises. Adam is staring at the body on the table. She tells him he must follow her orders, she's in charge. He starts to look at the body, but she tells him firmly not to touch anything and to sit down. He asks if it will work, and she responds that it did before. That isn't what he wanted to hear, tell him it WILL! I said the only thing I could, admits Julia. You don't care, he accuses her. She tells him she just wants it over. But a success, adds Adam desperately. Julia complains his talking is making her nervous. She orders him to go upstairs and wait, but he won't, so she tells him to be quiet. He asks Julia not to scare the new creation with a needle, not to hurt her, but Julia says she'll do whatever is necessary--she did what she had to in order to calm him down! Julia doesn't understand Adam--she can't hurt the creation, but it's OK to hurt Carolyn. Julia smiles bitterly as she informs him giving life force is painful--she watched Barnabas, heard his screams when Adam was brought to life.
No drug will be strong enough, she tells him. She doesn't know how he talked Carolyn into this. She's doing it for me, he says. Julia doesn't understand what right he had to ask her. I saved her life, he retorts. She tells him if he has any affection for Carolyn at all, stop this now! Adam says Julia doesn't want him to have his mate at all. Barnabas comes downstairs and tells Adam they're doing what he wants at some cost to themselves--remember it if he can. Adam sits back down like a sullen child. Julia tells Barnabas to attach the straps on the creation. Barnabas is waiting for the last minute to see Carolyn. Julia finds something wrong with the gauge. You must hurry, says Barnabas, we can't have more problems. For once, Barnabas is right, agrees Adam. Julia gets it fixed. They're ready to begin after one more check. Adam rises, goes to the head of the table to his intended mate. It will happen at last, he exults. Barnabas reminds him of his part of the bargain--take his mate away immediately after the experiment. Adam asks if she will be as he was, knowing nothing, unable to speak. Yes, says Barnabas. Adam wonders if he'll be able to teach her all she needs to know, to which Barnabas stoically replies, "You will have to." Julia tells Barnabas to go get Carolyn, but his forehead creases as he wonders how Liz and Roger would feel if they knew about this. Adam tells them HE will go get Carolyn, but before he goes, before Carolyn comes down, he tells them if anything happens to Carolyn, THEY will be hurt even more--do you understand?
He leaves after a final glance at the creation. "Soon you will breathe. You will hold out your arms, you will walk. You will smile at me." Adam starts to reveal the creature, but Julia warns him she's still bandaged. He orders them taken off, but Julia says they already explained that she's bandaged so she will be beautiful, and unscarred. "She will be beautiful, as beautiful as Carolyn," he says. "At last, I will have my Carolyn."

NOTES: The scene with Willie, Julia, Barnabas and Adam on the landing was really good. For those of you who wish someone would just put a bullet into Adam, sorry! : )

I still feel sorry for Adam. He can't have Carolyn and he knows he's different, so he wants someone like himself to love. That he's going about it by force and threats is something that Barnabas used to do all the time, so like father, like son. It's understandable that Barnabas and Julia are fearful about using Carolyn, but I can understand Adam wanting his mate to be like the girl he already loves.


591 - (Nancy Barrett) - The great house of Collinwood is quiet. The wind is as soft as a whispered secret. But in an Old House nearby, a secret is about to explode into reality. A body lies waiting to come to life, waiting to become the mate of a man in love with the girl who will provide the life force.

(Adam's makeup looks a lot uglier than usual. Some days he seems less scarred than others.)

