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Messages - ROBINV

556
608 - (KLS) - Night over Collinwood--a dismal night that promises new disasters, for in a house by the sea, an ageless drama is being acted out, and one man has discovered that both sacred and profane love can leave you completely alone.

Angelique is horrified to see what Joe has done to himself. He lies on the floor, grunting in pain. She starts to remove the letter opener, but he insists he wants to die. So many rules, he moans, forgotten, broken, once I started I could never go back, never! Joe's hand is covered with his blood. Let me die! He begs Unsure of what to do, Angelique calls to Nicholas, then Joe, begging him to get up and out of here. (she is some piece of work, isn't she?) Joe is unresponsive. Panicked, she closes the doors and goes to the window, where she summons Barnabas. Come to me, she says, you must.

The dogs howl. Barnabas, at the Old House (in my favorite red smoking jacket and a scarf to hide his fang marks), is writing something. He is perturbed to hear first the dogs, then Angelique summoning him. You have to come to me, she pleads, I don't know what to do--come to me NOW! Barnabas tries to resist, but it's futile. Now! She demands. Barnabas, in a trance, heads out the door. You are my slave, proclaims Ang, you must come to me--hurry! When Barnabas enters, Angelique is happy to see him. He stares at her. Won't you ever leave me alone? He asks in despair. You must never believe I don't need you, she chides, I do, in so many ways. She points out poor Joe, lying unconscious on the floor. Barnabas is concerned. He tried to commit suicide, she says. Why? asks Barn. Angelique, however, wants no questions. He's dying, Barnabas accuses her--do I even need to bother asking? He finds Joe's throat marks. How long? Barnabas asks her.
All the vampire wants is for Barnabas to get Joe out of here. "I should have remembered," says Barnabas, "anyone--anyone--a stranger passing, a friend, an enemy, it doesn't really matter. Ang doesn't answer at first, then says just as long as it's someone--and that someone obeys orders--you are my someone, and must obey me--take him to the woods and leave him there. But he's dying, objects Barnabas. Then you won't have to kill him, will you? she asks cruelly--yes, kill him--I want him far from this place where none of us will be blamed, where even Nicholas won't realize what's happened tonight. Barnabas continues to gaze down at Joe. Now that I have you, says Angelique, I don't want him anymore--Joe couldn't bear it. Barnabas stands and faces her. Is that what you will do with ME when you don't want me anymore? he asks--will you have someone carry me to the woods and kill me? You would, wouldn't you, if you had someone beside him. Ang doesn't reply to this sad little speech, either. (an excellent, heart-wrenching scene, both Frid and Parker in top form.)

Julia and Barnabas minister to Joe in Josette's room. Barnabas lies that he found him in the woods. Joe awakens, asking, "Where is she? Why won't she come to me?" He must mean Maggie, says Barnabas. Julia feels Joe must go to the hospital, but Barnabas objects--should he be moved?--I want you to deal with him here. He'll require a great deal of attention, she says, wanting to know why he's so determined to keep Joe here. It's a small town, he reminds her--the police will be involved--think of the effect the news will have--I want you to deal with Joe's condition. She cuts off Joe's shirt, an act Barnabas also objects to, but Julia insists she has to clean the wound.
Joe mutters, "She has to see me!" Julia tells Barnabas to go get Maggie. Why? he asks. She explains that the will to live isn't just a romantic phrase; Joe says he wants to die, but keeps calling to Maggie. Barnabas reminds her of Maggie and Joe's break-up. Julia says that could be what caused the suicide attempt--a cry for help--he wants Maggie. Julia finishes cutting off the shirt and spots the fang marks on Joe's neck. I didn't know, says Barnabas says. I thought perhaps it was why you didn't want the police involved, suggests Julia. Barnabas claims to be as shocked as she--we can keep him here, he says--we can't tell the police, Julia agrees, adding that they now have a chance to perhaps learn who the vampire is--there have been no attacks in the village, so the vampire will have to come here to see Joe. Barnabas says they must keep guard. Joe starts calling for "her" again, and Julia again urges Barnabas to get Maggie. (We have a nice shot of Joe's bare chest.) Barnabas assures Joe he's going to get Maggie and bring her there. Julia wonders if it isn't Maggie Joe is asking for, but Barnabas says Joe loved Maggie very much, as though that explains a lot. Julia soberly surveys her patient.

Old House drawing room - Maggie is sobbing when Barnabas comes to the cottage and gives her the news--Joe wouldn't commit suicide, she cries--I can't believe he wanted to die. He did say it, Barnabas tells her. How could I have thought she knew him? laments Maggie--he's changed so much!--still, these things must have been in him before, when they were together, I never realized. "You couldn't," Barnabas says comfortingly. You're right, she says, but someone else might have seen these things and stopped it. Barnabas says perhaps something happened to him, something she couldn't control or help. Everyone has a darker side that only comes to light under certain circumstances, he explains. Maggie thinks he knows. . .Julia interrupts. She says Joe is conscious and tells Maggie how sorry she is--fortunately, Joe will live. Maggie asks to see him, alone. For a few moments, says Julia, in the room at the top of the stairs--hopefully, she can give Joe the will to live. Maggie heads upstairs. Barnabas asks Julia if she bandaged his neck, then says Maggie thinks she knows why Joe has changed so. "Perhaps you do, Barnabas, more than you admit," says Julia. (go, Julia, you suspect!) Barnabas just looks at her, guiltily not responding.

Maggie enters Josette's room and calls to Joe. He seems more himself, but turns his face away. Don't you want to see me? She asks. I don't want you to see me, he replies, despondent. What's happened? she asks miserably--I promised I wouldn't ask, I don't care what you did, you must get well! She moves around to look at him, telling him their lives are so much different than they ever thought or planned, but could still be good lives. I know that isn't true, says Joe bitterly. Have I done something? she asks--I must have, maybe a long time ago, something I don't know about or remember--please tell me if that's so! Joe assures her she did nothing. Someone did, she says, who?--that girl?--tell me!
He nods. Yes, he says, and she cries, anguished. "Joe. . .Joe!"

Joe is resting. Julia says tells Barnabas he should be all right in a few minutes. Barnabas tells her he sent Maggie home, feeling sorry for her. Julia says she found herself wanting to tell her, but couldn't tell her anything like THAT, so impossible to understand. Get some rest, she urges Barnabas--we must have a pistol with silver bullets in the room, in case she comes--I'm sure it's a woman.
Barnabas asks her why. Intuition, says Julia--I know who she is--perhaps Cassandra has come back from the dead. Barnabas laughs out loud at this idea. Julia is taken aback by his reaction. Barnabas was with Cassandra when she died, and Julia mustn't let her imagination carry her away--Cassandra didn't die because of a vampire, a subject Barnabas knows too well. Julia apologizes; she wants to find a solution so badly, she's willing to accept the idea of Cassandra coming back. Barn says she was right about one thing--this is their chance to catch whoever it is--Joe is here, he can't go to her, whoever it is must come to Joe. Barnabas calls first watch and tells Julia to get some rest--he'll alert her if there's any change.

3 AM - Joe awakens. Barnabas, sitting beside him, asks if he feels any better. Joe turns his face away. Barnabas reminds him he found him in the woods and brought him here. Joe says he didn't find him in the woods--I know where you found me--at HER house, Angelique's. Nervously, Barnabas glances at the door and warns Joe not to mention her name here. What were you doing at her house? demands Joe. Barnabas says he was there to see Nicholas, but Joe accuses him of lying. Don't be ridiculous, says Barnabas. They'd never have let you see him, says Joe, grabbing hold of Barnabas' collar and pulling it down. Spotting the telltale marks, he hisses, "You! You're the one she's left me for! Joe grabs him by the shoulders. "You. . .you! I'll KILL you!"

NOTES: Great episodes, folks, but even better are coming next week. Now that Angelique has tasted Barnabas' blood, nothing on earth, neither Nicholas' orders nor Joe's pleas, is going to sway her from her intended course. Did y'all get shivers over Nicholas' love scene with Maggie? That kiss wasn't much to write home about, was it? HAA is such a handsome guy, I wonder why he couldn't get her in the mood for a more passionate buss?


609 - (Nancy Barrett) - A new day at Collinwood, and a sharp wind blows from the ocean. And in a house overlooking the sea, one man tries to fight an emotion as strong and relentless as the waves themselves--love. Love for a woman who is denied him.

Adam sits at the desk in Blair house, writing a note, asking Harry if he saw Carolyn at Collinwood. Harry sarcastically replies that he isn't Adam, and seeing Carolyn isn't a major event in his life. Adam insists that he wants to know how Carolyn feels, how she looks. Like she always does, Harry responds, indifferent. Adam asks Harry to deliver a note to Carolyn for him. Harry remarks that Adam really DIGS her, but Adam insists she's only a friend. What about Eve and Nicholas? asks Harry. Adam sternly tells him Nicholas must not know about this letter; Carolyn must be alone when she receives it, and she's going to ask Harry where he is--but he must not tell her. Adam warns Harry not to read the letter. Harry assures him he won't. Give me her answer as quickly as you can, orders Adam. Eve enters, demanding to know what's in Harry's hand. He says it's nothing, but Eve looks suspiciously at Adam as Harry leaves. Is he cheating on her or something?
Adam tells her he was just talking to Harry, but she wants to know about the letter--then says it doesn't matter. Nicholas is gone, she notes. Eve looks out the window, remembering "days like this." Adam is puzzled, but he can't understand how she has memories at all. They were made, the two of them, yet Eve knows it's fall, knows the air outside will be sharp and clear, that sometimes trees have no leaves at all, while others, they are green. You shouldn't know all that, says Adam, we were both made, but that's all we share. Eve doesn't even remember how she knows the word fall. Adam has heard of it, and found is confusing--how did they name the season for the fact that leaves fall from the trees?--Stokes wouldn't have called it something as simple as fall. Eve isn't sure she would like Stokes, but Adam does, and he agrees she wouldn't. Eve wants to know how Adam met all these people--did Nicholas let him go out, anywhere he wanted? No, says Adam. You got out, she notes. Adam prefers not to think of those times. She accuses him of liking being a captive--but she wants to feel the wind, experience the smell of the ocean. She turns to go and he tells her not to--he wants her to stay, he wants them to talk. I know you, says Eve, and don't feel you have any surprises for me--it doesn't mean you aren't sweet and kind, she adds. He tells her today is going to be different--something he wants is going to happen and he wants her to stay--it's important, and Adam begs her to stay.

Collinwood - Harry has given Carolyn Adam's note on the terrace, explaining that Adam was in a real state, almost threatening him if he didn't bring her the note. Eagerly, Carolyn asks if he knows where Adam is. Harry denies knowing--he met him in the woods. Carolyn doesn't believe that. Adam was coming to Collinwood, says Harry, I asked if he was just going to knock at the door--Adam knows your room and can get in without anyone seeing him, so he was going to leave it there. Where in the woods did you meet him? insists Carolyn--I want to go to him with my answer. Harry says no, she must play it Adam's way.
All right, she agrees, I will--tell him the answer is yes, and Adam must be careful--tell him I'm very happy, she says, beaming.

