Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.


Messages - ROBINV

541
612 - (Clarice Blackburn) - The great house of Collinwood is silent now, for most of its residents are sleeping now. But one man is awake. He is waiting for the clock to strike. When it does, he will leave Collinwood and attempt to commit a murder. Meanwhile, in the Old House on the great estate, two frightened people are guarding a dying man, hoping they can save him, unaware of what is happening elsewhere, unaware that this night will probably end with his death.

At Collinwood, Harry gazes at the clock, waiting for 2:30 AM.

At the Old House, Julia and Barnabas are guarding Joe. Julia listens to Joe's heart and says he's better, his pulse stronger--if he lives through the night, he might make it--he's young and strong and his system can tolerate a great deal. Who could have done this? asks Julia. Barnabas claims not to know. No one has been attacked for so long, she points out, she hoped it was safe, and now, to think Joe. . . Barnabas says it was a shock to him, too. No wonder he was so strange, muses Julia, he couldn't help himself. Yes, agrees Barnabas significantly (to us, at least). He suggests she get some rest, but she says she can't. Barnabas volunteers to stay with him. You're tired, too, she says. Barn promises to stay with Joe an hour, then come get her. She agrees. You must not leave him, she warns you know what will happen. Better than anyone, says Barnabas darkly. If he's summoned, stop him, she says, do anything, but stop him. Barnabas promises not to let him out of the room. Wake me in an hour, she reminds him. Barnabas gazes down at Joe soberly.

2:30 AM - Harry wishes he could keep the clock from striking, he doesn't want to leave the house, go to the Old House and put the poison in the medicine, but he must do everything Nicholas tells him-he doesn't know why, but he must obey him. The clock chimes the half hour. Harry slips the poison into his shirt pocket and realizes he must go now. His mother appears in night garb, long hair loose, and calls his name.
Mrs. Johnson knows her son is up to something, she knows him better than anyone and he's acting really strangely, she accuses. Harry denies it, but she says his eyes say he's lying. He's going for a walk, he says, and walks out on her. Mrs. J looks really miserable.

Joe sleeps. A dog howls. Barnabas, sitting in a chair, reacts. He looks out the window. She's out there, he knows, she wants him to come to her-he must resist, he must! Joe awakens, writhing in his sleep. Barnabas goes to him. Angelique, calls Joe. Barnabas cautions him not to say that name. I can hear her calling, Joe moans. Barnabas urges him not to move or speakl--lie quietly. Joe can't--he has to go to her, he has to. You can't go anywhere, says Barnabas, she isn't calling you, she doesn't want you, you must believe that. Joe opens his eyes. "It's you," he says. "She wants you." Yes, says Barnabas.
Eyes wide, Joe tells him he won't let him go to her--he's going to her himself. Joe struggles to get out of bed, but Barnabas pushes him back, telling Joe feels sorry for him. The dog howls. Barnabas says I must resist her, I can't leave Joe--yes, yes!--but I can't, he realizes, I can't--I must go to her. Barnabas turns and slowly leaves the room, closing the door after him. Joe is asleep, as is Julia in one of the wingback chairs downstairs, covered by her coat. Barnabas makes a creak on the steps as he quietly heads downstairs; he takes his cape and cane, looks at Julia, and opens the Old House door. Harry is surprised to see Barnabas leaving, just as Nicholas said he would. It's safe for him to go in now.

Harry enters the Old House through the unlocked door. It's really creaky. He tiptoes past the sleeping Julia and heads upstairs to Josette's room. He locates the bottle of Joe's medicine and empties the vial into it, his face sick. Why does Nicholas want him to die? wonders Harry. He doesn't understand!

Julia goes upstairs, calling to Barnabas in a sing-song voice. Harry hears her and quickly hides behind the drapes, one of DS' favorite hiding places. Julia finds Joe alone and looks confused.

In the woods, Barnabas hears the howling of the dogs. "I hear you calling me," he says. "Why don't you appear?" Looking especially lovely, Angelique does. Why did you summon me? he asks. I'm very angry at you, you disobeyed me, the vampire says--you allowed Joe to live. How do you know? wonders Barnabas. Never mind, I just do, she says--I ordered you to destroy him and you didn't do it. I couldn't, says Barnabas--I couldn't let him die. I told you he WOULD die--you must not disobey me, she says sternly. I have to, he says. "You won't," she says, "You can't, and I'll see that you don't." No, says Barnabas. "Joe Haskell will die," she says, "and you will be responsible." "Me?" asks Barnabas, his face twisting with horror.
"Yes," she says, delightedly, "I want you to be the guilty one. I want you to kill Joe Haskell and live with the guilt for eternity." Barnabas tells her she can never get him to do that. Can't I? she asks. No, never, he responds. We'll see, she says. He asks why she wants Joe dead. Her reasons are unimportant, she says, the fact is, Joe will die and you will be responsible. He must do everything she tells him-he has no choice. He looks at her, angry and sad, knowing it's true.

Old House - Julia ponders where Barnabas could have gone--where? She's upset. She leaves Joe's room and goes downstairs. Harry comes out of his hiding place and listens, then quietly opens the door and leaves.

