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3:00AM Prime Video | The Peripheral Series premiere: Westworld creators Jonathan Nolan and Lisa Joy adapt the bestselling novel by sci-fi pioneer William Gibson; Chloë Grace Moretz (Kick Ass) stars. |
Wrapping up Scene 67A, beginning with Friday's quote -Scene 67A - Laura: 'How...how incredible you are...the two of you...what you do...in this house...'
- coming up, followed by Saturday's first quote -Page 28/Scene 67A - Charles: 'In front of the family.'
- coming up, followed by Saturday's second quote -Page 28/Scene 67A - Angelique: (laughing) 'Who knows who sees us...think of the servants...'
- coming up, followed by Sunday's quote -Page 28/Scene 67A - Laura: 'You are a witch! Charles, can't you see? Are you so mesmerized that you don't even know what's happening to you?'
- coming up, followed by today's quote -Page 28/Scene 67A - Angelique: 'Oh, he knows what's happening, Laura my darling, and for the first time in his life he's really enjoying it.'
- coming up.
End of scene.
And as far as what's different with the dialogue, the descriptions, and the directions, we have no way of knowing at this point because this scene also doesn't appear in the film as it stands - though it surely has to be one of the highlights of the 129 minute version. However, in DC's script it looks like he added a notation that before Charles throws back in Laura's face that he and Angelique do things in front of the family, Charles would cross to the front of the piano - but then it also looks like DC may have changed his mind about that because it almost looks like he started to erase the notation. Or maybe he just had a dull pencil.
And as I mentioned the other day, I'm going to hold off getting into how things are very different in Grayson's script until after we deal with Scene 68 in DC's script...
A great scene. Ange's line to Laura is really quite a put-down.
Besides illuminating why Quentin's Theme pops up in the film, it definitely explains why Laura finds it so hysterically funny when Strack describes Angelique as Laura's "loyal and loving sister-in-law, and it gives Laura the motivation to want to see Angelique condemned as a witch, which, as the film stands, we simply accept on face value.
"You decided to come with me, eh?" he asks. Yes, she says, pulling away from him. You don't sound very enthused, he complains. Beth turns to look at him, then asks, why do you want me to go with you? That's obvious, he says, for a long time--"I love you, Beth." I've been thinking about us since the other night, she says, and if we are going away, you must be honest--you don't want me along because you love me, because I'm not sure you love me--or anyone (wise gal). Quentin doesn't answer, but turns away from her when he denies what she said. You want me with you, says Beth, because you're the kind of person who can't ever be alone or do anything alone--people mean nothing to you, you use them and when you're tired and bored, you discard them in favor of new ones. If that's the way you feel, he asks gently, why have you decided to come with me? I love you, she says, and care about what happens to you--every instinct tells me not to go, but I'm going anyway. He takes her in his arms and assures her, you won't regret it, then plants a big kiss on her.[/spoiler]