Harry reports Carolyn's answer to Adam, who is thrilled. Was she pleased? asks Adam. Yes, says Harry, and this makes Adam happy. Nicholas must know nothing about this, Adam reminds him. He opens a door and calls to Eve. Harry says he's sure Nicholas wouldn't like what's going to happen, but Adam tells him to just go, he wants to be alone with Eve. Fine with me, says Harry, since you two aren't good company--you fight all the time, or haven't you noticed? Harry shakes his head at Adam before leaving the house. Eve comes out and tells Adam to stop calling her--she isn't his servant. I have marvelous news, says Adam, my surprise is going to happen. She's ecstatic to learn they're leaving the house. She asks about Nicholas, but Adam says he won't know. Do you have a plan? asks Eve, excited--do you have money? Is the trip all arranged? She's touching him, telling him they must be very clever and avoid Nicholas finding them, ever. He tells her they're going only to Collinwood, not away--we're going to see Carolyn Stoddard. Eve burst into laughter, seemingly insane for a moment. He shakes her, telling her to stop it, and he insists that they ARE going to meet Carolyn.

Terrace - Jeff checks his watch. Carolyn comes out and asks if Vicki know he's here. Yes, he says, but she isn't ready--I ought to learn to be an hour late, then I'd still be early. Carolyn giggles. He notes that she looks like she already has a date, given her new dress, and compliments her on how great she looks. Jeff looks out the gate and says he heard something. She thought so, but she's sure it's nothing. Nervous, she asks him to come into the house, but he wants to stay out here--we'd really like you to join us, he tells Carolyn, but she begs off. Jeff hears another sound and looks out the gate. He calls to Carolyn that he will come with her, but ducks behind some bushes, hiding. David peers in and opens the gate. Jeff comes out and accuses him of hiding from someone, but David refuses to tell him who. We're friends, says Jeff. David confesses that he isn't happy about Jeff marrying Vicki--you don't even know who you are, cries David, or where you came from--I've heard them talking. Jeff sits on the stone bench and assures David his marriage to Vicki won't mean she will stop loving him.
What good will that do if she's in Boston and I'm still here? demands David belligerently. Jeff says they might stay here, but David overheard Vicki tell Carolyn they might go away. Jeff assures him he can visit, but David doesn't like that. You've been to Boston dozens of times, says Jeff--you could show us around--Paul Revere, Bunker Hill--I want you to be our guide. Maybe YOU'VE been there, suggests David, and just don't remember (LOL!)--you might have been there when they fought the battle in 1776--I saw the tombstone in the graveyard, Peter Bradford's tombstone, David blathers, growing more and more excited--that's who Vicki thought you were when she met you in the past! Jeff grabs him, shakes him and tells him he's Jeff Clark--I only lived one time, right here in this life! He releases David, apologizing, but David pulls away from him. You're my friend, insists Jeff--please sit back down and I'll explain everything to you. Reluctantly, David sits down with him.

Carolyn waits in Adam's room, leafing through a book. The place is still a mess, but looks a little better. She seems very nervous about this meeting, but tells herself not to be. She's glad Adam has found someone. They must not be caught getting into the house. Should she have trusted Harry? She chides herself for acting like a little girl. Adam knocks at the door and enters, smiling. They're very happy to see each other. She asks about his friend, and Eve comes in. "I am here," she says disdainfully. Gazing at the redhead, Carolyn already looks unhappy.

"So you're Carolyn Stoddard," observes Eve, and Adam introduces them.
Eve ignores Carolyn's proffered hand at first, then finally shakes it. Adam has told me about your kindness, says Eve--is this where you kept him? I stayed here, yes, says Adam--there were many books, I used to read every night--Carolyn brought me food, we'd play cards. How exciting, observes Eve. Carolyn and I talked, adds Adam defensively--Carolyn has a very good mind. Yes, I'm sure she has, says Eve insincerely, wandering over to the window. Carolyn asks her not to, someone might see her. Adam urges Eve to be careful. Eve asks if they aren't allowed here. Carolyn reveals that her family never knew of Adam's presence. Adam again requests that Eve get away from the window. She nastily replies that while he might tell her where to go, he can't tell her where to look; she continues gazing outside.

Jeff is telling David he'll find out love is something he can't remember. When you're 16 you can really love somebody, then come back 10 years later and not even notice it. Honest? asks David. Yup, says Jeff--the story about Vicki and I meeting in the past--chances are, we wouldn't even love each other today.

Adam tries to urge Eve away from the window, but she orders him to let go of her and never touch her again. When Adam insists he's taking her home, she flinches away from him. I know the way home, she tells her intended--THIS is where you belong. "Good night, Miss Stoddard," she says, cruelly. Adam calls after her, but Eve is gone, and Carolyn looks as if she's going to burst into tears.

Jeff assures David he can't change Vicki into someone she isn't, so what are you worried about?--I was thinking about making you ring bearer at the wedding, but you probably wouldn't want to do that. Sure I would, says David. (This is cute--Jeff crosses his arms over his chest and David imitates him.. Jeff nudges David and says it's settled--Mr. Ring Bearer. They're both grinning. Jeff tells David if anyone says I'm not Jeff Clark, you'll know it's not true and you'll believe me. He asks David to go upstairs and tell Vicki she holds the record for the latest girl in town and to get downstairs or they will miss the whole night. David complies, leaving Jeff chuckling. Eve appears by the gate, staring at Jeff. She opens it and enters. Jeff stares at her. "Peter!" Eve cries. "Peter Bradford!"

NOTES: So, Eve knows Jeff or Peter or whoever? Yawn. . .

Cute scenes between Henesy and Davis in this ep. I read once that Davis was constantly ad-libbing, forcing his co-workers to follow along. I think he was doing that in this ep. Isn't David a bit old to be a ring bearer?

Was Carolyn upset because Eve seemed like such a bitch or because she has realized she wants Adam for herself? Eve is making it clear she has no interest in Adam at all, why doesn't he realize it? She's downright nasty to him! And she was mean to Carolyn, too. Somehow, you sense this can't possibly work out well--for anyone.

Love, Robin

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Current Talk '02 II / Re: In Praise Of Eve: The Lady In Black!
« on: August 15, 2002, 12:19:55 PM »
I always thought Eve was a wonderfully bitchy character, and the fact that she seemed to dislike Adam right away (especially given that she's supposed to be the mother of a future generation of baddies) was true irony.  At least if they had used Carolyn's life force, Eve might have liked or even loved Adam.  Nicholas Blair made a serious tactical error in using Danielle Roget.  Here he's dating Maggie Evans, a good girl, and he sets Adam up with a bad one?  Quite a surprise for a warlock who's supposed to be so smart!

While Adam seems to already care about his mate, Eve is casting her eyes elsewhere.  But. . .Jeff Clark?  What a ludicrous combination!

Love, Robin

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Current Talk '02 II / Re: Sing Along
« on: August 15, 2002, 12:11:57 PM »
These captures are hilarious, especially the one of Evan Hanley!  You've outdone yourself, Connie, thanks so much for sharing your talent with us.

Love, Robin!  

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Current Talk '02 II / Re: Excruciating scenes to watch
« on: August 15, 2002, 03:25:27 AM »
As time went on and Mr. Frid had more to do (such as personal appearances on TV and in person) that caused him to have trouble fully memorizing his lines, I used to lean forward and wince when he was having a particularly tough time, as though I could somehow, magically, feed him the missing words.  I used to cringe on his behalf, and always prayed that he would have an easier time when I saw him next.

I'm one of those people who hates watching the DS blooper tape, especially those line screw-ups.  Knowing the grueling, inhuman schedule, I just feel so sorry for everyone!

Love, Robin  

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Cassandra said:
Quote
The scary part is that we see more & more young people every day. Hopefully, they will find a cure for this awful disease very soon.

From your lips to God's ears!!

Love, Robin


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606 - (Grayson Hall) - The great house of Collinwood is silent, and its residents sleep peacefully, unaware of the dangers which exist elsewhere in a strange, isolated house by the sea, Barnabas Collins is risking his life to destroy an evil woman named Eve. He does not know he is approaching the greatest moment of terror he has ever known.

"It isn't possible!" Barnabas insists, horrified, staring at his former wife. "You thought you were rid of me, didn't you?" she taunts--"Well, you were wrong."
He's totally stunned--I thought Nicholas destroyed you! "Well, he allowed me to live again," she tells him. "You're frightened, aren't you?--oh, I like seeing that expression on your face--I've been waiting for this moment a long time." "GET AWAY FROM ME!" he shouts. Angelique asks, "Aren't you curious to know why I'm alive? How Nicholas allowed me to live? This is what I am. This is what Nicholas had made me." Her fangs descend; Barnabas, backing away, moans, "No! No! No!" She darts forward, snakes her arms around his neck and sinks her fangs into his throat. He screams, a vein in his forehead pounding as she drinks from him.

Barnabas sits in a chair, blood dripping from two holes in his throat. Angelique calls his name, tells him to look at her. He wakes up and weakly mutters her name. "Yes, your bride--the only bride you'll ever have." she says softly. I will never be rid of you, will I? he asks forlornly. Never, she says. As long as I live, you'll exist to torment me? That's right, and he will never escape her now. I thought I finally had--I should have known better. She rises, tripping over the diaphanous white dress. "You're mine," she says--"You'll never belong to anyone else." Do you know how much I hate you? He asks bitterly. She says it doesn't matter--"Your hatred for me could never be as strong as my hatred for you." You loved me once, he reminds her--it's hard to believe now. If only you'd accepted my love, she says. I couldn't, he tells her. Yes, you wanted your precious Josette--"Well, you lost her." "Because of you," he says. Yes, she agrees with satisfaction--and now at last I can teach you to want me. What are you planning to do? he asks--make me revert to what I was? He closes his eyes, miserable at the thought of it.
"Possibly," she says. And there's nothing I can do to stop it, he says. No, nothing, she agrees--I hate being what I am, but one thing about it pleases me--"You, and what I can do with you." She tells him to look at her. He does, with the eyes of a wounded animal. She exults, "You're beginning to need me already, aren't you?--you are, I can tell." His mouth works. "And each time we're together, you'll need me more" she says triumphantly. "I've got to get away from you," moans Barnabas. He struggles from the chair. Not yet, she cautious. He stumbles out. She looks at her reflection in the mirror (vampire faux pas) and smiles happily. She's got her man!

Barnabas works his way downstairs, nearly falling, telling himself he must get out and escape her. He opens the door--Angelique is waiting for him. "Oh no!" he rasps. I told you I wasn't ready for you to go, she says, closing the door behind her. Barnabas leans heavily on his cane, barely able to stand. Did you really think you could escape me that easily? she asks. People are waiting for me, he tells her. I know, she laughs. I've been gone a long time, and they'll be suspicious, he says. Let them, she insists, it doesn't matter to me. She escorts him into the drawing room, pointing.

Old House - Stokes offers more sherry to Nicholas, who says he must be going. "Please don't," says Julia. Stokes reminds Blair that Barnabas will be disappointed. Nicholas wonders what's keeping him. Julia wonders, too. Perhaps he stayed with Liz, suggests Nicholas. Stokes agrees; otherwise, Barn would never leave guests waiting. Nick asks Julia if Liz is that ill. She's very ill, replies Julia--her rational moments come and go, but she seemed upset, calling to Barnabas as though only he could comfort her, so she felt he should be with her. Julia gave her a sedative and Barnabas should be here before long. The clock strikes one AM and Nicholas comments on how nervous she seems. It's because of Liz, says Julia. Stokes remarks that's understandably frustrating. No one seems able to help Liz, remarks Nicholas. He stands--he must be going--it appears Barnabas isn't getting here this evening. Stokes says he wanted to discuss his house with him. Nicholas begs off, says he must go--thank Barnabas for an interesting evening. He shakes their hands, makes pleasant good-byes and sees himself out. What will happen if Barnabas is found in Blair's house? Frets Julia--what will happen?--what will we do? Julia demands an answer from Stokes. He says nothing--we have to wait, we have no other choice. We must warn Barnabas, she insists. Stokes says they couldn't possibly get there ahead of Blair--besides, perhaps Barnabas already left the house by now and Blair will never know he was there. Possible, says Julia, but he's been gone so long. Concerned, Stokes says he doesn't know. Julia drains her glass, worriedly thinking that Barn could have run into Adam, Eve might not be sleeping. . . Stokes reminds her Barnabas knew the risks and was willing to take them--he made his choice. Julia is sure something has happened to him--he's dead, she knows it, Adam found and killed him.
Stokes tells her not to panic, but Julia says if he isn't dead, something else must have happened--something terrible!

