15436
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Drawing room - I have no intention of continuing this discussion, Liz tells Burke, and I wish you'd remember that you're not welcome at Collinwood. She rises from the sofa. Burke rises from his chair. I know, he says. Please leave, she says. I didn't come up here to ask you any questions or tell you what to do, he says. Then why are you here? she asks. I came to tell you something that I know, he says. I'm not sure I'm interested, she says. He's only trying to help, says Vicki gently. I don't need any help, and I must say, I'm rather annoyed with you. Sorry, says Vicki. It's bad enough you consider it necessary to discuss what happens at Collinwood with outsiders, but to go to Burke! says Liz. She didn't come to see me because of that, at all, says Burke, she didn't want to tell me anything about what's going on at Collinwood, I had to drag it out of her--and for your information, she tried to stop me from coming here. Well, says Liz, if you won't follow her advice, then perhaps you'll follow mine--I suggest you leave. Not until I say what I've come here to say, Burke insists. Then say it quickly, says Liz. There is a very dangerous man living in this house, he tells her. Really? she asks. Yes, he says, I've seen this guy in operation, if Vicki hadn't been there, I hate to think what would have happened. Is that what you came to tell me? asks Liz--that you and Willie almost had a fight?--really, Burke! It wouldn't have been an ordinary fight, because he's not an ordinary man, says Burke--he's dangerous! Thank you for your information, she says curtly--and now may I say goodbye? She goes to the fireplace, dismissing him. Liz, says Burke, if you're in trouble... The only kind of trouble I have is with people like you, she says angrily, who interfere in things that don't concern them! I want to help, he says, I know that's hard for you to believe, but I do. Why would you want to help me? she asks--you've always hated me, you know that. I don't hate you, he says--the Collins family and what it stands for--that's what I hate--please, Liz, you need help--what kind, I don't know, but I want to give it if I can. (I always knew he liked and respected her.) I repeat, I do not need any help, just peace and quiet, she says. I give up, says Burke, exchanging glances with Vicki, but you can't say I didn't try. I'll get your coat, volunteers Vicki, and leaves the room. Burke starts to walk away. Liz thanks him for his offer--you meant it, didn't you? she asks. Yes, he says,. I'm sincerely grateful, she tells him. You mean that, too, don't you? he asks. Yes, she says.s grasp--"It's not possible." "Why?" he demands, still kissing her. You're hurting me! She screams--let me go![/spoiler]
Adam practices what Nicholas told him-"Take what I want! Grab it! You are a man, men fall in love, Nicholas says so," he tells his reflection. "Take what you want! YES! YES! Carolyn! Carolyn, Carolyn, Carolyn!" (uh oh, this isn't good!) He unlocks his door and creeps out. Carolyn follows him back to his room, clearly angry. What is this about? she demands, what are you doing out of your room? Belligerent, he orders her not to speak to him that way. Anyone could have seen you, she reminds him. I shouldn't have to hide, he tells her--"I am a man!" Carolyn says she isn't arguing that, but there are reasons for him being there. She tells him she knows it can't be pleasant. When you come, it is, he says, calming down. I can't spend all my time here, she tells him, knowing he doesn't understand--my mother is ill. You're pretty, he tells her. I'm upset, she explains--I won't be able to keep you here any longer. He again tells her how pretty she is. I heard that, says Carolyn--but there are more important things to discuss. Adam disagrees. What's wrong? She asks, what happened?--are you bored and tired? I'm tired of being alone, he replies. She offers books, a radio--but someone might hear it. She offers to call Stokes to come see him. Adam refuses--Stokes teaches me to be polite, complains Adam, and no one gets what they want being polite! I don't have time for this, says Carolyn--Vicki is waiting to go into town with me. Adam locks the door. "Stay here," he orders--"Listen to me!" She orders him to unlock the door, but he refuses. You agreed to be locked in here, and understood the conditions by which you could stay here, she reminds him sharply--do you want to leave? No, he says. I'll call Stokes and tell him we must make other arrangements, insists Carolyn. I want to stay here, protests Adam, caressing her face. "I love you," he says. "No," she says. She flings his hands off her and backs away. I love you--and you must love me! He cries. You don't know what you're saying, she says--you don't understand about love. He grabs her into his arms. She orders him to let her go. He presses kisses on her hair, her face, telling her, "You do not love me--you will." "Adam, please," she begs, struggling in his grasp--"It's not possible." "Why?" he demands, still kissing her. You're hurting me! She screams--let me go![/spoiler]
Here's what SG #71 from February of 1995 had to say:
Pretty much the same as what was said in SG #70. And considering that by this point it had been more than a year and a half with no movement whatsoever, I'm actually quite surprised that SG still brought up the proposed film(s) at all. Though perhaps SG was still holding onto hope. But if so, will that hope last into SG #72? I suppose we'll see...
Great shot of Vicki today. And I loved the one of Liz yesterday. I have no memory of either of these shows.