Adam looks goofy, imaging how glad he'll be when this is over and he sees two Carolyns and one is his. Julia hesitantly tells him the creation doesn't look like Carolyn, infuriating him. Barnabas tells him that was impossible, there were no qualifications. Julia promises Adam he will like the way his mate looks, but Adam in unsure. Trust us, asks Julia. Adam asks if she will be like Carolyn, and Julia says she will if they use Carolyn for the life force. Adam says THAT is definite! He warns her not to try and talk Carolyn out of this, grabbing her arm for emphasis, and Barn forces him to drop it. The equipment is ready, says Julia. Adam again asks if the mate will be like Carolyn--or like him, as different from the life force as possible? (there are more similarities than you realize, Adam.) Julia doesn't know, and Barnabas is stoic. Julia says Lang believe it possible to bring one's personality, "?lan vitale," into another body--that was the purpose, so they have to hope Carolyn's spirit is in this one. Adam warns Julia that the mate had better be like Carolyn, and Barnabas asks if they are never to be free from his threats--they're doing as he told them to do! Adam asks Barn why he isn't more like him, and Barnabas responds perhaps because they both are alive. Carolyn must be alive, too, barks Adam, and Barn reminds him Carolyn is his relative and friend--if he believed this equipment would cause her death, he'd destroy the equipment. Adam accuses him of loving Vicki more, but Barnabas reminds him he threatened everyone at Collinwood. Barn wants to get the experiment underway so Adam can take his mate and leave, as he promised. Adam gazes at the draped form and wonders if he'll like her. You won't know until she's alive, says Barnabas cruelly, heading up to get Carolyn. Adam asks Julia if she understands his concerns, and she says yes, in a way she does. He feels she knows more about love than Barnabas, but Julia says she understands Adam's kind better--but she knows Barnabas is capable of great love, she's seen it. Adam observes that she's frightened, but she says no, not now. He can tell she is, he insists, but she says she just has to push the proper buttons and trust the equipment--nothing to fear. She suggests he's afraid, and he looks at the creation on the table and fears what will happen if she doesn't like what she sees. What will he do then? WHAT?

Josette's room Barnabas tells Carolyn he fears she doesn't know what she's about to do--he wants to tell Adam she's ill, and he'll have to accept it. He get someone else, he pleads, anyone, somehow. She appears not to have heard him, and says it's absurd--she owes Adam, he loves her.
She smiles at him--love, not friendship, the kind of love she felt when she was very young, without reason or knowledge--he loves her without knowing who she really is. She feels he'd worship her no matter what. Carolyn, you've been hiding him, accuses Barnabas, and she tells her cousin he wouldn't ask her that if he's been listening to her. Then Barnabas says, "You are in love with HIM." (indubitably) Carolyn doesn't answer that one. Adam enters and says Julia's waiting. Carolyn says she's ready and Adam tells Barnabas to go on. GO! Carolyn nods, giving Barn permission, and he shoots Carolyn a long look before leaving the room. Adam asks Carolyn if she feels all right. Yes. She's not frightened, or she doesn't think so. She should be, it's a new thing, but. . .he hugs her, knowing she is frightened, caressing her hair. He never wanted her to be scared, but she pulls away. It's the waiting, she says. He's pleased she let him hold her, for the first time ever--he's imagined it so many times.
She admits she has, sometimes. She wants to get it over with, she tells him, as if changing the subject, but he says not yet. They sit together on the bed and he asks if she's ever thought of going far away from Collinsport. Adam, please, she protests, but he continues, and asks again, if she could go away and live her life, not her family's, not her friends--Stokes once told him people often live lives expected of them, and he doesn't understand. Carolyn can't explain. She has thought of living her own life, she admits, and he asks her to come away with him. She didn't want to have this conversation, there's no point. There is, he insists, he wants her to think. She admits he's right. He suggests she stop thinking, but she says she's thought about him, but. . .he wants to know WHAT she thought, but she can't tell him. When the experiment is over, he's leaving, he reminds her, this is the last time they will have to talk--tell him now! She gently says she's thought about how dear he is, how attractive, scars notwithstanding--she doesn't see them anymore. They should go downstairs, she says, but he insists he finish. She says he sounded like Stokes just then, or others who have taught him things. He seems annoyed that she thinks of him as a child, but she confesses she thinks of him in other ways, too, which pleases him--he wants her to admit that to herself. He takes her by the arms and tells her he wants them to leave this room, go downstairs, go somewhere, they can be married, he'll work for her, there's no need for the experiment, he can make them happy. Upset, Carolyn tells him he can't make them happy by himself, no one person ever can. She leaves his arms. "Carolyn, please," he begs, but she says they've waited long enough. He begs her to wait, takes her in his arms, kisses her hair passionately.