Barnabas is fingering the holes in his throat as Ang tells him he will come to her whenever she calls him: "You are mine now." He murmurs he should never have come here--how I wish I hadn't. She says he underestimated Nicholas; from the moment he got his invitation, he knew what he had in mind, wanting to get into the house--so he let him. "So I walked into a trap," says Barnabas bitterly. Yes, she says--I'm really surprised at you, I thought you more intelligent. He rises--I must leave now--"Please," he says, a combination of reluctance, anger and pleading. "Say that again," she asks silkily--"I enjoy hearing you plead with me." (she's having too much fun!) Hoffman and Stokes will be waiting for him, wondering why he's so long. Angelique doesn't care. What can I tell them? asks Barnabas Tell them anything, she suggests--tell them the truth. Barnabas can't do that--what can I say? I'll leave it up to you, she says. They'll be suspicious, he reminds her. You must end their suspicions, she instructs him. Yes, but it won't be easy, he says. She says that Stokes and Julia already suspect too much--he must end that, and she's sure he'll find a way. "You may leave me now--temporarily." He gives her a look of hatred as he starts to leave, and she repeats her orders about Stokes and Julia. Yes, he says. "I release you," she tells him. "You may go." Giving her another look of hatred, he limps away, and she looks after him, a woman in lust with her victim.

Angelique is wandering the room, lightly touching the furniture, when Nicholas returns. He can tell by her expression their plan was successful. She told Barnabas everything Nicholas told her to, obeying all his orders--Barnabas is in their control now and will do as they wish. He asks if she's happy now. I've never been happier, she says, glowing.
And is she grateful to Nicholas for giving her what she's wanted for so long? Very, she says. You can only see Barnabas occasionally, he warns--*I* will determine when you see him and you won't see him until I tell you you can. She agrees, too quickly, of course. He know she'll be tempted to call Barnabas, but must withstand the temptation until Nicholas tells her to summon him. She agrees, and he says she's acquiescing too quickly. He doesn't trust her crafty little mind--she wants to make Barnabas what she is. She admits that, but she knows she can't disobey Nicholas, he has too much power over her. She has disobeyed him before, with less provocation, he reminds her. She knows he'll destroy her if she doesn't do as he says. That's right, says Nick--so you must obey me whether or not you want to--do you mean it? he asks. She does. They understand each other, they agree. He says this is his only warning--remember it. I will, she says, and after he leaves, she looks pissed and determined.

Barnabas returns to the worried Julia and Stokes. Holding his collar closed over his wounded throat, he assures them he's all right. Nothing happened, he say--our plan failed. He got into Blair's house, found the room, but Eve wasn't there. He searched, but the whole house was empty. Stokes and Julia say this makes no sense, they were certain Eve was there, they had proof. She wasn't there while I was there, says Barnabas, speaking distractedly--I don't know where they are. He sits down. Barnabas assures them Blair didn't see him leave the house, and Julia says Blair left only 10 minutes before Barnabas got back. Barnabas says no one will know he was there, and he was there as long as he was because he was searching the house, even the grounds, but found no sign of Adam or Eve. Julia can't believe this has happened. Barnabas tells her he doesn't want to talk anymore, he's exhausted. Julia says he looks strange, but he quickly denies nothing is the matter. He thought this nightmare would be over tonight and it isn't, and he doesn't know what to do next. He clutches his cape around his throat, confessing to being afraid and worried. Julia wants to keep talking, but Barnabas begs her to leave it until tomorrow. Stokes offers to take her home, and Julia gives Barnabas one last look of concern before leaving. Barnabas smothers a yawn.

Julia tells Stokes she's worried--he looked and behaved oddly--something is bothering him. Stokes tells her she's done enough worrying for one night, and they leave.

A dog howls. Barnabas sits in the chair, wincing at the sound. He must find a way of escaping her! How? The dog howls again. He rises from the chair, holding onto it for support. He goes to the window, looks out. The wind blows the curtains. The candles go out. Barnabas is afraid. No, he protests, I know what's happening. Angelique appears, miniaturized, (poor special effects). "I know what you were thinking," she says, "but you'll never find a way to escape me. Never." He asks if Nicholas sent her here. He doesn't know I'm here," she says--"and he's not going to know, because you're not going to tell him." "Haven't you done enough to me tonight?" demands Barnabas, backing away unsteadily. "Can't you leave me alone?" "I'll never leave you alone," she says, advancing on him, "until you're mine--completely MINE!" She slithers her arm around his neck. As he cries, "PLEASE, no, NO!" she plunges her fangs into his throat again. He screams fiercely as she holds him close and enjoys the sweet taste of his blood.

NOTES: Lara Parker was heard to say that she likened a vampire bite to an orgasm. She certainly brings that philosophy to her vampiric relationship with Barnabas, which borders on pornographic! While she expressed a wish to be a GOOD girl, by this time, Lara Parker was genuinely enjoying herself as the baddie.

Such a good, tense episode--Julia and Stokes, trying so hard to keep Nicholas occupied while Barnabas is on his errand, Nicholas knowing damn well exactly what they and Barnabas are up to, enjoying their worry and concern for their friend.

Barnabas, face to face with his greatest terror--Angelique--except now, she's a vampire as he once was, and feasting upon his blood, messing with his mind. It's so much fun to watch these two! Notice that Angelique really went for Barnabas in a big way, biting him twice in the same night. I guess she was trying to recreate some of that Martinique magic.


607 - (Lara Parker) - The walls of Collinwood are still obscured by darkness, but soon the light of morning will come. For this long night is almost over. It has been a night of terror, for one man was lured to a mysterious house by the sea, and underwent a horrifying experience, an experience that will not only change his life but the lives of others around him. And before this day is over, another man might die a horrifying death.

Adam sleeps restlessly. Nicholas comes into his room and smiles down at him, waking the big guy up with a start. Adam, having a bad dream, is glad to be awake. Eve is safe, says Nicholas, their plan worked--Barnabas came here and found Angelique; he is under her spell and will never again do anything they don't want him to do. Adam is happy, but--damn, he feels crappy--weak--strange. He's grasping his throat. Nicholas suggests lack of sleep, but then he notices how Adam is rubbing his neck and realizes something is wrong with him. He takes Adam's hand from his throat and finds ghostly fang marks!

Nicholas tells him there are marks on his neck and gives him a mirror so he can see them for himself. Adam has no idea where they came from, but his dream. . .that someone attacked him. Nicholas is surprised to hear this. Adam felt strange and weak in his dream, frightened, too, though he doesn't know why. Something is going to happen, something terrible, predicts Adam. Nicholas asks him if Angelique was in his room tonight. No, says Adam definitely.
Nicholas thinks this over and knows what happened. He can't explain, it's nearly morning and he must locate Angelique. Adam is afraid of Angelique, he says, though he doesn't know why. Nick knows, and reassures him nothing will happen to him--he understands Adam's fear and will put an end to it right now!

Blair House living room - Angelique looks out the window. In a few moments, the sun will rise, she says, and when it sets again, she will summon Barnabas to come to her. He won't be able to resist her, she says dreamily, and he will be hers at last. She smiles at this thought. Nicholas enters. She tells him she must go to her coffin. He insists on speaking to her--don't argue, he orders, this is vital--it's Barnabas and you are concerned. Stay away from him, orders Nicholas. But you told me. . .she protests. Nichilas knows, but he must change his mind because of Adam. They forgot--Eric Lang's message on the tape recorder! It said there was a connection between Adam and Barnabas, and if anything happens to the latter, the same would happen to Adam. And something has--he has wounds on his neck, says Nicholas, and is weak and dazed, just as Barnabas is--you must not see Barnabas again. When I rise, I'll need Barnabas, she insists. Call Joe, Nick orders. I don't want Joe! Ang says.
Too bad, says Nick, summon him anyway. Ang accuses him of wanting Joe summoned because of Maggie Evans and Nicholas' involvement with her--you want her for yourself. Beside the point, says Nicholas--the sun is rising, are you going to do as I say? She agrees to his terms; he calls her wise. She goes to her coffin, slowly, first turning to give him a look before heading to "bed."

Blue Whale - Joe sits at the bar, drinking shots--he wants another one. When Maggie comes in, they look at each other for a moment. She starts to greet him, says nothing, then walks behind him and says a quiet hello. He sadly tells her he didn't think she was going to speak to him. She admits she wasn't, but she had to--the way he looks. . .
He doesn't care. You don't care about anything, she notes. Joe agrees--I suppose you're here to meet Nicholas. Yes, she admits, and we've been seeing a lot of each other--is there any reason I shouldn't?--Nicholas has been kind, considerate, thoughtful. She asks if he's been working and he says no, rubbing his face. He knows everything she's going to say, and wants no lecture. She agrees. He finally turns to look at her, asking if she's OK. I guess so, she says. I've thought about you, he admits. She thought he stopped caring long ago, but he tells her that isn't true. Maggie, he begins, but doesn't finish. She says when he looks at her that way, she thinks he feels the way he used to. You have no idea how I feel, he says--I wish I could tell you, but I can't. We're living in the present, she says, and it isn't easy to talk to each other. He agrees it's hard. Nicholas comes in and greets both Joe and Maggie. Maggie wants a table, so they leave Joe behind. Maggie says goodbye and he says it back. He gazes at her and wishes he could tell her what SHE has done to him--but he can't. The sun is beginning to set, he realizes, and he must go to her. He doesn't want to, but he has to--he has to! He leaves, but not before exchanging a longing look with Maggie. SO SAD!

Nicholas asks Maggie what she wants to drink. Anything, she says. He calls the bartender over. He notices how upset she is. It's just seeing Joe that way, she explains. Nicholas understands. He orders a Black Russian for Maggie. She says she doesn't want to think or talk about Joe--as far as she's concerned, she doesn't even know him, and wants to forget him. Nick asks if she means that, covering her hands with his. He asks to see her smile, and she does, but it doesn't look sincere.

Adam is reading in the drawing room, slitting open pages that are stuck together. Angelique comes in and he stands. "You!" he says, clearly scared. She demands to know where Nicholas is. Adam backs away from her and tells her he's out with Maggie Evans. I knew it, she says angrily--are you afraid of me? Yes! Says Adam, I don't know why, but I don't want to be in the same room with you. He flees out the door. She looks totally pissed off, thinking that Nick is getting what he wants and depriving her of what she wants--and doing it deliberately. She gazes at the mirror. Nicholas thinks he can control everything, but he's in for a surprise, she says, because tonight, she will do everything she can to spoil his plans! She grins with satisfaction.