Back in the woods, Angelique finishes giving Barnabas his orders. He tells her he'll never do it. She believes his will. Even she, with all her powers, can't force him. "Come here, Barnabas," she says, reaching for him. "No," he begs, backing away. She tells him it was a mistake to disobey her. "Don't, please," he begs. You won't do that again, she says, snaring him in her arms--not after tonight. She pulls his coat collar away, exposing his jugular, and bites his throat as he moans with pain and fury while she skillfully brings him around to her way of seeing things.

Julia walks downstairs and looks outside--no sign of Barnabas. She calls into the night for him. Harry troops downstairs while she's outside calling to Barnabas and leaves the back way. Julia returns to the living room and hears a door slamming. She again calls to Barnabas, but gets no answer.

Harry, walking through the woods, finds Barnabas lying unconscious on the ground!

Harry helps Barnabas back to Collinwood. Barnabas can barely stand. Mrs. Johnson is horrified. Barnabas claims he only feels a little dizzy and seats himself in the chair under his portrait. He claims he was crossing the woods to the Old House and felt dizzy, and next thing he remembered was seeing Harry. Harry found him passed out on the ground. Mrs. Johnson tells him he did a sensible thing for once and goes to call a doctor. Barnabas talks her out of it, but she notes how pale and sick he looks. Barnabas assures her Julia will tend to him. He's sure nothing is wrong, and rises to leave. He must go to the Old House, Julia is there. Mrs. J tells him to let Harry help him, but Barnabas thanks her for her concern--he'll be fine, and he doesn't need Harry's assistance. Harry and his mother look at each other as the weak man stumbles out.

Old House - Julia paces, worried.  Barnabas comes in, leaning heavily on his cane. He's surprised to find her awake. He had to go outside, he said, he heard the dogs howling. He was sure someone was out there in the woods and went to investigate, but couldn't find anything. She reminds him he wasn't supposed to leave Joe. Barn becomes agitated--he was convinced someone was out there and had to find out! She says he should have awakened her before he left, but he had no idea he'd be gone as long as he was. Why were you gone so long? she asks--at least an hour.
That long? he asks evasively, holding his collar closed around his throat--I was searching. That doesn't make sense she says, but I'm too tired to think it through. We are both exhausted, he says--it's been a long night. It's almost morning, she points out. Barnabas agrees. She suggests he get some sleep; she will stay with Joe. He insists on staying with him, even though he can barely rise from the chair--he wants to check on Joe, then he'll let her take over. I've been with Joe, he's OK, she says--he awakened once and said nothing--he didn't know where you were. Did you give him his medicine? asks Barn. No, she says, he doesn't need anymore tonight. Barnabas wants to go up and see how his is, for his own peace of mind. She tells him someone was in the house while he was gone--I heard what sounded like the back door slamming. Did she see an intruder? He asks. No, replies Julia. Barnabas suggests her nerves might have affected her imagination. Julia offers to go with him to see Joe, but Barnabas insists she rest--she needs it as much as he does--I'll just be a moment. She watches him slowly ascend the stairs, puzzled.

In Josette's room, Barnabas closes the door and goes to Joe. He pours the medicine onto a spoon, knowing it is going to kill him--that's why Angelique is making him do it, and he must do it because it's her command. Barnabas slips his hand under Joe's head and raises it, moving the spoonful of poisoned medicine towards his mouth.

NOTES: Another very sexy biting scene in that ep. That Angelique really knows how to make her man do what she wants, even though it goes against every fiber of his being!

Will Barnabas end Joe's life at the vampire's behest? As much as he doesn't want to, her will is stronger than his. Who will prevail?

Poor Harry, just a pawn in Nicholas and Angelique's nasty games. He didn't want to do it, either, but he knew he had to, because he is as much under Nicholas' spell as Barnabas is under Angelique's.

I think Julia is suspicious!


613 - (Grayson Hall) - The hour of dawn lingers far out at sea beyond the cliffs of Collinwood, as though reluctant to bring the light of day to the land around the ancient house, sensing, perhaps, than an endless dark is more suited to the evil deeds that could be done this day when two men, trapped by the same unearthly force, become tangled in a plot that could mean the destruction of one or the other.

(I was thinking how unwise it was of Angelique to drain Barnabas of so much blood, he passed out, especially since she had a task for him to do. You'd have thought she'd have restrained herself, but when it comes to Barnabas, there is no restraint on Angie's part!)