Down in the lab, Julia tells Barn she wishes it weren't Carolyn. "Julia, please!" be begs. He tells her Carolyn understands the risks, and Julia says she feels bad worrying about the dangers to themselves. He assures her nothing will happen, but Julia reminds him this is only the second time for the experiment, and it didn't go according to plan. It went well, he says. Yes, by chance, she says--who knows this time? Barnabas says it's perfectly natural for her to be apprehensive, and she orders him not to try to "handle" her. He denies doing this, and she retorts, "Yes you were!" They realize they're both upset and Julia says such situations can turn allies against each other. Adam comes down and tells them Carolyn is coming; she wouldn't change her mind at the last moment. Barnabas says he hoped she would, and Julia concurs. When Adam warns Julia that both creation and Carolyn must live, he sees fear in her eyes, and tells her she must not be nervous and make a mistake. Barnabas tells Adam he's making her more so. Carolyn comes downstairs and touches the table on which she'll be lying. She surveys the creation and asks to see her. Adam says she won't be as beautiful as she is, which bothers Carolyn--of course she will be, and Adam must think so. She demands he say that to her--judge her fairly. She forces him to say it as if he means it, and he response, "I will," as if in a wedding ceremony. Carolyn gently tells Julia she's glad she's doing this. Julia tells Adam to leave, but he wants to stay. She refuses, it's terribly difficult to accomplish; she wouldn't allow him in a hospital during surgery. Barn agrees. Carolyn begs Adam to do as they say, but he refuses to leave her. Another reason, says Julia, you're emotionally involved. Adam points out both Julia and Barn are emotionally involved, but in a different way. Barnabas argues they have more knowledge than Adam, and Julia says Adam will interfere with her concentration, which could mean the difference between success and failure. Adam says stubbornly, "I will stay." "You will NOT!" responds Julia. The camera focuses on Carolyn during this, who is growing upset. Barnabas asks Adam if he doesn't have faith in them, even now--they won't try to get out of this. Carolyn begs them to stop; she can't just stand there--what difference does Adam's presence make? She wants to start now. Julia tells Carolyn to lie on the table. Adam lifts her up himself. She holds onto him with both arms. He leans in and touches her hair, gazing at her with love. She gazes back, looking equally smitten. Julia orders Adam to stand at the arch and neither move nor speak, no matter what happens.
She tells Barnabas to fasten the straps, and gives Carolyn something to help fight the pain (Adam demands to know what it is). There will be discomfort, warns Julia, and asks her not to be brave. (I'd leave now.) Julia says she'll hopefully feel only a slight shock or tingling. Julia turns on the juice, looking at Carolyn, Adam and Barnabas, who all seem anxious and unhappy. Lights go on and off. Julia fiddles with dials and Carolyn begins to moan, twisting from side to side. Barnabas has his hand on Adam's shoulder, both to stay and to comfort, one hopes. Carolyn cries out, sobbing with pain. Adam wants to go to her, Barnabas prevents it. More power, Carolyn is screaming now. Adam is beside himself. Julia tells Barnabas to watch a scope; if the waves begin to collapse, it will mean Carolyn is in danger. Barnabas tells her they are beginning to change. Carolyn is sobbing with agony, then screaming, "ADAM!" ADAM!" "She's calling me!" cries Adam, but Barnabas orders him to get back and let Julia do her work. Adam notes she isn't breathing, and Julia, frantic, asks how the scope reads. It's flatline! Julia tells him to keep watching, goes to Carolyn and listens for a heartbeat. She looks horrified and backs away. "JULIA!" Adam screams. Julia tells Barnabas Carolyn's breathing is weak--if the mate doesn't come alive in 60 seconds, Carolyn will die.
They turn agonized eyes to the clock's second hand as it sweeps towards life. . .or death.

NOTES: Is Carolyn going to die? We doubt a main character can perish on DS, but who knows whose contract is up at this point in time?

Oh, very good stuff there, if a tad melodramatic. The lab scenes always seem like silly medicine to me, and quite unbelievable, but it's still fun, if you can suspend that disbelief.

Adam and Carolyn really do seem in love here, but poor Carolyn certainly can't love a CREATION, can she? More's the pity for her; Adam's proposal was kind of touching and sweet, and he was clearly trying to save her pain. Will Adam get his mate but lose Carolyn?

