Would Daddy approve of her nightdress? I think not, at least not on Charity.
LOL. I'm dying for Trask to get The Kiss of Truth and start demanding that all the women dress scantily and heading down to the docks for some fun. In the meantime, I was surprised that Trask didn't veto the dress that Charity wore yesterday, which had a fairly low V-neck (says Lydia hesitantly, knowing that she has no idea if that neckline was a canonical V-line or not, but knowing that it looked like a V-shape to her). I kept forgetting to check to see if it showed cleavage, and it probably didn't - but surely it was low enough to merit Trask's disapproval.
I hope David Henesy's having fun playing a grownup. I was thinking today how weird it must be for Grayson Hall and Michael Stroka, acting with him as if he's a grownup, and then the director says, "Cut!" and he goes off to do his homework - or something.
Why does Charity seemingly go in and out of her "possession" while the others don't?
Yes, it is strange, isn't it? I considered the possibility that Edward, locked in the Tower Room, occasionally comes to his senses when nobody's there, but I think it is eventually made clear that he does not. Maybe the oscillation has something to do with Barnabas's victimization of Charity having brought her secret desires closer to the surface before she received the Kiss. Or maybe it's because Petofi views her as relatively harmless (especially since she's not a Collins) so it's not worth his time to maintain his hold on her. Or maybe Pansy Faye can't be bothered to stick around full time. Maybe she's got another gig going in some woman in Uttar Pradesh.
The set behind the closing credits was fun - the Old House drawing room with the Collins Family History lying on the circular sofa.