Barnabas is just about to administer the poisoned medicine to Joe when Julia interrupts and stops him. She asks what he's doing and takes the spoon away--I told you it isn't time for more, I already told you that! She empties the spoonful of medicine back into the bottle while Barnabas tries to wangle his way out of it by claiming he thought it was morning. It's still dark out, says Julia, and Barnabas agrees. She finds his behavior strange. The night seems long, he mutters, and I'm so tired. I came up to relieve you, she says. However, Barnabas still wants to keep watch. Julia tells him not to fall asleep; Joe must be watched every moment until morning. She takes the medicine with her; an extra dose could be very harmful. Julia gives him an angry, speculative look before leaving. Barnabas moves a chair to Joe's bedside and sits with him. No harm this night, he mutters to Joe. It's 3:30 AM. Joe twists his head from side to side. 5 AM - Joe moans in his sleep, "Make her want me--she will, I know she will." Barnabas urges him to be quiet. Joe says she doesn't want him, he won't kill himself, live now, that's what he'll do, get back at her, and at Barnabas, if he's the one she wants. Barnabas reminds him he tried to help him, but Joe, seeming delirious, says he just wants Angelique. Barn cautions him to be silent, but Joe says he'll tell everyone everything, about both of them and Angelique- everything! He swears it, but Barnabas tells him he won't. Would you even tell MAGGIE about Angelique? queries Barnabas--tell her what you've become? No, Maggie must never know, says Joe. Barnabas urges him to sleep. Julia enters and asks how Joe is. Resting, says Barn--he was delirious a moment ago, but calmer now. He asks if Julia will watch him--he's tired and needs sleep. Yes, says Julia, I will watch over him from now on. Barnabas rises, intending to go downstairs to rest, but Julia has a question first--why were you trying to give Joe the medicine when I walked in? I told you--I was tired, confused. Julia doesn't accept that--she analyzed the medicine, and found it poisoned. As Barnabas feigns shock, Julia accuses him of trying to poison Joe. Barnabas reminds her he was the one who found Joe; why would he do such a thing? Julia doesn't know. If I wanted to kill him, would I have brought Joe to you for his care? He asks. Julia says that someone put poison in the bottle--and YOU were giving it to him. Barnabas assures her he didn't know there was poison in there, and she wonders who else could have done it. Perhaps when I left earlier, someone could have come in, suggests Barnabas--you did hear someone, right? Julia is puzzled-- why did Barnabas leave him for such a long time? Long enough to put the poison in the medicine. If that's the case, asks Julia, why didn't that someone give him the medicine?
(Joe has awakened and is overhearing all.) Barnabas begs exhaustion and says he doesn't know. She relents and tells him to go rest--all I know is that someone almost killed Joe, she says. Barnabas looks ashamed for a moment, but slowly leaves the room, closing the door behind him. Julia holds the poisoned medicine and then looks at Joe, who is, in his head, pondering that Barnabas tried to kill him, to get rid of him, because of HER-he wants to murder him!

Old House - daytime - Maggie and Julia come in. The younger woman wanted to check on Joe, and is relieved to hear he seems better. I don't want to see him, Maggie hastily tells Julia, who suggests it might help--Joe tried to kill himself, and while they aren't as close as they used to be. . . Maggie interrupts to ask if she knows who SHE is--the girl. No, says Julia. It's not my business, says Maggie, but she's doing terrible things to Joe. If you learn the woman's name, I would like to know, says Julia--I care about Joe and it would be easier to help him with all the facts--he might be willing to tell you--try, Julia asks, but see him. Maggie agrees, if Julia thinks it will help, and heads upstairs.

Maggie enters Josette's room and walks around to the side of Joe's bed. He appears to be sleeping, and she adjusts his covers, waking him up. (Those who like chest exposure really got an eyeful of Joe's bare chest today.) He starts to say he was afraid it was. . .then stops--I'm feeling better, he tells her--I'm going to live, not die, no matter what. Maggie is glad to hear it. He says she shouldn't be here, nor come near him anymore, he doesn't want any friends. She asks if he wants to talk about the girl in his life. No, not about her, he says, never. She says she knows she has no right to ask. They look at each other, and Joe suggests maybe I could tell you--you're the only person I can talk to. She knows the woman is making him suffer--why? Because she, begins Joe--I can't tell you-go away. I want to help, Maggie assures him, but you won't let me--I understand, (no she doesn't), but if that's how you want it. . . . "Go away," he repeats. Choked up, she tells him she's glad to see he's feeling better. "Take good care of yourself. Goodbye, Joe," she says. He replies with an indifferent goodbye, then asks her to come back--there's something he must tell her. If anything happens to me, says Joe, Barnabas wants to kill me. Maggie says that's impossible.
Joe says Barnabas has tried before and will try again, and if anything happens to him, that's who's to blame. Maggie tells him to rest. Joe realizes she doesn't believe him. Barnabas saved your life, Maggie reminds him. He's trying to kill me now, says Joe. Maggie says she believes him, but Joe can tell she doesn't. She wants him to lie quietly and offers to stay a while longer, but he thinks she should leave. She backs away from the bed and leaves, looking very sad. It's all right, Maggie, says Joe to himself, Barnabas won't kill me, because I won't let him. How can I stop him? I have to kill him before he kills me.

Maggie tells Julia and Barnabas she wishes she could help Joe, who at times seemed delirious. Barnabas asked what he spoke about, and Julia asked if he talked of the woman. No, says Maggie forlornly. Julia tells her she's sure the visit helped Joe. Maggie bids Julia goodbye and thanks Barnabas for saving Joe's life. After she goes, Julia comments, "She still loves him." Barnabas agrees. Julia has to return to Collinwood to get new medicine. Barnabas is surprised she's willing to leave him alone with Joe, since she believes he tried to kill him. Julia says she doesn't know what to believe; she knows he saved Joe's life and it was possible someone came into the house--no, I don't believe you did it, she says. Barnabas tells her he's honored by her new-found trust. Julia asks Barnabas to wait by the door while he rests, so he can awaken if anyone breaks in--she doesn't feel he should be up in Joe's room because it's morning, and night is the dangerous time--they have another night ahead. Barnabas agrees to this and sits down in the wingback chair. He closes his eyes. "Rest," he tells himself--I must rest.