Love, Robin

594
Current Talk '02 II / Re: Josette's Musicbox
« on: August 03, 2002, 11:15:37 PM »
I was always a big fan of the Blue Whale music, even though I wondered why they didn't use any popular Beatles or Rolling Stones songs of the day.  I didn't know about cheap Dan Curtis, who wouldn't want to pay such royalties!

I adored the very first Josette's music box theme and always wished it was the music used in my plastic music box from 1970.  The second one was OK, but did get a little wearing.

As for the other commonly-used themes, Quentin's became a hit on the radio, so I heard it ad nauseum, and was truly tired of it after a while.  Angelique's theme song in 1970PT wasn't used TOO much, so I was able to tolerate that.  

I hated Joanna's theme.  That music was so syrupy sweet, it could send a diabetic like me into severe shock!  

Generally speaking, I thought DS' music was dynamite and really added to the allure of the show.  

Love, Robin  

595
When I was a ttenager, I actually thought Davis was pretty cute in 1795, and he and Vicki made a sweet couple.  Watching him as an adult, however,  I find him boorish, annoying, bombastic, self-involved and just plain DULL.  I would imagine Vicki would prefer Barnabas, Willie or even Carolyn to him!

Now, do you want me to tell you what I REALLY think?

Love, Robin

596
Current Talk '02 II / Re: what did barny do for 172 years?
« on: August 03, 2002, 11:02:30 PM »
I suspect Barnabas awakened every single night for 172 years, which would account for his crankiness (?!) upon finally being busted out.  I always figured he had a lot of self-control not to drain Willie dry, given that he was probably very thirsty!  Then again, he had enough savvy to realize he'd need a slave to tell him about the century into which he awakened and help him adjust and slide into a life as close to that of a human being as possible.  

how he survived without blood is another matter, however, and a very good question.

Love, Robin

597
Current Talk '02 II / Re: Most disturbing DS moments
« on: August 03, 2002, 10:52:18 PM »
Potential spoilers. . .





The first time I watched Barnabas and Julia murdering Dr. Woodard, I was only 13 and felt as if I were watching something I shouldn't be.  Although the episode was blunted by the use of a totally different actor as Dave Woodard, it was nevertheless extremely disturbing to me.  I had already developed a crush on Barnabas, and wondered how I could care for a man who would do such a dreadful thing to a fellow human being.

David's attempt to murder his father by removing the bleeder valve from his car--that a nine-year-old boy would even think of doing such a thing was terribly upsetting to me.  Along the same line was David locking Vicki in a deserted room in the East Wing of the house, intending for her to die there.  Again, for a child so young, that was quite hard to watch.

Love, Robin      

598
Current Talk '02 II / Re: ORDINARY PEOPLE
« on: August 03, 2002, 10:38:12 PM »
Joe and Maggie were probably DS' most normal people, at least before they got into the clutches of vampires Barnabas and Angelique.

I also cast a vote for the pre-Leviathan Megan and Philip Todd.  Aside from the dissolution of Joe and Maggie's relationship, I felt really terrible for those two, chosen for this awful task, losing everything they had along the way.

Love, Robin

599
Current Talk '02 II / Re: Julia's Hands & other habits
« on: August 03, 2002, 10:34:42 PM »
Everyone has nervous little body quirks, but with actors and actresses, it's right there for the world to see.  Barnabas was always rubbing his thumb over his forefinger.  Julia gasps or has sharp intakes of breath.  In early episodes, Carolyn was forever pushing her bangs away from her forehead (they tended to fall over her face, reminiscent of Veronica Lake).  

Gad, I would hate to be scrutinized this way!  I can imagine someone commenting on how often I touch my lips, or adjust my bra strap or turn my head from side to side (because my neck bothers me).  

Those little quirks are fun to watch, IMHO.  It helps make these characters human.  Who has more to be nervous about than Barn and Julia?  
   :o

Love, Robin

600
588 - (Nancy Barrett) - A starless night obscures the walls of Collinwood. Not far from the great house, on the grounds of a cemetery that reaches back into the past, there is a mausoleum containing a secret room. In it, a frightened girl is trapped, hidden away by a man who is trying to protect her from being a part of a terrifying experiment. But by bringing her to this place, he has put her in greater danger than ever, for she has just had a dream, and because of the dream, she is on the verge of remembering a horrifying secret.