Joe enters Blair house and goes into the drawing room, where Angelique is sitting. I didn't summon you! she says--leave me alone. I had to come, says Joe--you never said that before. Go away, she repeats. I can't, I need you. Ang doesn't care--I don't need you now, she says. He asks what's happened. She coldly informs him she doesn't want him anymore.
You can't mean that, says Joe--but she does. Joe is horrified. He can't believe this is happening--there must be somebody else. Yes, she admits, someone she wants much more than him. He demands to know who, he'll kill him! She won't let him. Is he coming here tonight? Yes. I'll stay and wait here, he announces, sitting down. She orders him to leave the house and never come back, but he refuses--he'll stay until he comes. She's going to show him something, hoping it will drive him out of here--look into the mirror and see what's happening to your beloved Maggie right now. Reflected is the cottage door; Nicholas is telling Maggie he wishes he could make her life less difficult. You have, she says--being with someone as kind and considerate as you has been a help. He denies being those things; he is very fond of her, he says--very fond.  Joe watches this, sickened. In fact, says Nicholas, I am falling in love with you--don't say anything, let me talk--if you feel you could care about me the way you cared about Joe, I want to go on seeing you, but if you don't feel that way, we should stop seeing each other--it's up to you. Maggie doesn't know what to say. Yes or no? he asks. She replies that she doesn't want them to stop seeing each other. Then there's a chance? he asks, smiling jubilantly. Yes, she says, grinning back. That's all he wanted to hear. He kisses her, and she kisses back, like a couple of statues.

Joe says he's seen enough. Now go, Angelique says, and don't come back. "I've lost her," says Joe forlornly, "because of you." Callously, Angelique suggests Maggie will take him back, but Joe knows she won't, not as he is now. It doesn't concern Angelique either way. Joe recounts that he's lost Maggie, his job, and all because of her, all he has left is her! She reminds him he doesn't have her anymore, she doesn't want him. Joe becomes more agitated--you've ruined my life and you don't even care! Not particularly, she agrees. Evil, he calls her, rubbing his face. Vicious! He picks up a letter opener and approaches her--he'll kill her! No you won't, she says--you can't, you know that--drop that, you look ridiculous. I should kill myself, snarls Joe, I hate himself and everything I've become--I'll never be anything else. Angelique tells him to please leave. Joe insists he wants to die. She says if he won't leave her, she'll leave him--you bore me. Joe shoves the letter opener into his stomach and falls to the ground, unconscious, the handle protruding from his stomach. Joe? Angelique cries.

NOTES: Angelique is such a cruel bitch, whether she's a witch or a vampire. She casts Joe off like an old pair of shoes she no longer wants--and this poor man has given up his lady, his job and just about everything else that meant anything to him--and now she no longer wants him! What will happen when he learns Barnabas is his rival for her "affections?" Joe doesn't know their history, so this is going to come as a shock.

Nicholas is working hard on Maggie, offering to stop seeing her if there's no chance for them, but she opts to stick with their relationship, more's the pity. I felt so awful for the two of them in that bar scene; I always loved them as a couple and wished they found their way back to each other. I thought them DS' most promising couple.

Nicholas has realized that a link exists between Barnabas and Adam (shame on his for forgetting in the first place) and all his plans might be thwarted by the vampire he created. He knows only too well how treacherous Angelique is--can he really trust her promise to leave Barnabas alone? I think we already know the answer to that!

Love, Robin

562
Current Talk '02 II / Re: Angelique's very UNHIP wardrobe. .
« on: August 14, 2002, 12:31:06 PM »
Mine is another "yes" vote for the white dress.  I love Ang in the black velvet the other day, too, when she tried to "seduce" the young policeman.

Love, Robin

563
I, too, had no idea Karlen was diabetic!  How awful!  As most of you know, my husband, son and I suffer from diabetes (my son is insulin-dependent, my husband and I controlled with pills).  It's a dreadful disease, sometimes very hard to control, and you must be very careful to take care of yourself as stringently as possible.

I will certainly send Mr. Karlen a get-well card, and also express my hope that he is able to bring his illness under tight control.  

Thank you so much for making us aware of this.

I'll pray for him, too.  Never hurts!

Love, Robin

564
604 - (Grayson Hall) - For the mistress of Collinwood, this night could prove to be fatal, for she is convinced that death has summoned her--and soon one young woman who waits for her will be convinced that Elizabeth Stoddard has indeed passed into the world beyond.

Jeff tells Vicki Liz can't be dead--she's breathing, faintly, but definitely. We must do something, says Vicki. Jeff suggests she's in a trance, she was acting weird when he found her, and conscious. He couldn't understand anything she was saying, but she spoke of death. Vicki goes to call her doctor, since Julia's at the Old House with Barnabas and there's no phone there.

Julia's room at Collinwood - Barnabas tries the hypodermic needle Julia gives him, which he says will enable him to kill Eve. Julia is worried about those ifs, and doesn't like it. (camera in shot.) The decision has been made, he insists--no turning back now--we can't allow Nicholas to go through with his plan, there'll be no peace for anyone. She says Nick's powers are terrifying, and if he finds Barnabas in his house, it might be the end of him. This doesn't bother Barnabas, and he refuses to consider postponing it, either.
She thinks he should, she's afraid of Blair!--you could even be walking into a trap--what if he already knows every move they've made, given that he's not human? Barnabas asks her why Nick would even know of their plan to destroy Eve. Julia can't answer, but nothing would surprise her. There's nothing further for him to know; she will fill it tomorrow evening before he leaves for Blair's house. It will look like a natural death-- 10 seconds after injection, she'll be dead, and it will appear to be a heart attack. Be at the Old House at 3 PM, instructs Barnabas. Stokes will already have the plans for Blair's house. Julia still doesn't think Barn should go alone, they should go together. No, says Barn, Stokes will arrange to bring Nicholas to the Old House, where Julia and Eliot will entertain him while Barnabas is taking care of Eve--nothing more to discuss. Julia asks if Barnabas thinks Adam will leave Eve alone in the house. We worry about Adam tomorrow, responds Barnabas. (Scarlett O'Hara did that, and it often didn't work.) They're both tired and have a long day tomorrow. They head out together.

Vicki is fretting over the doctor's sloth, and Jeff assures her it's only been 10 minutes. It might be too late when he comes, says Vicki, and Jeff tells her not to worry. She's got to live, Jeff! cries Vicki, burying her head in his shoulder. Julia and Barnabas come downstairs. Julia goes to examine Liz. Jeff and Vicki give her an update, and Barnabas is surprised to learn they found Liz in a cemetery. She was conscious when Jeff found her, but acting strangely. Julia tells Vicki she was right--Liz has no pulse and she can't detect a heartbeat. She's dead, Julia pronounces. Liz suddenly opens her eyes, sits up, covers her face and screams, "NO!"

Liz bolts from the sofa--she KNEW IT! She was right! They gather around her. Barnabas urges her to lie down. I'm not safe here, Liz insists. Julia tells Liz she must find out what's happened to her, and wants Liz to sit on the sofa and explain. Liz begs Vicki to tell them what they discussed, but Vicki encourages her to sit down--Dr. Hoffman will help her. Liz says no one can help her. Julia quietly tells Barnabas to get her bag and a glass of water for Liz. He leaves. Julia asks Liz what she thinks happened to her. That's not important, says Liz, but you thought me dead!--I was for a while. Not true, says Julia. Liz heard them saying she had no heartbeat or pulse, which Julia reasonably says proves she wasn't dead. They THOUGHT she was, and if she hadn't come to, they'd have buried her alive after a couple of days. Vicki corroborates that Liz did tell her and Roger of this very fear. She wasn't dead, says Julia, and there are cases on record of people in catatonic states having no pulse, no heartbeat, no breathing and yet continue to live. What can be done about it? demands Liz. Julia gives her a sedative and the glass of water Barnabas brought in. Liz refuses it. Julia assures her they're her friends and the sedative won't harm her.
Liz looks at the loving, trusting faces around her and agrees to take the pill. She swallows it with water. Julia leads her to her room, requesting Barnabas' help. Julia tells Vicki to have Roger come upstairs immediately.

Vicki tells Jeff how grateful she is to him for his help. She doesn't know how to thank him (but you sense Jeff does). He knows he acted like an idiot for treating her as he did, but he's changed and wants a chance to prove it to her--give me that chance, please? A knock at the door prevents her from answering. She assumes it's the doctor and goes to the door.

Back in Julia's room, Barnabas drums his fingers on the mantle. He asks Julia if Liz will be all right. Liz says the family doctor just arrived, but admits Liz isn't the woman she met when she first arrived--something terrible has happened to her. She's known patients with an exaggerated fear of death before, but nothing this serious. What's troubling Liz is more than a fear of death--she's tortured by the presence of death, they can't see it, but if you look into her eyes, you know somehow she CAN see it. Barnabas says this started the day Cassandra disappeared, but Julia says lately Liz seemed to be recovering--Cassandra hasn't returned, why would Liz have a sudden relapse? Barnabas asks if Nicholas would really want to bring Cassandra back. Julia doesn't know.

Jeff rubs his throat (memories of Ang, deeply buried?) Vicki tells him Liz seems to be feeling a bit better. The doctor is examining her. Jeff reminds her of his earlier question--is she still that much against seeing him? No, she replies, turning to face him, she isn't. He's thrilled. He grins, takes her face in his hands, kisses her; she responds. You won't be sorry, he promises.
Barnabas comes downstairs and finds them in each other's arms. His face registers shock and disappointment, and he turns away and hurriedly leaves the house.

Julia sits in a chair in her room, reading a book. She's exhausted. She places the book on a table and is about to get into bed when someone knocks at her door--Vicki. Julia invites her in. Vicki knows Liz didn't die and come back to life again, but she was as close to death as anyone could be, right? Yes, agrees Julia reluctantly. What about this catatonic state?--was Liz in it? Julia believes so, but has no idea what could have brought it on. Could it happen again? It will, says Julia. If it does, says Vicki, if she doesn't recover as quickly as tonight, how long will it take before they know if she's truly dead? Julia doesn't know. Vicki fears they might bury her alive if Julia doesn't know. Julia assures her they won't make that mistake, and Vicki demands to know how they will know?--how can they be sure?
They'll find out what's causing her fear--they will if they can. That's the only answer, asks Vicki. Yes, agrees Julia, noting how tired she is. Julia asks about Jeff, and Vicki tells her they're back together. Julia tells her she's happy for her and Vicki thanks her and bids her good night. Julia slips off her robe and climbs into bed. It's 12:30. At 3 AM, the Collinwood witching hour, Julia sleeps. She has a nightmare that begins with a recollection of her earlier conversation with Barnabas. Barnabas asks her if she's certain it will look like a natural death. 10 seconds, says Julia. Nicholas will be suspicious anyway, says Barnabas. Julia twists in her sleep. It's a mistake for you to go to Nicholas' house alone. A mistake she repeats, and Barnabas' voice says Nicholas will be suspicious. Julia hears a woman's screams filling the air. Her door opens. Julia! cries Barnabas. "Come to me, I need you! The camera takes us down the dark, creepy landing of Collinwood. "Julia, please help me!" Barnabas pleads. "Help me. Come to me! The woods, Julia, come to me. Hurry! Hurry! You were right, Julia, a mistake, I should never have gone to Nicholas' house!" Barnabas leans against a tree, but soon sinks down to the ground, obviously dead. Julia awakens, screaming, "BARNABAS!" She wipes the sweat from her face and neck, and repeats, softly, as a woman in love would, "Barnabas."