At Collinwood, Mrs. Johnson greets Julia. She asks about Barnabas, and tells Julia about his fainting spell the previous night and how Harry found him in the woods. Julia is shocked to hear this. Mrs. J said Barnabas wouldn't allow her to get a doctor and said Barnabas assured her he would get Julia to examine him--did she? Yes, lies Julia. For a moment, Mrs. J thought she didn't know a thing about it, but Julia says she had a difficult night, caring for Barnabas. He needs a lot of caring for, says Mrs. J--he was trembling, pale and couldn't even stand, but he wouldn't allow me to help him. He's feeling better now, says Julia, resting at the Old House. (Now Julia knows for sure something is up!).
In Josette's room, Joe tells himself he's got to do it, or he'll kill him--he must kill Barnabas, he has no choice! Joe falls out of bed attempting to get up, and leans heavily on a table as he searches for something with which he can kill Barnabas. Something, anything! There's nothing here but my bare hands, muses Joe--I'll choke him to death. . .no, I've's got no strength. He takes the heavy cord holding back the drapes.

Barnabas sleeping downstairs, doesn't hear Joe come down, loop the drapery cord around his throat, and pull tight! Barnabas gasps for breath!

NOTES: At the end of the previous episode, we wondered if Barnabas was going to kill Joe, now we speculate: Is Joe going to kill Barnabas? Imagine what Maggie and Julia would say if they knew the men were battling over one gorgeous blonde vampire!

How sad was the scene between Joe and Maggie? They do still love each other, but thanks to the witchy manipulations of Nicholas and Angelique, these two are miles apart. Maggie thinks a flesh and blood woman came between her and Joe, but it's something much more malevolent.

Surely now Julia suspects something is up, and perhaps related to the vampire chasing Joe--and perhaps Barnabas? Has she gathered enough clues to piece it all together?

Love, Robin

542
Calendar Events / Announcements '02 II / Re: NOT FEELING WELL AT ALL/OT
« on: August 19, 2002, 12:23:39 PM »
Feel better soon, Annie.  It's probably something very simple and easily taken care of.  

Perhaps you need to take one dose of Quentin and call us in the morning, heh heh heh!

Love, Robin

543
Current Talk '02 II / Re: MALPRACTICE SHE WROTE
« on: August 19, 2002, 12:16:18 PM »
Tough question.  I think Julia is a great lady, certainly loving and loyal--but I can never forget what she did to Dr. Woodard, supposedly a colleague and friend of hers (and perhaps more in med school).  If for some reason Barnabas wanted her to help do away with me, I'd be a goner.  So I think I'll stick with my present physician.  

Aside from that, while the thought of living in a drug-induced stupor is appealing some days, I think I'd rather avoid uppers and downers.  Ultimately, they sure didn't do Elvis any good!

Love, Robin

544
Current Talk '02 II / Re: FORTUNE FANTASY
« on: August 18, 2002, 09:59:10 PM »
Barnabas:  Beware easy blondes--keep your pants on!

Willie:  Beware coffins you THINK contain jewelry!

Carolyn:  Cousins with sharp teeth can prove to be hungry.

Julia:  Chasing the undead can lead to free room & board!

David:  Beware blonde bimbo with big mouth and small brain!

Maggie:  Going to live in large, gloomy mansions only leads to madness!

Joe:  Getting involved with Collins family only leads to madness!

Megan and Philip Todd:  Open antique shop in Los Angeles, CA!

Elizabeth:  Beware false death!

Angelique:  Avoid rich young men from across the sea who have overheated loins!

Love, Robin

545
Current Talk '02 II / Re: OT>Let's Talk About........IT
« on: August 18, 2002, 09:52:54 PM »
We love our Optimum Cable connection.  Not only is it super-fast, but frees up our phone line.  People could NEVER reach us because we were on the net so many hours a day.  We pay $35 per month, but it's worth it.  A second phone line would have cost more, and not been nearly as fast.

You really need a good firewall with the cable connection, because you are, in essence, always on the computer.  We use ZoneAlarm, which was free.

Love, Robin

546
Current Talk '02 II / Re: BARELY BLOOD
« on: August 18, 2002, 01:45:45 PM »
I suspect that the censors kept close track of the blood spilled in these episodes.  I can see it now, over and over, in shows featuring blood: "Caution on showing of blood--these episodes are being watched by many children and we don't want to cause nightmares."

SPOILER. . .





The last time Angelique bites Barnabas (he was supposed to die and be resurrected as her vampire companion forever), her lips have blood on them, the first time I remember seeing a vampire thusly.  Barnabas, after his first blood-sucking episode, had blood running down the corners of his mouth and on his shirt front (which is how poor Sarah saw him in the tomb), but actually seeing Barnabas' blood staining Ang's lips was pretty erotic stuff, IMHO, and the first time I recall seeing blood on anyone's lips.

Love, Robin

547
Current Talk '02 II / Re: Rip off his shirt Baby!
« on: August 18, 2002, 01:36:11 PM »
Oooh, Connie, nice shot of a shirtless David Selby!  

I wonder--did they have Julia cut off Joe's shirt to give those who find him hot a thrill?  Was this cutting really necessary?

Love, Robin

548
610 - (Joan Bennett) - The great house at Collinwood has known many dark and sinister secrets. Now it is the scene of another one, a secret that has its origins in the late 18th century, a secret that has mysteriously transcended time and space to create a threat to the future of two young people. So deep in the supernatural is this secret that not even the young man who it concerns is aware of it-but there is one who is, a strange woman who recognizes him as someone she knew in the year 1795.

