2521
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The following is a list of scenes that are still lost and which are not present in the 129 min version recovered in 1999.
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INT.LOWER TOWER STAIRS-DAY. Carlotta descends the stairs.
Julia, says Flora, I should be looking for Morgan; perhaps I could talk to him. We must check on Melanie, says Julia--if she's all right, the curse will be over. I only hope she is, says Flora fervently. They enter the tower room and look down on Melanie's placidly sleeping face.
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63 INT - TOWER STAIRS 63
as Carlotta descends TOWARD CAMERA, she is happy.
End of scene/sequence.
...
And when it comes to the differences in the descriptions and directions ... - and Scene 63 doesn't appear in the film as it currently stands or, sadly enough, even in the recovered 129 minute version.
And as for the notations in Grayson's script ... - and when it comes to Scene 63, there's a notation that once again Carlotta has the vase of flowers (recall Grayson wanted Carlotta to be carrying the vase in the original version of Scene 60) - and with regard to Carlotta's happiness, there's a notation that Carlotta is feeling that she knew Quentin would come around and all is going according to plan.
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PS Nancy Kulp, a/k/a “Miss Jane,” I’m in love!
... I want to remind everyone of something I said back in March:And before we leave this section of the film, observant people might notice in a few of the captures that there might be something in the tower studio that plays a part in the daytime show's 1995 and Summer of 1970 storylines. I'm not sure if it's exactly the same prop (and I'm too lazy to check). But it looks an awful lot like it, and soon the forum's Watching Project will be getting to 1995, so soon enough we'll see if it's the same...
And now that the WP is in the middle of 1995, those same observant people might have noticed that the prop in NoDS that I was referring to is indeed the same prop used in the 1995 and Summer of 1970 storylines. Can anyone pick it out from this capture of Scene 85's panning from Angelique's unfinished portrait to the extremely amorous Charles and Angelique -
- and mention how it's used on the daytime show?
Holy Hell, MB. And to think that THING nearly killed Dr. Julia Hoffman! All is explained that now that we know that it was residing in Charles Collins' studio. Clearly, the thing had had a spell put on it by that relentlessly vicious Witch, Angelique!
EEEE-vil...
G.
Yes, the bust that appears on the table in Charles studio in 1810 and also in several of the captures from Scene 62, like these two -
- was also the bust that fell from the railing of the landing and almost killed Julia in 1995's Ep #1063 -
- as well as the bust Elizabeth put on display in the Summer of 1970's Ep #1089 -
Burke started with nothing and built it up to a fortune, but he's not content--he wants more, because when you start with nothing, you'll always want more--I wish I could handle his bank account. I'm afraid you haven't a chance, says Carolyn--Burke seems to travel with his own banker--I met him today at lunch--a Mr. Blair. Blair? Asks John. Yes, from New York, says Carolyn. Are you sure? asks the banker, getting off the couch and standing in front of her. Sure about what? she asks. This man, says John, this banker from New York, his name is James Blair?Yes, says Carolyn, James Blair. I must talk to your mother about this, says John. Wait a minute, says Carolyn, my mother's already bawled me out. This has nothing to do with your lunch date, honey, he says--I have to talk to her about James Blair. Oh, do you know him? asks Carolyn. Yes, I had no idea he was working with Burke Devlin, says John. Carolyn looks as disturbed as the banker.