Maggie wonders what her dream means. She was in a house, not a strange house, someplace she'd been before, and someone was with her--Willie! She and Willie were in a room together, and a man came in, Barnabas Collins. She was frightened of him, more than frightened, she was terrified, and when she thinks of him now, she's still frightened. Why? Why is she afraid of Barnabas, why? She leans on the coffin and asks herself these questions.

Maggie sits on the step, hand over her face. That dream was more than just a dream, too vivid, it actually happened. After she disappeared, during those months she couldn't remember, she's got to remember, she's got to know what happened to her then. Concentrate, she tells herself, the dream, the room, the house--what house was it? She sees candles in her mind, hears the music. The drawing room at the Old House--what was she doing there? Willie was there, he was doing something. . .lighting candles on a table. Willie asks Maggie why she isn't upstairs in her room, it isn't time yet. Soon, she asks? Yes, says Willie, voice shaking, soon. She looked out the window and couldn't see the sun. It hasn't set yet, Willie says, but when it does, he'll come to you. Yes, she says, observing the portrait of Barnabas, he will come to me. Willie lifts and hands her Josette's wedding dress--he wants her to wear it, says Willie, because it belongs to her. He likes to see her in it. She takes the dress and pirouettes in a circle, proclaiming it beautiful.
Willie's face shakes with misery. You have to go upstairs and change, Maggie, he tells her, the sun will be setting soon. "Maggie?" she asks, but he says he meant to call her Josette--that's her name. No, she says, Josette is not her name. Willie got mixed up! Don't say it isn't your name, warns Willie, frantic. She says she doesn't want to see him and puts the dress on a chair. Willie begs her not to say that, it isn't true. Maggie hugs the mantel--she's frightened. Willie opens the music box and holds it to her ear. She calms immediately and smiles. She agrees with Willie that it's pretty. It makes her feel better, she agrees, but doesn't look convinced. Say you aren't afraid, he says, and she agrees--she will cooperate with Barnabas, be what he wants her to be. Willie tells her to go upstairs, change into her dress, and he will call her when Barnabas is ready to see her. She floats away, takes the dress, and goes upstairs. Willie holds Josette's music box aloft, then, looking miserable, turns away.

Back in the tomb, Maggie wonders why she was in the house, and why did Barnabas want her there. Why did he want her to think she was Josette--it makes no sense. She must remember more, she's got to!

Collinwood - Carolyn comes downstairs, slowly, almost secretively. She stands in the foyer, stops, then goes into the drawing room. There's a knock at the door, and she looks unhappy. It's Nicholas Blair. He stopped by to ask about Vicki. She came to, hysterical, says Carolyn, and needed a sedative, but will be all right. He asks about Roger, who went to see the sheriff. Nicholas hopes someone is guarding Vicki. Carolyn says the whole house is up there. You are alone, observes Nicholas, smiling evilly, and invites himself for a drink. She seems thrilled for the company, she hates being alone. He says she should never be left alone. She points out the brandy and he closes the double doors. She asks why, and he says he wants to talk privately with her. "Carolyn, come here," he orders--"Look at me." She says she doesn't understand. "You cannot move," he tells her. "Try to move your hand." She can't! She asks what he 's doing to her. "You cannot speak," he says. "You will neither move nor speak until you understand exactly what you are to do.
You will be my slave. You will do exactly as I tell you to do. You will be completely rational, but you will be my slave. Do you understand?" Carolyn nods. He allows her to speak, and she asks what he wants her to do. Tell Adam you will participate in an experiment that will provide a mate for Adam. "A mate?" asks Carolyn. The mate has already been created, he tells her, but the mate needs to be infused with a life force--and the life force will be yours. She doesn't understand, but he says that isn't necessary--she will participate in the experiment, to help Adam. He tells her not to be frightened, she won't he harmed or in danger. He orders her to tell him she isn't afraid, and she repeats the words, smiling. Remember three things, he says--you will participate in the experiment, you will do it willingly, you will do it to help Adam. Yes, I will help Adam, she agrees, and he grins broadly.