Jeff demands to know who Eve is, and she notes he responded to the name she called him--I was right, you are Peter Bradford!

It doesn't matter who I am, she says. Jeff denies being Peter. Yes you are, she says, circling him, even though you're dressed so strangely, everything else is the same. Jeff doesn't know what she's talking about. I didn't think I'd ever see you again, she says, I watched you die. He insists he's never seen her before in his life. You can't pretend you don't know me, she says. I'm not pretending, insists Jeff. You must be, counters Eve. It's a joke, he says. No, Peter, she corrects him. Don't call me that, he says, I'm Jeff Clark. Of course, she realizes, you don't recognize me, I look different--we both lived before, but you came back looking the same, and I different. Why are you at Collinwood? he asks. I don't know, says Eve, I can't remember anything but you. He orders her to go away and never come back, but she says she can't, now that she's found him again. Stop it, he orders. Why? she asks--if you don't believe me, why are you getting upset?--you needn't be.
Jeff tells her she mistook him for someone else. There could be two people in the world who look exactly the same, she agrees, but you can't convince me you aren't Peter--I don't know how or why I know you, the memories are so dim and long ago, but you're my Peter Bradford and I won't rest until we're together again. She leaves Peter madly thrusting his hands through his hair.

Vicki enters the drawing room to find Liz working on correspondence and is surprised to see her out of bed. My doctor said I could attend to routine things, says Liz. Vicki is pleased she's better. Liz considers herself lucky--everyone has been so understanding and patient. We care, Vicki reminds her. Liz asks to speak to Jeff. Vicki explains they're seeing each other again--he's coming tonight--Jeff and I are getting married--we've resolved our difficulties--we love each other and want to be together. Are you leaving Collinwood? asks Liz. We haven't set a date yet, replies Vicki--there are plans to be made. The doctor advised that I keep my mind occupied, says Liz--I want to help you plan the wedding. Vicki is pleased. Perhaps if kept busy, I can convince myself I'll be alive on your wedding day, adds Liz. Vicki objects to Liz saying this, and the older woman apologizes--even in better moments, I can't help dwelling on it. Vicki can't understand the root of Liz' fear--I know you aren't going to die.
My doctor agrees, says Liz, and yet, the other night, when I collapsed, you all thought me dead--I recovered, but the terrifying thing is, it will happen again, and when it does, I might not come to consciousness so quickly, and when I do, I'll find myself buried alive. Vicki looks somber.

Jeff paces the terrace, looking like he's choking.
Vicki joins him and apologizes for being late. She wants him to come inside so Liz can thank him for helping her the other night. Jeff says Liz doesn't need to speak to him right away--she can talk to them when they return from the movie--I don't feel like talking to anyone but you, he says. She asks what's the matter; he's acting the way he did a few weeks ago, his mind elsewhere. Tired, he says. That's what you said then! she reminds him. I'm starting a new job in a few days, he says, and I'm uptight (love that word!) about it--I let Roger down once, I don't want to do it again--I still want to see the movie. She comments that his expression isn't one of his best--but will have to do. He promises to try to improve it on the way to town, and the two of them exit through the gate. Eve pops out, looking angrily after them. When Liz comes out, she spots Eve and asks her who she's looking for? Eve doesn't answer. Liz guesses--you came to warn me that I haven't much time left--you're the angel of death! Eve looking creeped out, hurries away. Liz gazes after her.

Blair House - Nicholas doesn't look at all happy. He's rubbing his hands together, pacing. Eve returns. Nick sternly asked where she's going. Up to bed, she says, I'm tired. He demands she come in. (This red-haired "daughter" of his is such a trial!) You're doing everything to ruin my plans, he accuses. Eve doesn't understand why he's upset. I'm upset about what happened at Collinwood, and you know it, he says. Nothing happened, she lies. Nicholas knows about her fight with Carolyn. "Poor Adam," she croons sarcastically--"The minute something doesn't go his way, he comes running to Papa Nicholas!" Nicholas slaps her across the face. "I hate you!" she spits. You weren't brought here to love me, says Nick, only to follow my orders. Yes, master, she says. He orders her to drop the sarcasm. What do you want from me? asks Eve. Answer my questions, he says. She admits she fought with Adam--I don't like him and never will. You must pretend you do, says Nicholas. It isn't that easy, she retorts--he is impossible, like a spoiled child. He can be handled, says Nick, who wants to know why she left the room after fighting with Adam--and where did she go? I went outside for air, she says--Adam knew where I was and could have come to get me. Adam said you completely disappeared, says Nicholas. I was down in the garden, she says. You aren't to wander around herself, orders Nick, if someone saw you at Collinwood, it could be dangerous--no one knows about you--I don't want questions asked. I don't understand, complains Eve--why not?--I can give the right answers--I did it tonight. Someone saw you? he asks. Suppose I don't want to tell you? queries Eve. He grabs her arms and demands to know, reminding her she isn't indispensable. I know that isn't true, counters Eve--for some reason I'm very important to your plans, and you don't want anything to happen to me. No deals, he says--you're right--you are important to me, but not indispensable--who did you meet on the terrace? She asks him to answer one question for her, she deserves an answer--who was she and where did she come from before the experiment? You were no one, nothing, he says. You're lying, says Eve--I know I lived another life--there is someone I knew in another lifetime who I recognized--I want to know more about him--he loved me, though I don't know when, where or why--tell me!
Someone you knew, muses Nicholas, in another lifetime. . .that's fascinating, he says. Then it's true, I have lived before, she exults. The less she knows about that life, the better, Nicholas says--I want to know about HIM--not who he was before, but who he is now. Eve doesn't want to endanger the man, who might take her away from Adam. You're not stupid, says Nick--you know it would be foolish to let anyone take you away from Adam. What harm would it do to know about my past? asks Eve. Nicholas again asks who the man is. Jeff Clark, she replies--I know he's Peter Bradford, but I don't know how or why. Blair asks how long ago this man lived. I only know it was long ago, says Eve. If that is true, says Nick, they are one and the same--and forces are at work I don't know about. She doesn't understand; neither does Nick--I must find out. Eve says she will do anything he wants her to do, but he must tell her. Nick says he will let HER tell HIM. He has her sit at a table, turns off the lights, and assures her everything will be quite clear. He lights the candle and tells her to look into the flame. Look deeply into it, he tells her, putting an arm around her. Keep looking, deeper, deeper, until you begin to feel light and relaxed. . .deeper, deeper into the flame. . .until your mind is completely weightless and free. Tell me what you are thinking, he asks. Nothing, she says. Your mind is a void, asks Nicholas. Yes, she agrees. You will enter that void, he orders--let yourself be taken back through the flame to another time another place, long long ago, almost 200 years back, back, through the flame to the time you lived before. . . Everything is hazy, says Eve, but I see something. . .a room, I can't see it clearly, there's a figure, two figures, sitting at a desk.