NOTES: Loved Barnabas' reaction to finding Vicki in Jeff's arms. Loved Julia's nightmare. Liz and her death problems I could do without, as I said earlier.

Tomorrow, we get to the GOOD stuff!


605 - (Lara Parker) - Last night a woman at Collinwood had a terrifying dream in which she witnessed the death of a man who lives in the Old House on the Collins estate. Soon Barnabas Collins will learn about the strange dream, but it will not prevent him from carrying out a plan which will lead to the most terrifying moment of his life.

Julia, terribly upset, goes to the Old House and tells Barnabas he must cancel his plans--Nicholas knows what they're planning--he's waiting for Barnabas to walk into his trap, and if he goes to see Nicholas Blair tonight, he'll kill him! Who have you spoken to? asks Barnabas.
No one, she answers--I saw it all happen in a dream. Barnabas finds this hard to believe (victim of dream curse though he once was), but Julia is close to tears as she describes how real and vivid the dream was. He called to her from the woods, and she found him there all bloody. He told her "You were right, Julia, I shouldn't have gone to Nicholas Blair's house." And then he died. Barnabas gently tells Julia it was only a dream. A warning, insists Julia. He's surprised at her, and feels her dream came because of their argument the previous night about his going to Blair's house--she dreamed something to support her fears (Freud, step aside!) Julia doesn't want him to dismiss it so easily when his life will be in danger--there are things they don't know about. Barnabas says it's too late to change; the plan is already in motion. She wants him to stop it, but he refuses. Stokes is on his way to Blair house by now. . .

Blair House - Nicholas brings in two small glasses and a bottle of sherry and checks his watch--Stokes is right on time. Nicholas says it's a pleasant surprise and offers Stokes "his drink"--sherry. Stokes finds Blair's knowledge of his drink preference a surprise, but Nicholas says he's discussed him with Carolyn, who said he was a connoisseur of sherry. They sit, drink. Stokes finds the sherry interesting. He invites Nicholas to Barnabas' dinner party that evening at the Old House. Nicholas ponders this, and Stokes explains it is spur of the moment plan.
Nicholas has no other plans this evening, and Stokes notices his indecisiveness. I'm puzzled, says Nicholas--Barnabas and I don't know each other well, and I feel he doesn't really like me, either. Stokes says not to worry, he got the same impression from Barn, but they've become good friends. What promoted the invitation now? asks Nicholas. Stokes professes not to know. Nicholas asks why Barnabas sent Stokes rather than phoning. Because Barnabas is eccentric and refuses to get a phone, says Stokes--dine by candlelight, because he has no electricity. Blair finds this fascinating, and Stokes calls Barnabas "unusual". Nicholas says he has an affinity for the past himself and admires this in Barnabas--perhaps he'll discuss it with him sometime. Stokes says it's a touchy subject with Barnabas, so discussion isn't a good idea. Nicholas says it would be ungracious of him to refuse. Stokes tells him to be there at 10--dining late is another of Barnabas' eccentricities. Stokes admires the period piece that is Blair's house, saying it has style, elegance and individuality. He asks to view it, and Nicholas says he would be more than happy to give him the complete tour. Stokes says he'd be delighted and they head upstairs. The tour completed, Stokes tells him his house is charming, but he's taken up enough of Mr. Blair's time and will see him at 10 sharp. Blair looks self-satisfied as he leans against the newel post.

4:30, Old House - Barnabas paces, Julia sits. Stokes shows up and greets Barn and Jul. Things went splendidly--he was with Blair three hours so as not to arouse suspicion. Nicholas asked him all the expected questions, but Stokes believes it was curiosity; his motives aren't suspect. Supernatural powers aside, Nicholas is an insufferable egotist, says Stokes--Nicholas doubts ordinary people like themselves would DARE to plot against him. Barnabas says they should go over everything. Stokes saw every last room, cellar included, and lays out a floor plan. He shows them the main staircase, the sleeping quarters on the second floor, where there are 3 bedrooms. He points out Nicholas' and says it's "depressingly over-decorated." (LOL!) There are two other bedrooms, one for Adam, one for Eve. He points it out to Barnabas, saying it smelled of cologne-- Nicholas claimed he had visitors. Barnabas must get past Adam's room without being heard. What if Adam is in Eve's room? Queries Julia. Most unlikely, says Stokes, he believes Eve didn't respond to Adam as Nicholas wished her to. Adam is the one danger, says Barn. The door to Eve's room opens in, and there's the bed, against the wall, says Stokes. Barnabas assures them he will review the floor plan. Now, the timing--Nicholas will arrive at 10. They'll be there to greet him. Julia is to leave Collinwood at 10:15, making her 30-35 minutes late getting there. Her excuse--she was detained because Liz took a sudden turn for the worse. They will all express their concern. Julia will say Liz wants to see Barnabas if he can get away--Nicholas will be gracious, of course, and not object. Stokes has left his car at the front gate, keys already in it. Julia and Stokes must keep Nicholas busy for a while. Julia wonders what will happen if they can't. Stokes notes her second thoughts. Julia points out there are dangers they know nothing about. Barnabas describes Julia's nightmare, calling it a premonition. Stokes says they are all in danger, especially Barn, but Julia is overreacting--if he felt Nicholas knew of this, he would put a stop to the plan--he doesn't suspect. (oh, dear, Professor, you are wrong here!)
As far as we know, persists Julia. Barnabas points out Nicholas doesn't know what they know about him, but Julia feels they should stop before it's too late. No, says Barnabas--after it's over, Nicholas won't even know what happened.

Nicholas is watching this scene in his mirror--his soap of the day--as Julia says, "I hate to think of what will happen if we are WRONG."

10:25 PM - Old House - Stokes asks Nicholas if he's been here before. Yes, says Nick, only briefly. Stokes offers to tell him the history of the house--over 200 years old, built in 1767 as a gift to Naomi from Joshua.  The house proved sturdier than the marriage that took place; it endured out of necessity for family honor and prestige. The house was occupied until 1796 when Collinwood was built, and since then remained intact but unlived in until the arrival of this Barnabas from England. Most of the furniture has been here since the house was opened. Stokes' ancestor, Ben, worked for Joshua Collins as an indentured servant. Barnabas, carrying in drinks, asks Nicholas if Stokes is going on about his unfortunate ancestor--the professor is the one to tell him--he knows more about the Collins than Barnabas himself does. Nicholas comments that modern conveniences would only destroy the atmosphere of an era he's preserved so well. Barnabas toasts to Nicholas' good health and Stokes wonders where Julia is--she's late, and usually so prompt. Barnabas answers the door--it's Julia. She tells him she's sorry she's late--she was detained at Collinwood--his cousin Liz has taken a turn for the worse. Nicholas asks if Liz has been ill. Mentally, says Barnabas--a growing fear of death. Julia says she'll be all right, but Liz asked for him. Barnabas says it can wait, but Julia insists Liz would feel much better seeing him now. Nicholas pipes up that he's fine with Barnabas leaving, host or not--his cousin's well being takes precedence.
Barnabas assures him Stokes and Julia will keep him company and he won't be long. Julia follows Barn to the door and gives him the filled hypo. Be careful, she says softly, holding his wrist. She returns to the gentlemen. Nicholas asks of the seriousness of Liz' condition. Julia says despite her fear of death, she doubts there's any danger of it--physically, she is healthy. It must be causing great concern for the family, comments Nick, and Julia agrees. Barnabas walks right into Blair's unlocked house and heads upstairs.

It's nearing 12 midnight; Stokes is talking of the Collins shipping interests. Nicholas tells them he feels he should have joined Barnabas; he never got to know Liz very well, but he and Roger are good friends, and perhaps he can help. (he loves toying with the mortals.) Impossible, says Julia, grabbing his arm, Roger retired just before she left--he was exhausted. Nicholas says he'll do that first thing in the morning. Stokes urges him to sit down and keep listening.

Barnabas enters what he believes is Eve's bedroom and checks the hypo to make sure it's ready for action. The room is blue-shadowed, dark. There is a figure in the bed, and he pulls back the covers to reveal--two pillows! He stares, stunned, but that shock is nothing compared with his face when he hears a familiar voice over his shoulder: "Hello, Barnabas." He whirls around. "ANGELIQUE!" he shouts, staring in stunned, total disbelief. She smiles at him, fangs bared.

NOTES: Oh, God, that was one of the most amazing cliffhangers on DS for me. You can only imagine Barnabas' fear, and you can almost smell the terror-sweat! Angelique terrorized him as a witch, she's really going to do a number on him as a vampire!

Don't you love how confident Barnabas is? He's sure this is all going to work out, and even Stokes is certain that Blair has no knowledge of what they're up to. It's so amusing that Nicholas anticipates Stokes' "unexpected" visit and is completely prepared for him! Julia is the only one whose instincts are right on the mark, and both men tell her she's wrong. Barnabas knows differently now!

Stokes can prattle on so brilliantly about Collinwood, his ancestors, etc., and Blair knows it's all a smoke-screen and plays with them a bit, pretending to be joining Barnabas at Collinwood. Didn't Barnabas find it odd that the front door was unlocked and so easily accessible?

Love, Robin

565
A very warm welcome to you, murph.  This is a fantastic board, replete with wonderful people who are talented, kind and generous.  It's good to see you here--post often, and most of all, enjoy!

Love, Robin

566
602 - (Marie Wallace) - On this cold, clear night, one can hear the sound of the ocean at the great house of Collinwood, a sound which means peace to some, but rage and fury to others. And in another house, nearer the sea, the emotion is rage, rage because one of the many plans conceived there is in danger of being stopped by a violent death.

Nicholas stabs the same letter opener into the same table Eve did, wondering when Barnabas will learn it's useless to fight him--he won't allow him to kill Eve and defeat him! It's too easy to destroy him--and such a great pleasure! If he was sure it wouldn't also destroy Adam. . .but he considers his plans for Barnabas as delightful as death would be. Adam, hinting Ang listens to her own orders, not Nick's, tells Nicholas Angelique is out of the house. Blair is angry she's missing when he needs her. It won't happen again, says Nicholas, but Adam says dealing with Barnabas is HIS responsibility, not Angelique's. Adam grabs Nicholas' arms and tells him to listen to him. For a moment, satanic fire flares in Nicholas' eyes and he looks as if he could gladly kill Adam. Then he smiles. "It's taken you less time than I would have thought to begin to give orders," he tells Adam--if you are not careful, I shall see to it that you never give another." Adam looks like a chastised little boy, lip thrust out defiantly.

Adam and Nicholas glare at each other; Adam turns away. This is no time to test each other, he tells Blair--a man protects his mate, he doesn't let a woman do it for him. Nicholas assures him that Barnabas is more frightened of Angelique than Adam. If Barnabas knew Ang was there, he would have more fear in him than if Adam were in the same room as he, holding a knife to his heart. Adam doesn't believe it, but Nicholas assures him it's true. Adam is concerned Barnabas will make his move while they're waiting for Angelique--he wants to get Vicki, assuring Barnabas will not act.
No, says Nick. Adam wants to know why, and Nick explains he wants it handled delicately--Angelique will control Barnabas with her powers. Adam is surprised to hear both of them have powers. Nicholas reminds him he saved Carolyn for him, provided the life force for Eve. Adam doesn't trust men who try to handle him, and Nicholas is trying to handle him! Trust me, says Nicholas, about Barnabas. Find Angelique with your special powers, challenges Adam. Nicholas says, "I shall." Adam taunts him, and Nicholas orders him to leave the room while he searches. No, says Adam, prove it to me while I'm standing here. Nicholas uses the magic mirror. Although Adam insists it's only a mirror, Nicholas tells him nothing is exactly as it appears, says Nicholas. Nicholas' mouth doesn't move as he summons the disobedient Angelique. Her face appears in the mirror, impressing Adam. She is with Jeff Clark, leaning over his sleeping form, caressing his hand. Nicholas is unpleasantly surprised. Adam wonders how Nicholas can do this--can he see anywhere, anytime, anyplace? Nicholas puts off his questions.