Maggie hears Willie opening the tomb door. He tells her it's OK, she isn't in danger anymore, she can go home, right now. He starts to lead her out, and she asks him who Josette was. Taken aback, Willie's eyes widen in fear.

Willie tells Maggie he knows no one by that name, and she accuses him of lying. She tells him she's remembering things that happened AFTER she disappeared. Like what? He asks. Being in the Old House, with him, she says, though she doesn't know why. She found Willie lighting candles in the drawing room, and he gave her a dress to wear, said Barnabas wanted her to wear it and believe herself Josette. "That's crazy," whispers Willie, terrified. He played a music box, she goes on, and for some reason, it had a strange effect on her. It never happened, says Willie, but she goes on relentlessly. She remembers a room in the Old House, something special about the room. Willie begs her to stop, but she goes on--it was Josette's room, and Barnabas wanted her to believe she was Josette--he wanted her to stay in that room, held her prisoner there. Willie wrings his hands and asks why he'd do that. She doesn't know, but he had a strange hold over her, odd, sometimes she was frightened of Barnabas, other times not. Willie begs her to stop thinking, but her face contorts as she remembers she tried to escape and did, to get to her father, but Barnabas found her  She remembers this place, Barnabas took her here after she tried to escape from him. He did something terrible to her, what was it? Willie tries to shut her up, but she continues: Barnabas brought her to the room outside. . .
"MAGGIE, PLEASE STOP NOW!" screams Willie. She was outside in that room with Barnabas and there was nothing she could do! Nothing!

Flashback - Maggie's present day face morphs into her Josette persona, complete with sausage curls. Barnabas enters the tomb and glares at her. He opens the secret room with the ring in the lion's mouth; the coffin is there. He orders her to come with him. Please, she begs him, but he says she must be punished for trying to leave him--she must always remain with him. She tells him she wants to be with him, but he says she should have remembered it tonight--she will remember it after tonight. He starts to drag her with him. She begs him, don't. Please! She starts to cry, and he says, "Don't cry, Josette." That is her name, he says, a beautiful name, as she is beautiful. She seems lost in a trance as he asks why she forgot what he taught her.
He tells her she is Josette--say it! She repeats "I am Josette." And they will be together, she will be his bride, the bride of Barnabas Collins, he tells her. She repeats that. They will be together through all eternity, he says, and she agrees, believing it fully and completely. He tells her she's beautiful, very very beautiful. Don't ever forget they will be together, he tells her, and she says she believes. Perhaps it isn't necessary to punish you now, he says, but you must promise never to escape again. She says she wants to be with him, forever. He tells her they will leave this place now and return to their home. "Home," she repeats. When he goes to close the door, she bolts to the gate, attempting escape. He grabs her--she lied to him, she will never escape from him. He won't pity her again, he says harshly, and she clings to the wall containing Sarah's plaque. Barnabas grabs her, fangs bared, and sinks them into her throat. Her hand, clutching his sleeve, stiffens, then drops as she falls unconscious, and he carries her into the secret room. Maggie awakens to find herself in a coffin, Barnabas gazing down at her with blood in his eyes. "Where am I?" she asks., and he tells her she will remain there until he sends for her. She screams as he closes the coffin, screaming wildly, and her screams melt into those of the present-day Maggie Evans, who blares to a bug-eyed Willie, "I KNOW! I KNOW WHAT BARNABAS COLLINS IS!!!!!"

NOTES: Very dramatic stuff, folks. I guess Julia's hypnosis doesn't work under stress, and heavy reminders. Nicholas' hypnosis of Carolyn was cool; when he hypnotizes, you really believe it's happening to you, too.

This reminds us what a terrible man Barnabas once was, and the dreadful things he did to Maggie. Now, however, he's free of that curse, different from the man who tortured her. Is he going to have to suffer for his past? Will Maggie reveal all to the law? And what will become of Willie, who did all this with the purest of motives?