Eve, wearing a white, 18th century cap, asks Peter what he's going to do. He doesn't know. You aren't going to tell them, are you? She asks. I should, says Peter, I should tell them what a vicious, crazy animal she is. I did it for us! she cries, why can't you understand? I'll never Understand, he assures her. Philippe would have kept us apart, she says desperately, he would have killed YOU! So the answer was for you to kill Philippe, says Peter--as simple as that. Yes, she says--I saw the spilling of blood for four years during the revolution, killing no longer shocks me--I killed Phillippe because we love each other. I did love you once, Peter agrees. You still do, she insists, after you recover from the shock of this. He grabs her arm and, making a fist, orders her to listen--Maybe I do feel something for you and that's the only reason I ought to turn you in to the authorities and let them hang you, but I'm going to tell them everything about you. But I'm going to give you more of a chance than you gave Philippe--you've got until tomorrow morning to get out of Collinsport. Now get out of my life--I never want to see you again-never!

Exultant, Eve returns to the present. I was right, she tells Nicholas, he IS Peter Bradford and I love him--I love him!

NOTES: Ho hum. No Barnabas, Angelique or Julia makes for two dull episodes, at least to me. This sidebar into Peter/Leona seemed far too coincidental. Peter fell for an innocent like Vicki, it's hard to believe he had a torrid romance with Danielle Roget. And when did this affair take place, anyway? Presumably before he met Vicki. Leona apparently murdered Philippe to be with Peter, and he was fine with their romance until she killed her other lover. Frankly, I find it hard to care.

I say, let's get back to some serious love bites between Angelique and Barnabas!


611 - (KLS) - The plans of many people will be changed or threatened by the events of this night, events occurring in the large old house by the ocean and in the mind of a strange young woman subjected to the spell of a mysterious man. Placed in a hypnotic trance by the flame, her eyes have looked away through a great void and into the past, seeking the true identity there of a man she has just met in the present. What she learns from this fleeting look through the flame is that a moment in the 18th century may have tragic results at Collinwood.

Having foolishly sent Eve back to learn that she loves Peter Bradford/Jeff Clark, Nicholas turns on the lights and tells her he wants her to relate exactly what she saw. It makes no difference, I was right, I found him again! she says--I care not for Adam, I'm going to be with Peter Bradford--and you can't stop her!

Proudly, Eve raises her head in defiance of Nicholas. Before you make the mistake of leaving the room, says Nicholas, you must acknowledge you could be wrong about Jeff Clark--it took place in your mind, perhaps you imagined it as you wanted to. No, Peter and Jeff are one and the same, insists Eve--I also recalled I loved Peter enough to kill for him. Philippe Cordier, guesses Nicholas, who says he knows all about her past; YOU are the one in the dark. Philippe and I came from France after the French Revolution, and I fell in love with Peter here, she says--Philippe tried to keep me away from Peter, so I knifed him to death. You weren't very nice in your other life, says Nicholas. Now I understand my urge to kill Adam, she says. An urge you will never fulfill, says Nick. You can't force me to love Adam, says Eve. Nick says you must pretend--someone as fundamentally evil as you are can do it--forget Peter, orders Nicholas--I have my ways of making you forget.
They smile at each other. I don't believe your threats, she says, if you were going to punish me, you would have done it before. Grandly, she leaves the room, running into Adam, who demands to know where she's going. She says nothing, but leaves the house in a flutter of filmy black. Adam asks Nicholas where Eve is going. Nick claims he doesn't know what's wrong with her--she said she had a headache. (already?) Adam wants to go after her, but Nick says no. She's been acting oddly, objects Adam. Nick assures him she will be herself in the morning. Adam feels she hates the place, and says the longer she stays there, the more miserable she will be. Nicholas orders Adam upstairs; he wants to think. Adam refuses to go--when are they going someplace else? They will, after they get certain things done, insists Nick, you have to wait--your scars must be taken care of. Adam doesn't care about that, he wants Eve to be happy. Nicholas promises to see to that, and Adam asks how. Nick doesn't know, but will think of something. Too late, says Adam, he wants to leave NOW. Nicholas tells him he, not Adam, makes the decisions.
Adam accuses him of talking like they belong to him--we don't. Nick apologizes, saying he has much troubling stuff on his mind. Have you changed your mind about going with us? asks Adam. No, Nick assures him. What's keeping us here? demands Adam. All right, says Nick, we'll go, but only after I've done one more thing--there will be four of us leaving--not Angelique, but Maggie Evans. This surprises Adam--are you in love with her? he asks. I want her along, Nick says, let's just say that, and as soon as I have convinced her to come with us, we will leave. Good, says Adam, Eve will be happy to hear it. They smiles at each other.