Ang calls to Jeff, waking him up (he's in the infamous brass bed that will appear in later storyline). Jeff is not happy to see her and orders her out. You always fights me, she complains. He turns away--I'd hoped you'd forget me, I can't help you anymore--Barnabas won't let me near the lab. You can, she insists, as long as the equipment is there. He doesn't want to listen to her. She caresses his face, and he keeps saying no. I want to see Vicki, he whines. You need me, she reminds him--haven't you missed me? He looks at her, not saying anything, wanting her despite himself. She knows he needs her. He smiles and says he dreamed about her. (wet?) What is the power she has over him?
Fangs descend in her mouth; Jeff happily grabs her as she sinks down to bite him. Abruptly, Nicholas grabs the back of her neck and drags her back like a teenage daughter caught making out on the sofa. She stares at his furious face, her eyes huge.

Jeff leaps off the bed and demands to know how Nicholas got in and what he's doing. Nick continues to grip Ang on the back of the throat and tells Jeff not to ask any questions. Jeff demands to know what Nicholas knows about her, but the warlock orders him to be quiet and sit down--now! Jeff, hypnotized, obeys. Nicholas turns to Ang. He thought he knew everything about her life, he didn't realize she had time to surprise him--are there other things she's keeping from him? He hopes not, he says in a dangerously soft voice, especially since he's about to be very nice to her. Go home and wait for him--he'll be there before dawn. Chastened, she stands and leaves, giving Jeff a longing glance first. Nicholas says he will make her goodbyes for her. Once she has gone, he asks Jeff where he met her. In the Old House he says woodenly, in the lab. She came and told him Barnabas sent her to be the life force. He didn't believe her at first, and she came more than once. The second time, she lay on the table and he connected the electrodes and turned on the equipment. You did the experiment? Demands Nick. No, says Jeff, I started, but Barnabas came downstairs. . .he didn't see Angelique, she disappeared--one minute there, the next, gone. Jeff would like to forget about Angelique, and Nicholas tells him to go to the bed. Jeff lies down on his back. Nicholas orders him to close his eyes--you are sleeping, yet you can hear my voice and obey--forget what happened tonight--forget Angelique.
She existed only in your imagination--she never came to the lab, you dreamed she did--when you waken, all the scars she has given you (he gestures to the fang marks) will be gone. Nicholas smiles and leaves, closing the door behind him. Jeff hears a knock at the door and wakes up. Nicholas is calling, "Mr. Clark!" Jeff stands, feels his throat and lets Nicholas in. He slaps Jeff's arms with one of his gloves and asks if he wants to have a drink--is something wrong? No, says Jeff, I just had a weird dream. He agrees to have a nice big drink with Nicholas.

Adam, talking to Eve, stares into the magic mirror, pissed that Nicholas didn't show him how to use it before leaving the house. He shouldn't have done that--they could have found Barnabas and known when he was coming. Eve disdainfully calls him a child, and he says that isn't true, she will see--he will protect her. She doesn't need it. Yes you do, insists Adam--Barnabas will kill you, and I'm a man who does what I say. Eve tells him she wants to look at the ocean, she isn't afraid. Adam, afraid for her, won't let her leave, and she has to order him out of her way. She shouldn't even be in the room, protests Adam, Barnabas might be outside right now. He grabs her arm--come with me. She struggles in his grip and he propels her away. Her hair covers her face as she orders him to stop it--the moment you let me go, I'll kill you! No you won't, counters Adam. Yes I will! she screams through gritted teeth.

Basement of Blair House - Adam takes Eve downstairs. I don't want to stay here, she says, terrified. It's for your own good, he says. She remembers this room, she says, he's going to send her back to where she came from!--I won't go. No, says Adam, you were made as I was--I only want you to stay for a little while, safe from Barnabas--stay until the danger is over, he orders, and goes upstairs. I will kill you, she cries, I mean it. He locks her down there. you'll see, she shouts insanely, I'll do as I say I will--you will see!

Adam tells Nicholas he must take Eve away. Nicholas agrees their time is almost up, but HE makes the decisions here. Eve and I are unhappy, bitches Adam, we want to leave tomorrow. Where would you go? asks Nicholas. The city, nearby, says Adam--I want to be alone with Eve--I can get a job. You must wait, says Nicholas. Adam is petulant--Eve won't wait, and he's afraid if they stay there much longer, she will hate him. Nicholas assures him he will speak to Eve tomorrow about waiting until they get Adam's scars removed--then they won't have to hide--the police are still hunting him, which Adam hasn't forgotten, and without scars, they can go in complete safety. Can it be done? asks Adam. Nicholas assures him it can, but he must find a doctor he can trust--they could go into the city or he might bring someone there. When? demands Adam. Don't be so impatient, chides Nicholas--Eve will agree with all his reasons and see the sense in them--it will be quite soon. Angelique comes in. It's nearly dawn, she points out, her brow furrowed with concern. Nicholas sends Adam to think. The big guy glances at her as he leaves.

Ang wants to know what her punishment will be--she expects Nicholas to be cruel, given that he IS cruel, after all. You touched me tonight, he says. Her face brightens as hope. He never realized how much she hates being what she is, but he was moved by her passion with Clark. She doesn't believe him. Ingenious, he praises, but she fears he has something terrible planned for her. He insists he hates to see her so miserable when he himself is almost happy.  She's noticed that. He's going to give her a present, something to make her life happy and more pleasant--someone she will DELIGHT in controlling. . .someone who will make her happy to be a vampire. . . She asks if this is a joke, if he's making fun of her--she can never tell when he's serious. Nicholas assures he is quite serious now. There's a man who must become her slave and nothing must prevent it from happening.
She knows. . .she knows. . .don't be afraid. She will have him. Her face is filled with hope and disbelief--Barnabas? Barnabas Collins?

NOTES: Thus begins one of my very favorite segments in all of DS. While the Adam storyline bored me a great deal, this little segue was utterly enthralling and erotically stimulating. We know how much fun Angelique has in draining her victims (and notice none have been female), but imagine her lust when allowed to go after her former husband--with an eye toward returning him to his vampire state so he can be with her. . .forever!

Love the bitchy Eve. She's so nasty to Adam, always threatening to kill him. The big lug just puts it down to boredom, but he sure isn't her type of fellow. You can't imagine these two settling down to a life of babies reared for Satan. It's just too ludicrous a pairing.


603 - (Alexandra Moltke) - A quiet, still night at the great estate of Collinwood. A whisper of wind barely stirs the branches of the trees, but that whisper seems to carry a message to one woman--a message that her death draws nearer and nearer.

Liz surveys a model of her mausoleum, which says Stoddard on it. Vicki comes in and calls to her, but Liz doesn't pay attention at first. Vicki asks if she wants to go for a drive, but Liz requests that she come in and close the doors. I want to show it to you, says Liz, and I'm grateful at the closeness we've shared--no one else has seen it, it came today--I'm unsure if it's all right, I might want to make changes, but there is no time--I want you to be my witness, to say I insisted on it being finished, and if something happens to me before, you will see they hurry. Vicki doesn't understand.
Liz stands aside and shows Vicki her tomb. Promise me, says Liz, if I die before it's built, you won't allow them to bury me under the ground. "Mrs. Stoddard," says Vicki helplessly.

Vicki looks lovely in black with her hair down (perhaps it's that pregnancy motherhood glow). Vicki refuses to make the promises because Liz isn't going to die. Liz is upset. Vicki realizes she can't help what she's thinking, but physically, Liz is fine, and the reports from Windcliff say she's in excellent shape. They won't admit how powerful the mind can be, says Liz, how it can defeat the body. Stop yourself from thinking of these things, asks Vicki. Liz says it isn't that simple. There are doctors who can help her, says Vicki. I've seen them, says Liz. Vicki tells her that if this were happening to anyone else, she'd be the first person to advise them to get help. I can't be helped, says Liz. Vicki insists Liz can't state they understand each other and claim THAT--you and your family have been kind to me, and when I was in the orphanage, I feared I'd always be lonely--I couldn't prevent myself from thinking it, just the way you think she can't do anything--but you showed me I was wrong--let all of us show you you're wrong--help yourself. I've tried, says Liz, I don't like being this way--I have to be, she says, gazing at her model tomb--I'll build it by the sea, on the cliff, and when the bell rings, you can hear it--someone must always be at Collinwood, in case the bell does ring, because if it does, it will mean I'm alive.
Roger enters and barks at Liz: "What are you talking about?"--you promised me not to mention it again; Vicki isn't encouraging you to speak of it--you must think of other things, demands Roger--you haven't tried hard enough. Liz hides her model tomb from him, telling him he'll see it soon, standing on the cliffs. When she reveals it to him, Roger looks lost--he can't believe she had an architect draw up plans--did you tell him of your terrible fear of being buried alive?--do you know what he thought while making it? Liz doesn't want to hear such cruel, negative talk. He was humoring an insane woman! shouts Roger--they must be laughing in the village. Vicki steps in to assure him they aren't. Liz tells him he shouldn't be so concerned about what others think--he'd have a better life. They're talking about THAT, says Roger, disdainfully pointing to the model. Liz cries that he'd better get used to that, because it will be built--she's paying for it. Roger, in a rage, takes a statue and destroys the model, causing Liz to cry out a strangled NO and run from the room. Vicki is angry at Roger for doing this. He realizes swiftly that he shouldn't have done it. Vicki tries to put it back together while Roger sits in a chair, in despair. I don't know what to do, he says, I've tried everything--listening, reasoning--I had her almost on the point of admitting the absurdity--she's seemed her old self, and just when I thought all was OK, she starts with the death business. He knows things will never be the same again. He finds himself almost on the point of believing it. Vicki continues trying to put Liz model tomb back together.

Liz, standing in her room, hears a voice calling her--her own voice, filled with menace and stealth. "You can't hide from me, says the voice, you must listen. Get ready. It's nearly time for you to go to your grave. GET READY! "NO, NO!" Liz cries.

Roger ruefully tells Vicki it seems everything began to change when he married Cassandra--perhaps I blame her because. . .we've never been very lucky in love, although at least you didn't marry young Clark. "No, I didn't," says Vicki sadly. A knock at the door interrupts. It's young Clark, who looks nervous. Roger demands to know what he wants. To see Vicki, says Jeff--I have to see her, please. Roger closes the doors, leaving him outside, and tells Vicki Jeff is here--Should I say you don't want to see him? No, says Vicki, I'll see him.

In her room, Liz continues to hear her own sly voice: They will find you in your room, think you dead--you will never leave this room--tonight, you will seem to be dead, here in this room. NO, objects Liz.

