Doing a bit more digging through older '04 topics, thanks to a post from ProfStokes, I think I may have discovered an answer to this:
A portion of Scene 84 in the script:
He starts to look for something and, moving a trunk to a better position, discovers that it was concealing a built-in wall cupboard. Obviously, it hasn't been opened in years. Opening it, he sees a stack of canvases. He takes one out. It is a portrait of Angelique and is signed: "Charles Collins, 1800." Quentin is amazed. He takes out others. They are all of Angelique. Then he comes to an unfinished one.
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And my comments:
... And when he discovers the cupboard and opens it, he doesn't take out any paintings other than the unfinished one, which he carries over to his easel so as, as can be seen in the following capture -
- to get a better look (though given there's an obvious cut in the background music, it would definitely seem as if something was cut from the scene that took place between the time Quentin discovers the hidden paintings and the time he takes out the unfinished one) ...
And ProfStokes' post relates because here's a portion of her listing of the recovered footage that was shown:
..., Quentin discovering a sketch that Charles had made of Angelique, ...