Jeff lies in his bed in his room, smoking. He answers a knock at the door--Eve! She asks if he's going to ask her in. He's not too thrilled--how did you find me? he asks. She knew the name he was using. He closes the door, trying to force her out, but she comes in, then turns on the light--we have much to discuss, she says--I know things now that I didn't when I saw you earlier. I don't want you here, he insists. I'm right about you, she says. I know who I am, insists Jeff. You don't act like it, counters Eve. I want to have you committed, he says. I know the truth, she tells him. I'm Jeff Clark--Peter Bradford died 200 years ago! He says. You do know about Bradford, she accuses--where did you hear it? Forget it, he says. She realizes he doesn't remember anything. How can I get through to you, you don't listen, he says. You're afraid I'm telling the truth, says Eve, and that you'll remember who you are. Jeff denies this--he isn't afraid of her or anything she has to say. Then listen, she says--you're being unreasonable now as then. If I let you speak, he asks, will you go away and leave me alone?
No, she says, touching his arm, now that we're together, I can never leave him. We aren't together! he bursts out, moving away from her caress--I've never seen you before in my life and never want to again. I saw you with a woman at Collinwood--who is she? demands Eve. Jeff won't tell her. She threatens to find out from the woman she saw him with--I can go to Collinwood and see her! Leave Vicki alone, Jeff commands--she's my fiancee (way to give it all away, Mr. Brilliance!) and we will be married ASAP. Eve isn't happy. I don't have very much time, do I, to find a way to convince you you once held me in your arms, told me you loved me--we were to be married! Jeff can't believe this claim! We will be together again, she vows. I love Victoria Winters and will marry her, retorts Jeff--the man you think I am died a long time ago, and people can't come back from the dead--good night. It IS possible, she insists. You're crazy, says Jeff. I was brought back from the dead to live a new life and look different, says Eve, but so were you, and you look the same. She caresses his shoulder. He tells her to get out. Unperturbed, she says she will find a way to make him remember--it will take a little time--and that marriage of yours will never take place! Jeff locks the door after her, very upset.

Maggie is at the cottage, dressed in her quilted flowered long skirt, when Nicholas pays her a visit. She's thrilled to see him--I thought you had to work tonight. I couldn't concentrate, you were on my mind, he says--I'm putting all other matters aside to get something settled with you.  He sits on the sofa with her and takes her hand in his. "Maggie, will you marry me?" he asks. She seems unsure of what to say. Nicholas admits it's sudden--I might have to leave Collinsport soon, he reveals, permanently, and I want to take you with me--if you don't know how you feel, if you need time to think. . . It isn't a question of time, she says, I know how I feel about you, but I can't marry you--I'm sorry.

Nicholas is disappointed; he'd hoped for a different answer--there's nothing more to say. She feels he has a right to know why she refused him--you've been very good to me, and if circumstances were different, I would have said yes--it's Joe, I'm worried about him. Nicholas assures her he understands her feelings--but I thought you'd decided it would be better to forget about Joe. She realizes that, but after his suicide attempt last night. . . Nicholas can't believe this news. I couldn't ignore it, says Maggie--I had to go see him. Of course, agrees Nicholas, surprised to learn she visited Joe not at the hospital, but at the Old House, where he's staying with Barnabas. Maggie explains that Barnabas found Joe in the woods and brought him to Julia.
Maggie learned there was another girl; Joe kept talking of her the whole time she was with him. Nicholas carefully asks if he told her the name of the woman. No, says Maggie, but she intends to find out. Why? he asks, what good could it do? She begs him to understand--she knows it's over between her and Joe, but as long as he goes on bring troubled, she will go on being concerned. Nick looks like he wants to do something about that--badly, and quickly.

When Eve returns to Blair house, Adam calls to her and asks where she was. For a walk, she says curtly--I go where and when I please; if we are to get along at all, you'd better remember it. He tells her they will be leaving, expecting her to be pleased. When? she asks. A few days, he responds, noting she isn't happy at all. She turns away. Yes, she lies, I'm delighted. She bids him good night, leaving him standing there, puzzled. He sighs. Nicholas comes in, equally unhappy with his love life, and seems distracted when Adam asks when they are leaving. Nicholas tells him it's going to take a little longer than he thought--he can't force Maggie to leave with them--she must do it willingly, and doesn't want to yet. What will you do if she doesn't change her mind? asks Adam. She will after I attend to a certain matter, Nicholas assures him. There's a knock at the door and Nicholas orders Adam into the other room. Adam insists on knowing who it is. Harry Johnson--I sent for him to do an errand for me, replies Nicholas--we'll discuss this tomorrow. Adam demands his final decision tomorrow! He leaves.