Jeff slowly enters the drawing room. Vicki greets him. It's good to see you, he says. He takes out a ring box and says he has a ring that doesn't belong to him--it's yours, he says. She keeps her face turned away. It will always belong to you, he adds. He touches her shoulders; she pulls away: "Don't touch me." He says she has every right to be angry at him, and forgiving is a part of love. Knowing the man you love is also part of love, counters Vicki. Am I Peter Bradford, he asks? I want to know about Jeff Clark, says Vicki. You do, he says. No, I think I made up the man I loved, says Vicki, because the man in my mind wouldn't have acted as you did. (true!) I know I should have taken Roger's job offer, says Jeff, but I couldn't. That's the only explanation you have, she says, and if you love me, you could tell me--"I don't like that job, hate working in a cannery, hate Roger"--something I could understand, even if I didn't like it. I did everything I did for your sake, he explains. You HURT me for my own sake? she asks, not understanding--try and explain it, she invites. I can't, but I will, later, he promises.
I'll wait until you do, she says. We love each other, he begs. People can love each other and still know a life together wouldn't work, says Vicki--I'm sorry. She turns away.

Roger goes to Liz' room and knocks. No answer. He asks to speak to her, and finally opens her door. "Liz?" he calls, but she isn't there.

Jeff takes his ring. I tried, didn't I? he asks. Yes, you tried, Vicki agrees. I said everything I planned to say, says Jeff--perhaps you didn't want to hear everything I'd planned to say, perhaps that would have made you want to be part of my life again. Roger comes in and announces that Liz is gone.

In the cemetery, Liz walks amongst the tombstones. This is where they will bury me, here with my ancestors, but I won't be dead--I'll lie under the ground, unable to breathe. This is where I will lie, because my tomb won't be finished in time.

Roger and Jeff slip into their coats to look for Liz. Roger tells Vicki to get Mrs. Johnson and search the house.

Liz gazes at Peter Bradford's tombstone. That day, so long ago, mutters Liz, when Vicki found you and knew you really were Peter.
I wonder if someone will look down at my tombstone, thinking me at peace, not knowing I died, struggling to breathe. Liz feels a pain in her chest and moans. Roger and Peter hear a sound as they search.

Why would Mrs. Stoddard come to the woods alone? asks Jeff. Roger explains she hasn't been herself lately, she's been troubled. They decide to split up; she might have gone to Widows' Hill.

"No," cries Liz, "I'm all right." The ugly voice tells her it's starting, soon she'll be lying there and whoever finds her will think her dead! Jeff comes to her then. She tells him not to come near her--he's dead--Vicki told her he's dead. He grabs her shoulder as Liz orders him not to touch her, and she falls over, giving him a good look at Bradford's tombstone--born 1/18/1770 died 4/3/1795.

Vicki comes dejectedly downstairs. Peter enters, carrying Mrs. Stoddard in his arms. I found her in the graveyard, he explains, placing her on the sofa. Vicki calls to her, finding her hands cold. She has no pulse. She listens to her chest--no heartbeat! "She's dead!" cries Vicki.

NOTES: Sorry, folks, even more boring to me than the Adam storyline is the Liz-being-buried-alive storyline. Ick.

All Roger ever cares about is how the Collins family looks to the townspeople. He really should get off that horse, considering everyone probably considers the family eccentric, if not downright nuts. He should be more concerned about Liz than the family rep.

Jeff is being a decent guy, trying to make it up with Vicki, but right now, she wants that explanation for why he did what he did, or she's not buying. Will he get her to change her mind? Will his kindness toward Liz change her mind? He's still not my idea of marriage material, too bombastic, like the actor portraying him!

Love, Robin

567
Current Talk '02 II / Re: Barnabas's Best Moments
« on: August 12, 2002, 12:21:47 PM »
SPOILER!








This is something that will be happening on the show shortly.

Barnabas, risking his life and tossing himself into terrifying situations, wills himself back to 1796 in order to save Vicki from the gallows and unite her with her true love, Peter Bradford (Jeff Clark).

He reverts back to being a vampire and must deal with the return of Angelique and other difficulties before successfully saving Vicki and sending her off with Bradford to live out her life in the 18th century.  Given that Barnabas himself loved Vicki desperately, this was, by far, his most unselfish and shining moment.

Love, Robin

568
Current Talk '02 II / Re: Oh, oh! I almost forgot!
« on: August 12, 2002, 12:15:28 PM »
Spoilage:






I do love this weekend's montage.  As for Angelique, I think she makes one creepy vampire.  When she bites a guy, damn, he knows it!  This is one vampire who really GOES FOR IT!

Love, Robin

569
You know what's weird?  Seeing all the "back to school" ads on TV and in the newspaper still makes me feel uneasy and pisses me off--and I graduated college in 1976!  I can't explain it--you'd think *I* was still expected back to books and teachers' dirty looks myself!  

I'm happy for those parents delighted to see their angels returning to school and sorry for those who feel the summer has flown by.  Once my son started working at day camp, I knew the summer would be fleeting, as it always is.  LOL, he's complaining he can't wait for his sophomore year in college to start so he can sleep later!  He has to rise early now to get ready for camp.  

Here's to cooler weather, anyway, although frigid winter can stay away FOREVER!

Love, Robin

570
Robservations / Robservations 8/12/02 #600/601 - A Chilling Summons
« on: August 11, 2002, 12:00:04 PM »
600 - (Marie Wallace) - On this night, a horrible memory has mysteriously been erased from a young woman's mind, and Barnabas Collins no longer lives with the threat of having the past exposed. But the time of terror at the Old House is not over, for the present and the future contain greater dangers than were ever known in the past.

Julia can't believe Maggie escaped from the tomb. Barnabas explains that the police should know about him, but don't--before Maggie got to the police, someone got to her. When they returned from the searching, Barnabas explains, they got a message Maggie wanted to see him. They went and found her memory had been erased. Julia is puzzled, but Barnabas says only one person would be capable of that act--Nicholas Blair.

Julia, who looks very pretty in her gray outfit, finds this incredible (how could she find ANYHTING incredible anymore?), but Barnabas surmises that Cassandra had to have told Nicholas everything about the past--if he did erase Maggie's memory, he did it knowing he was helping him, and there's only one reason for that--Adam--Blair knows if Barnabas is in danger, so is Adam. Julia says if it is Nicholas, he must know about the experiment, but they need proof. Stokes should have been here, he may have found Adam. Barnabas says they're better off if he didn't--let's hope that Adam and his mate have left and gone far away.

Adam sits in Blair's living room, looking morose. Nicholas comes in, smiling at Adam, asking him why, 24 hours after the experiment has been completed and he got what he wanted, he looks like the whole thing was a complete disaster. Adam has been thinking about things--why did Stokes tell him Eve was no good for him? Blair doesn't know--does Adam think Eve is evil? No, says Adam, but Nicholas reminds him Stokes, along with Barnabas, was always against the experiment--he didn't want Adam to have a mate. True, says Adam, Stokes tried to help Barnabas. Nicholas reminds Adam he has what he wants--forget Stokes. Something else is bugging Adam, and Nicholas is eager to listen. Leona died in the experiment, says Adam, why did you let her do it? Blair reveals that Leona was going to die anyway; she was sick and this gave her a chance to give life to someone else. She was unusual, comments Adam. Blair agrees with that assessment. Stokes was wrong about something else, says Adam--the strange thing that happened after the experiment--he said Leona was involved--they were standing in the Old House, the door flew open, the curtains were moving and the candles blew out--no one knew what caused it. Adam felt something strange happening--does Nicholas know what it could have been? No, says Nick, forget it! Adam can't. Nicholas tells him he has Eve now, and Adam says he's happy with her. Concentrate on her, advises Nick, make her happy with you. Adam says he understands, and Eve, who has overheard the last few words of their discussion, looks pissed as hell, bathed in crimson light.

Adam and Eve sit on the sofa. She's drumming her fingers on the arm. He asks if anything is upsetting her; she denies it. This place bothers me, she complains. He says they aren't staying much longer--Nicholas is taking them away somewhere they can be very happy together. She looks skeptical. Adam asks if it's what she wants. She says she wants to be happy, and he pushes, "I mean with ME." She asks if that's a fair question. He doesn't know. They barely know each other, she says. You were meant to be mine, says Adam.
She gets nasty--she isn't a piece of property, something he owns--a woman hates that! He apologizes for hurting her feelings. She asks that they not discuss it further tonight and tells him to go to bed--he looks tired. He doesn't want to leave her alone, but it's what she wants--to sit by herself and think about things. Good night, she says, through gritted teeth. Adam leaves, looking very unhappy. She takes the letter opener she's been toying with and plunges it angrily into a small table. Nicholas enters and tells her if she's going to tear apart the furniture, he can get her something more practical than a letter opener. He grins at her, and grins eagerly back. We must talk, he says, and she says she'll like talking to him--he isn't like Adam. She can't bear the sight of him--ugly, boring, stupid. He says he is sorry she feels that way, and she flirtatiously says, "I don't feel that way about YOU--you're different--intelligent, exciting, charming, my kind of man."
He's flattered. I think I'm your kind of woman, she adds, and he agrees. She snakes her arms around his neck and suggests they do something about it. He asks what she suggests they do, and her smile goes away as she says they can begin by getting rid of Adam. How? asks Nicholas. Send him away, she says. He'd come back, says Nicholas--would you kill him? I'd have no future with Adam, says Eve, but I could have one with you--if the big guy stood in the way, sure she could kill him, yes! Nicholas laughs. "You ARE my kind of woman"! he says sexily--"Evil from head to foot, I made a very good choice even if I do say so myself." He peels her arms from around his neck and tells her the only future she has is with Adam. She's furious, proclaiming that ridiculous. He warns her that he gives the orders and she follows--she was made for Adam, and must accept that. She calls him insane and says she hates Adam. He puts an arm around her and tells her she can hate him all she wants--but don't show it! He expects her to love Adam, and that's what she'll do. No, she says. He growls in reply, "I do like your spirit, but I will not tolerate defiance."--do as I say or your life will end as suddenly as it began. He grips her chin and tells her to think about that--he's going to go get Adam.

Old House - Julia and Barn hear a knock at the door. It's Stokes, who tells them he went to the place Adam was hiding and learned he left there last night and hasn't been seen since. Barnabas expresses hope that's the last they'll see of him, but Stokes isn't sanguine--his instincts tell him not to hope for the best--he's suspicious of Leona, and if she was the reincarnation of Danielle Roger. . .  At this, the doors blow open, the candles blow out and the chandelier sways. The curtains billow, and the storm starts up. The three note that if just the mention of Danielle's name elicits this response, they must make contact! The bookcase opens and a book falls down onto the desk. The disturbance stops and Stokes deems it safe to check out the book. He opens it what turns out to be an account of the French Revolution, written by Philippe Cordier, published in 1798. Stokes says Philippe might want them to contact him, so they should hold a seance and find out.

