And wrapping up the script:
253 INT - MASTER BEDROOM - DAY 253
as Tracy ENTERS, she looks around the room -- it is empty. She is getting a little worried as she crosses back to the gallery.
254 THE GALLERY - TRACY'S P.O.V. 254
Near the window there is a large armchair with its back to CAMERA. HOLD ON THIS for a moment as we suddenly see a hand appear on the arm of the chair.
INT - GALLERY - DAY
TRACY - CLOSE UP
There is a very confused look on her face as she tentatively calls out.
TRACY Quentin?
THE ARMCHAIR - TRACY'S P.O.V.
as suddenly the figure in the chair rises to face her. It is Quentin, but his hair is now completely gray and on his cheek is the long ugly scar. The transition is now complete.
TRACY - QUENTIN'S P.O.V.
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And that's when today's quote -
Page 114/Scene 254 - Tracy: 'Oh, no...oh, God, no!'
is scripted to come up, followed in the script by:
As she backs toward the entrance of the Master Bed- room, WIDEN to reveal the hauntingly beautiful Angelique, who now stands in the doorway, evilly smiling at her triumph.
254 CONTD CONTD 254
QUENTIN - CLOSE-UP - TRACY'S P.O.V.
as he limps menacingly TOWARD CAMERA his face fills the frame -- FREEZE.
FADE OUT
THE END
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And as far as what might be different in all that, we'll get into it all next time...