Harry enters. Nicholas praises him for making good time--I have a job for you. He hands him a vial of poison, which he will give to someone. Harry objects. Nicholas asks Harry if he must "discipline" him. No, says Harry hastily. Go to the Old House after Barnabas is asleep, instructs Nicholas--find out which room Joe Haskell is in; there will be a medicine tray next to his bed--empty the vial into the medicine--by tomorrow morning, Joe Haskell will be dead. Harry surveys the vial in his trembling hands with disgust and horror.

NOTES: So it wasn't bad enough that Nicholas broke up Maggie and Joe; now he wants the poor young man dead and out of Maggie's life as completely as possible--so he can move in and marry her and do God knows what with her! It's weird that such a bad `un fell in love with such a good, sweet, honest person, but somehow, you'd figure he'd be reviled by someone like Maggie. I guess opposites really are attracting here!

Give Harry credit for finding it loathsome to kill a man. He may have resorted to petty thievery, but he's no killer!

Adam is stuck with such a bitch in Eve, you'd think he'd just sling her over his shoulder, cave man style, and take her to his cave and have his way with her--but she might love that! I can't in a zillion years picture her and goody two shoes Peter together. This was just stuck in the plot to keep Vicki and Jeff apart. Boring--at least to me.

Love, Robin

549
Current Talk '02 II / Re: Touched By An Angelique
« on: August 16, 2002, 10:52:20 PM »
on Today at 9:20am, ROBINV wrote:
"Keep that tongue working, Barnabas!"

Scout said:
What is this?! Dark Shadows or Boogie Nights?!

The Boogie Nights took place in Martinique, and oh, baby, do I wish we'd been given a flashback to THAT!

Love, Robin

550
Current Talk '02 II / Re: Roger Davis Has Many Fans...All Electric...
« on: August 16, 2002, 10:46:29 PM »
When I saw DS the first time around, I thought Roger Davis was cute.  I thought he and Vicki looked adorable together, and was glad to see her find some romantic happiness amidst her misery in 1795/6.  

However, upon watching the show as an adult, it occurred to me how annoying he could be at times, especially as Jeff Clark.  He didn't seem a romantic lead anymore, just an irritating guy I couldn't imagine Vicki bypassing Barnabas for.  

At the fests, I've had a chance to talk to Roger Davis, and he beamed when I asked about his children.  He loves to talk about himself, but gave me a mighty good deal on his shorts and shirts when I came to his table.  

So while I'm not really a fan of RD's, I don't object to him as much as his leading ladies on the show seemed to!

ove, Robin

551
Current Talk '02 II / Re: Touched By An Angelique
« on: August 16, 2002, 12:20:51 PM »
Painting her toenails?  LMAOPIMP!  You are so talented!

In truth, I suspect that if Ang had Barn on his knees, there would be another, far more intimate, task she would have for him.  

"Keep that tongue working, Barnabas!"

Love, Robin

552
Current Talk '02 II / Re: Barnabas' Choice
« on: August 16, 2002, 12:13:07 PM »
Barnabas and Maude. . .

I think he'd run away--far away.

And it certainly would have been far more interesting to have Eve in love with Barnabas.  I thought the Peter 'n' Eve subplot was horrendous.  I can't imagine an evil woman falling for a guy like that.  I can't imagine ANY woman falling for Peter/Jeff, but that's another story.  

Love, Robin

553
Current Talk '02 II / Re: EVE OF DESTRUCTION
« on: August 16, 2002, 12:07:06 PM »
In the aftermath of 9/11, that Barry McGuire song ran through my head almost constantly.  I loved it as a teenager and even have it on one of my home-burnt CD's for one of my walking songs--but I shiver whenever I hear it now.  

All I could think about was Osama bin Laden destroying our entire country.  

Did you know McGuire took most of those lyrics directly from newspaper headlines at the time?

Love, Robin

554
Current Talk '02 II / Re: Maybe I Just Need A Sedative...
« on: August 15, 2002, 11:12:30 PM »
When I watched DS the first time around, I had MANY erotic dreams about Barnabas--and no, I won't elaborate!  Some of them found their way into ROBINA, my DS novel, which is, I would say, X-rated!  So you know what direction my teenage fantasies took.  "Lay Lady Lay" wasn't amongst my favorite songs at 15 for nothing!  

Love, Robin

  ;D

555
Current Talk '02 II / Re: Forget the past; no one will notice.
« on: August 15, 2002, 11:09:58 PM »
Continuity was never DS' strong suit, but then again, they didn't expect viewers to be watching the episodes, over and over, tearing them apart with a fine tooth comb.  They showed Ang in a mirror to indicate fancy camerawork, and even though it went against vampire lore as we know it, it was still interesting (to some, and to others, annoying).

Wait until the 1796 flashback, when there are inconsistences GALORE!  I'm Robservising those eps as we speak, and it's driving me crazy (not that I need much help, mind you).

And when Adam leaves the show, it's because Robert Rodan asked for a raise, so Dan Curtis banished him into oblivion.  As far as Curtis was concerned, Adam NEVER did exist!

And the vision of Adam deliberately hurting himself just to cause his "daddy" pain is hilarious!

Love, Robin