Stokes puts out candles as Julia and Barnabas watch. A table and three chairs has been set up. Stokes holds Julia's chair while she sits down. They touch fingertips and Stokes tells them to concentrate. He calls to Philippe Cordier, asking for a sign, calling to him to "Make your presence known!" We need your help as you need ours. The candle on the table blows out. Barnabas goes into a trance, which concerns Julia. Stokes tells her to leave him alone. Barnabas begins to speak in French; Stokes asks for English. I am Philippe Cordier, says the ghost, speaking through Barnabas. Stokes asks about Danielle Roget. "Danielle, mon amour," moans the spirit. Stokes asks if he was in love with her and he says, in French--accented English, "I AM in love with her, she is mine and has been taken away." Another man has taken her, I don't know his name, but he stole her spirit away. I am very lonely without her, and have come back to find her. Stokes asks if her spirit was in this room tonight, and Philippe says oui, but it's not here now. Where has it gone? asks Stokes. To another house, a house by the sea, replies Cordier. "Nicholas Blair's house!" bursts out Julia. "Danielle, I am coming for you, we will be together again," cries Philippe. Stokes begs him to reveal who lives in that house. "Wait for me, I will come for you. And when I find you, I will do what I have to do. Danielle, I will revenge your honor--I will kill the man who says he loves you."
"Adam!" cries Julia. "He will die this night for what he has done for us--attendez! Attendez, mon amour, je viens, je viens! Danielle, c'est moi, Philippe. Je viens, mon amour!" Barnabas collapses on the table. Stokes says the spirit is gone, there is no chance to learn more--Julia should have kept silent, they were making remarkable progress. Julia is only interested in helping Barnabas sit up, making sure he's all right, checking his pulse. Julia heard all she needed to, she says, patting Barnabas awake. He looks at her and asks what happened. Stokes assures him he served them well. You went into a trance, says Julia. You became our medium, says Stokes, and our worst suspicions were confirmed: Leona Eltridge is the reincarnation of Danielle Roger. How? asks Barnabas. Blair summoned Danielle from the dead, explains Stokes, gave her a different name and sent her to provide the life force--for what reason I can't imagine. Whatever it was, says Barnabas, it was for some evil purpose. Julia says that the last thing the spirit said was that he would go to the house by the sea and kill the person who loves her--that could only be Adam!

Nicholas, Eve and Adam are sitting together in the living room. Adam sits at Eve's feet, caressing her hand, explaining, "Nicholas told me you wanted me to come downstairs." He assures her he doesn't expect love to bloom instantly, he will give her time to get to know him. Eve stands, staring, upset. She looks around, terrified. Lightning flashes, thunder, and the door blows open. The curtains blow, the chandelier shakes. Eve screams, "NO! Someone in this house is going to die, tonight!" She screams and races out. Adam tries to go after her, but he is choking, and Nicholas rushes to his aid.
In the Old House, Barnabas finds his collar too tight. Julia is suggesting they confront Nicholas, but Barnabas calls that absurd--neither of them is a match for Nicholas Blair. Barnabas begins to choke in earnest, and Julia rushes to help him. Barnabas chokes out, "It's happening--the spirit of Philippe Cordier is killing Adam!"

NOTES: Well, here we see the connection between Adam and Barnabas going the opposite way--Adam is choking, and so is Barnabas. Will Cordier succeed in killing Adam, making Barnabas a vampire again? Or will Barnabas simply die, too?

Great almost-seduction scene between Eve and Nicholas, huh? She really wants him, and he seemed to feel the same, almost baiting her to come and get him, but then he put her in her place. He was very hot in this ep. How ironic that Adam is being the sweet, sensitive guy and Eve immediately goes for the only other man in the house, Satan's bad boy. Surely Nicholas anticipated this problem, and he also must realize that a gal like Eve will never fall for a guy like Adam, no matter what Nicholas orders her to feel! She already despises him!

Jonathan speaks flawless French, and I always enjoy when he uses that beautiful language on the show. I took French in junior high school because of DS, and my in-class name was, you guessed it, Josette!


601 - (Nancy Barrett) - The threat of sudden death hangs over the Collins estate once again. A seance held at the Old House this night has unleashed a vengeful spirit and revealed the whereabouts of a man named Adam whose life is now in grave danger.

Adam chokes, as does Barnabas. Barnabas gasps out to Julia that the spirit of Philippe Cordier is killing Adam.

Julia holds onto Barnabas' shoulder, helping him into a chair. At Blaire House, Nicholas tends to Adam, helping him into a chair.  Nicholas is upset as Adam begs him for help. The lights go on and off as Nick commands the alien spirit to leave Adam, the house, the world or face the tortures of eternal damnation. Barnabas grips his collar, trying to loosen it, to no avail.
Nick warns the spirit it will be consumed by the eternal fires of hell as both Barnabas and Adam announce that they can't breathe. (yet they can talk!) Nicholas succeeds in banishing the spirit; Adam can breathe, as can Barnabas. Adam assures Nick he's all right. He doesn't understand what happened. Barn tells Julie the pain is gone; he has no idea what happened. Nick promises Adam it will never happen again, but won't explain how he stopped it--rest, Nick urges Adam. Julia tells Barnabas Nicholas stopped it--he must have been there when the spirit attacked Adam and used his powers to drive away the spirit. Barnabas rises from the chair. With Nicholas in control of Adam and his mate, the danger might be greater than ever--they must put a permanent stop to Nicholas. Julia reminds him they are no match for him, how can they stop him? We must do it, insists Barnabas.

Carolyn calls Harry into the drawing room at Collinwood. She closes the door and tells him not to ask questions, just sit and listen. She tells him to go to the Old House and find out if Adam is there. Harry says it's the last place he'd find him. Carolyn can't believe Adam would leave without saying goodbye, and perhaps Barnabas is responsible for Adam's disappearance. That's a little risky, says Harry, I could get into trouble. Getting the hint, Carolyn assures him he'll get extra money. He has his mother to think about. . . You'll be paid, she says curtly, but no bargaining--you'll do as I want and I'll pay you what it's worth. Bitterly he remarks that she really has it made--on the outside, sweet and innocent, inside, a real tough customer. He touches her shoulder and she smacks his hand away. "You'd better believe it, Harry," she warns.

Harry listens outside those thin glass windows as Barnabas tells Julia they will concentrate on Eve--she's important to Nicholas, that's obvious, and if they destroy her, they destroy his plans. They must be extremely careful and make it look as if she died naturally. It will entail enormous risk, says Julia--if Eve is living at Nick's house, how can they get to her?
We'll lure Adam and Nicholas out, suggests Barn, then find her. Julia is sure Nick won't leave Eve there unprotected, but Barnabas says he has no reason to believe Eve is in danger. Too dangerous, says Julia, she doesn't want them to consider it. Barnabas is convinced this is the only way, and must be done now. Harry walks away, pondering what he's heard and how he can use it.

Harry goes to Nicholas and tells him he has valuable information he might want to have. You mean sell it to me, guesses Nick. He calls Harry enterprising, smiling at him, asking how much he wants for it. Five grand, says Harry. Nick asks for the information, but all Harry tells him is that it concerns a lady named Eve. What about her? asks Blair. Harry explains that some people are planning to kill her. Nick listens carefully--he believes Harry. Harry refuses to reveal who is going to do the killing, he wants to discuss money first. Nicholas opens his wallet and gives him a hundred bucks, a down payment--knowing who is going to kill Eve is worth more. Harry confesses--Barnabas and Julia are the intended killers, he overheard them discussing it--he doesn't know when, but soon--they gave no specific time. Nicholas thanks him, saying he's been helpful. Nicholas tells Harry he's never seen 5,000 dollars in his life and won't see it now. Harry, pissed off, accuses Nicholas of chiseling him out of it--my ace in the hole, Harry says, is that you've has been hiding Adam. What will you do about it? demands Nick. I could tell Carolyn and get money from her, suggests Harry. (not too bright, is he?) Yes, agrees Nicholas, Carolyn is anxious to find Adam. Harry says either Nick pays him or he will just tell Carolyn Adam is there and get it from her.
Nicholas contemplates this parasite who has dared to come to him. "Good night," he says in reply. Harry says he's making a big mistake, but Nick says HARRY made the big mistake. Harry starts to leave, but finds himself locked in. He asks Nicholas to help open the door, but Nicholas has seemingly disappeared. Harry finds the drawing room locked, too. He calls to Nicholas to help him get out, and the doors finally open--but the room is dark and Blair is not there. Harry glances nervously around, asking if it's a joke--if so, it's not funny--help me. The doors close, locking Harry in the living room. He begs to be let out, then wanders around, checking a window, finding it locked. He tries another door, but that's locked, too. He's growing more scared, and is really terrified when he sees a disembodied hand groping for him! Harry turns away, but the hand follows him, getting larger. Harry finally sits on the sofa, screaming. Nicholas, his face bathed in an eerie light, appears and asks Harry if he's comfortable--we must have a little talk. Harry, still shaking, tells him to forget everything he said before, he'll go back to Collinwood, not tell Carolyn, mind his own business. Nicholas tells him he's incapable of that--but when he finishes with him, he will be. He orders him to call him Mr. Blair, and Harry does so. Nicholas orders him to sit there and look into his eyes. Harry tries to resist, but can't.  Nicholas hypnotizes him, telling him not to be afraid, he won't hurt him, he'll take care of him. Harry will work for Nicholas, and he won't tell anyone about tonight. He'll live at Collinwood and work for Carolyn, but his first allegiance will be to Nicholas. Harry understands. He stares blankly into space.

When Harry returns to Collinwood, Carolyn comes rushing out. You were gone a long time, she complains. Adam isn't with Barnabas, says Harry--Julia and Barnabas were there, he waited until they left, looked around and found no one. Carolyn is upset. She knows of another place--Nicholas Blair's--she's heading out that way.

Adam tells Nicholas he wants to have a talk. Nothing is going right since the experiment. Nick says that's not so. Adam wants the three of them to go away. We will, in due time, Nicholas assures him--there are many things to do first--Adam's scars must be removed, considering how miserable they make him. Adam is thrilled to hear this, but Blair says he was trying to keep it a surprise. When someone knocks, Nick sends Adam into another room. Nicholas lets Carolyn in, explaining he can only spend a moment with her. Adam eavesdrops. She asks Nicholas if he's seen Adam. Nick says he's surprised Adam isn't at Collinwood. He's been gone since early last night, says Carolyn. Nicholas suggests that Adam went off to think about things.
I've been taking care of him a long time, she says, and I've become more attached to him than I ever thought I would--let me know if you see or hear from him--Adam doesn't have to come back, if he doesn't want to, I just want to know he's all right and happy. Nicholas promises he'll let her know and she thanks him.

After Carolyn leaves, Adam tells Nicholas he heard everything, he didn't mean to hurt Carolyn, he must tell her he's all right. Out of the question, says Nicholas sternly--you can't go to Collinwood--we have a more serious problem now--someone is planning to kill Eve. Adam's face darkens--who? Barnabas, says Nicholas. Adam runs for the door--I'll kill HIM first! He vows Nicholas orders him to stop--he will handle this. He can deal with Barnabas, permanently--they will do nothing. "Go upstairs and tell Angelique I want to see her here, at once," says Nicholas. Adam leaves to do so. Nicholas watches him, a satisfied grin on his face.

NOTES: Uh oh, is it Nicholas' plan to have Angelique bite Barnabas, bringing him under her control, and hopefully, Blair's, too? You know that when it comes to her husband, for I'm sure that's how Angelique still considers herself, she will ignore any orders on Nicholas' part and do what she wants. On the other hand, knowing the connection between Barnabas and Adam, is Nicholas really that foolish/forgetful? I guess we'll find out.

Nicholas certainly got the better of two-bit hustler Harry. Apparently Harry believed her was dealing with a mortal man, but he certainly isn't, and he probably doesn't realize it even yet that Nicholas has forced him to change sides! And how skillfully Nicholas manipulated Carolyn, who must surely suspect that Nicholas is lying to her about knowing Adam's whereabouts--yet she doesn't accuse him. She also admitted her feelings for Adam, and she clearly cares deeply.

I don't think we ever see Philippe Cordier again, and am pretty sure he was just brought in so Julia, Barnabas and Stokes would realize that Leona was, indeed, the murderous Danielle Roget.

Love, Robin