589 - (Nancy Barrett) - A cold moon illuminates the walls of Collinwood. There is terror in this night, for two women are in great danger. Victoria Winters has just been attacked by an unknown assailant and, hidden away in the Collins mausoleum, Maggie Evans has come to a horrifying realization, one which may cost her her life.

Maggie realizes what Barnabas Collins is (was), and Willie is terrified. She asks if he knows, too, and he insists he knows nothing. One night, after she tried to escape, he brought her here, to this place, to this room--he brought her here and put her in this coffin. Before that, what he did to her.he tried to make her what he is. She knows what he is, inhuman, Barnabas Collins is one of the living dead!

Willie, his voice hoarse, tells her she doesn't remember ANYTHING, but she insists she remembers all. A bad dream, says Willie, but she knows differently. Willie argues with her, but she remembers Barnabas wanting her to be his bride, Josette, and the terrible things he did to her. He came to her room one night, after that, she didn't' know what she was doing, he cast a spell over her. Willie tries to tell her it was a terrible dream, and she remembers going to Eagle Hill. . .Willie grabs her and demands to know if she wants to live--she had better stop thinking and believing these things, he screams in her face, if she wants to live! She remembers it all and will remember as long as she lives! Willie is sobbing with fear. She also remembers Willie tried to help him, tried to make her think she was Josette. Willie tells her he had to, he didn't want to, but had to--he made him do it! Then everything she said actually happened, she realizes. Willie looks at her. He had to help him, he says, he was under his power, just as she was. Maggie asks if he still is, but Willie says no. She recalls Willie being kind to her, trying to help her, and he said he never wanted anything to happen to her. She begs him to help her now--let her go to the police. They must tell the police everything about Barnabas, and Willie must come with her.
Willie tells her Barnabas is different now, but she refuses to believe it. Why go to the police--they'll think them crazy. He grabs her arms, swings her around. He told her he was releasing her, but he can't now that she remembers. He can't let her go to the police, who will come after Barnabas. Maggie stares at him--he was lying to her! She knows why he brought her here, and not to protect her--but because Barnabas told her to. He still wants her to be Josette, and Willie is under his power. He wants it to happen all over again! Willie denies it, but Maggie goes to the door and pounds on it, screaming. She sinks to the floor, sobbing, begging him to release her. He wishes he could--but he can't. Maggie presses a hand to her forehead, sobbing, and Willie looks like he's going to burst into tears, too.

Roger leads Vicki into the drawing room, Barnabas behind them. She wants to talk to them, despite her painful throat. She woke up and someone was strangling her, but she didn't see the man enter her room. She felt his hand around her neck but couldn't see his face. She saw a man, a very large man, and she thinks it was Adam. Barn asks if she's sure, but again she says she didn't see his face.
She saw a huge figure looming over her, and he had his hand around her neck so she couldn't look up. She couldn't fight him. Barnabas says she then can't be sure it was Adam, but she doesn't know who else. Roger reminds Barnabas HE thought it Adam, Carolyn said so, but Barnabas assures him he wasn't certain. Why, then, did Barnabas come tearing to the house thinking Vicki in danger? Carolyn said it was because Julia had seen Adam in the woods, heading for Collinwood. No proof Adam was going to attack Vicki, says Barnabas. Roger is perplexed by this swticheroo, and now Barn is defending the man, but Barnabas insists he's trying to be fair. Carolyn comes in and petulantly says everyone always blames Adam when anything happens, and it isn't fair. Roger accuses her of defending him, but Carolyn points out neither she nor Barnabas saw the man, and he was gone by the time they got there. Roger ponders who would want to harm Vicki as Barnabas stares at Carolyn, surprised. Earnestly, Carolyn asks why Adam would want to hurt Vicki. Vicki herself can't think of one reason, and Carolyn suggests is was a prowler. Barnabas asks Vicki how she's feeling and offers to help her upstairs. Roger assures her she's safe now as Carolyn bites her lips. Roger says it's odd how Barnabas was convinced someone was going to attack Vicki, as if he had foreknowledge, yet he wouldn't admit to having such knowledge. Carolyn suggests ESP gave Barnabas the clue, but Roger is dubious. Barnabas has no reason to lie, says Carolyn. Carolyn tells her uncle she's leaving for a few days, leaving immediately. Her bag is packed. She's going to Boston. Roger is outraged that she is leaving at a time like this--what about Liz and David?
Mrs. Johnson can take care of David, says Carolyn, and she'll only be gone a few days. Roger calls her actions inconsiderate, but there are tears in her voice--she has nerves, too, and what's happening in the house frightens her--she needs to get away. She turns on her heel and walks off. Roger tries a last-ditch effort--Vicki! Vicki will be all right, Carolyn says, and she doesn't want to argue about it. She's leaving in the middle of the night, Roger points out, which makes no sense to him, but plenty to Carolyn. She leaves despite his repeatedly calling her name. Barnabas comes downstairs and Roger tells him of Carolyn's abrupt plans. Barnabas is shocked and seemingly upset she's leaving for several days, Roger goes on about her selfishness. Barnabas was just worried about Vicki, plus he's tired, he says, making a hasty retreat. Roger glances at Barnabas' portrait, goes into the drawing room. It's 10:50.

