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Complete This Phrase / Fill In The Blank(s) - 1970 Parallel Time / Re: Episode #1055
« on: May 26, 2016, 08:33:23 PM »
There's no doubt of that!!
Good one!!
Good one!!
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CUT TO:
67 INT - MASTER BEDROOM - 1800 - NIGHT 67
SUBCONSCIOUS MEMORY CUT
A gray-haired man, CHARLES COLLINS, stands at the
window, his back to CAMERA. He is dressed in
period costume. If we see him walking, he limps.
Suddenly, the door flies open as GABRIEL, Charles'
brother storms in.
CHARLES
Have I no privacy, brother?
GABRIEL
It's for the last time, Charles.
Charles turns to him and we see his face. He has
a strong resemblance to Quentin, except for the
gray hair and a long scar on his cheek.
CHARLES
Would that it were. I'm sick
of your weak face.
GABRIEL
You've been with her, haven't
you? In that damn tower. You
still see her.
CHARLES
What's wrong with you, brother?
Don't you remember? Your wife
is dead.
GABRIEL
She still comes to you -- I
know it.
(then with deadly calm)
All right, if you want her so
much, you will have her...
____________________________________________________________
67 CONTD CONTD 67
He starts toward CAMERA.
CUT TO: 101 INT - MASTER BEDROOM - NIGHT 101 Quentin and Tracy are in bed. They are asleep. The CAMERA MOVES IN ON HIS FACE FOR A TIGHT CLOSE-UP. He moans, tosses, turns. He is dreaming and the VOICES AND SOUNDS WILL ALL BE DISTORTED WITH ECHO. SOUND - DOOR FLIES OPEN. GABRIEL'S VOICE Charles! Wake up, Charles! GABRIEL'S VOICE You've been with her again, CHARLES' VOICE What's wrong with you, brother? Don't you remember, your wife's dead. 101 CONTD CONTD 101 GABRIEL'S VOICE She still comes to you! I know it! Charles starts to laugh. All right, if you want her so much -- you will have her! 101A DISSOLVE TO SLOW MOTION DREAM EFFECT. 101A CHARLES P.O.V. - HAND-HELD IN THE BED See Gabriel looming over him as two men appear in back of him. They come to CAMERA as Charles' hands appear in shot trying to fend them off (WIDE ANGLE DISTORTED SHOT TILTED) GABRIEL'S VOICE (distorted voice - echo) For eternity, brother.... For eternity CUT TO: 102 INT - CELLAR ROOM - NIGHT - NOT THE SAME LOOK AS 102 THE MEMORY CUTS - SLOW MOTION DREAM EFFECT. ALL BLACK - THE SOUND OF BIG IRON DOOR OPENING Gabriel is at the open iron door. Two men hold the struggling Charles. 102 CONTD CONTD 102 He nods to the two men. GABRIEL You will have her ... for eternity. They throw Charles onto the floor in front of what seems to be a coffin. He scrambles to his feet as Gabriel slams the door. Charles runs to it and begins POUNDING. CHARLES Let me out! Let me out! SOUNDS: BRICKS BEING LAYED AS THEY SEAL THE DOOR. TRUCK IN ON HIS FACE as we SLOWLY FADE TO BLACK. |
CUT TO: 101 INT - MASTER BEDROOM - NIGHT 101 Quentin and Tracy are in bed. They are asleep. The CAMERA MOVES IN ON HIS FACE FOR A TIGHT CLOSE-UP. He moans, tosses, turns. He is dreaming and the VOICES AND SOUNDS WILL ALL BE DISTORTED WITH ECHO. GABRIEL'S VOICE Grab him...grab him... CHARLES' VOICE No!...no! SOUND: HEAVY IRON DOOR BEING OPENED. DISSOLVE TO: 102 INT - CELLAR ROOM - NIGHT - NOT THE SAME LOOK AS 102 THE MEMORY CUTS - SLOW MOTION DREAM EFFECT. Gabriel is at the open iron door. Two men hold the struggling Charles. GABRIEL You want her... 102 CONTD CONTD 102 He nods to the two men. GABRIEL You will have her ... for eternity. They throw Charles onto the floor in front of what seems to be a coffin. He scrambles to his feet as Gabriel slams the door. Charles runs to it and begins POUNDING. CHARLES Let me out! Let me out! SOUNDS: BRICKS BEING LAYED AS THEY SEAL THE DOOR. TRUCK IN ON HIS FACE as we SLOWLY FADE TO BLACK. |