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8:00PM Shudder | Elvira's 40th Anniversary, Very Scary, Very Special Special The horror hostess (Movie Macabre’s Cassandra Peterson) returns with fresh commentary on Elvira: Mistress of the Dark, House on Haunted Hill (1959), The City of the Dead and Messiah of Evil. |
Setting up the current sequence/scene - and we've reached the first instance where Grayson's and DC's scripts differ. But first up we'll deal with the way things play in DC's script, which, probably not surprisingly, is the way they mostly appear in the film:
Barnabas watches a black-frocked Josette kneel at Jeremiah's grave, cross herself, and place down flowers. How can he tell her about his engagement to her maid? He decides it might actually help matters if he does--perhaps telling her of his future plans will ease her remorse. Josette gazes up sadly at him and they exchange chastened greetings. He asks if she's offended that he's there, and she says he has as much right to be there as she does. He tells her not to blame herself-he killed him. She should have come to Barnabas before they ran away, she says. Barnabas assures her that she's young and has many pleasant things to look forward to--even after this. They gaze at each other like lovers for a moment, and Barnabas continues, saying they have to start living again, to heal themselves. How, she asks, and he starts to tell her about Angelique. Seeming to sense he's going to suggest that they get back together; she tells him not to say anything he'll regret.[/spoiler]