Old House - Barnabas returns home and wonders why Carolyn left tonight of all nights? They need her to finish the experiment, since Adam will only accept her as the life force. Vicki is in real danger now! How will he stop him--how? He turns around the column and there is Carolyn, smiling at him. "Hello, Barnabas," she says, staring into his stunned face.

She tells him she lied to Uncle Roger, but it was necessary. She needed an excuse to come to the Old House to help with the experiment. She knows all about it, she says, Adam told her that Barnabas and Julia are going to provide Adam with a mate--and I am willing to be the life force. She's calm, rational. She wonders why he looks so distressed, she's willing to do this for Adam's sake. He asks if Adam means that much to her, and she says she owes it to him for saving her life--she can repay him this way. Barn finds her calmness peculiar, but she says Adam told her no harm would come to her, and asks if it's true. She admits to him she was frightened when she first learned the truth about Adam, but not now--she feels sorry for Adam and wants to help him. She asks her cousin if he'll accept her help, and he replies of course, but he says he must be honest--there is a risk involved with the experiment. Carolyn is willing to take it for Adam's sake.
Barnabas had no idea she was that attached to Adam, and she says of course she is--if not for him, she wouldn't be alive now. She tells him she's tired and asks to rest for a while--call her when she's needed. Barnabas, left alone, is perturbed.

In the mausoleum, Maggie and Willie are at a stalemate. He lights a cigarette with a candle and asks why she won't say anything. It never occurred to her before, she says shakily--he could be the same as Barnabas. That's crazy, he tells her. Is it? she asks Sure, he's the same as her, the same as anyone. He asks her to touch him, but she orders him to stay away from her. She flings herself out of his grasp, fails against the coffin and lies unconscious on the floor. Willie apologizes to her, then opens the secret door and flees the tomb.

Barnabas wonders how Adam convinced Carolyn to take part in this--is she really this attached to him? It's incredible--it just doesn't make sense. Willie races in and Barnabas accuses him of taking Maggie--he ought to kill him, he says, grabbing his lapels. Barnabas tells Willie Adam tried to kill Vicki, and if she had died, he would have been responsible. Willie begs him to listen--Maggie remembered everything, including what Barnabas WAS! "And if she tells, they'll come and get you, Barnabas, and they're gonna destroy ya!" cries Willie.

NOTES: This is a pickle more serious than Adam's attempted attack on Vicki. If Barnabas is turned in to the police (assuming the cops believe Maggie) then everything at Collinwood will be in a serious uproar! Will Maggie be able to escape and get to the police? Will Barnabas have to kill her to keep her quiet? Can Julia re-hypnotize her?

That hypnotic spell Nicholas put on Carolyn is sure cool, isn't it? She's very much herself, just insistent on serving as life force for Adam's mate. It might be easier (and less deadly) if she just falls in love with the big fella herself. Her sense of self-preservations kicks in, and she's still concerned enough to mention her safety during this experiment, but her desire to help Adam, who saved her life, seems uppermost in her mind. Cool trick, Nick!

Julia was so sure that Maggie would never remember what Barnabas did to her, but she did, every detail, and it's very exciting to speculate what's going to happen now!

Love, Robin