9046
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At the Old House, Carolyn tells Barn she can't stay long, and he's annoyed--she promised to help him. Now he needs her. . .it never worked with Vicki, he says, and he doesn't know why. Maybe he does know--the picture told him. There's a spell working on him, using Vicki to fight him. Carolyn is confused. Barnabas can't explain, he knows she's anxious to go on her date. She assures him she'll do anything for him--she came here, didn't she? Yes, says Barnabas, pleased, grateful. They must do something for Vicki immediately--the witch must be burned, says Barn. What witch? asks Carolyn, and he tells her the woman in the picture is the witch. She giggles, and he isn't happy. A picture can't fight you, chuckles Carolyn--a witch can't be bought in an antique shop. He'll deal with that himself, tonight, he says.[/spoiler]
A quick internet search didn't come up with any connection between Charles Moore and Flip. But he was a highly respected photojournalist, who took some iconic photos of Martin Luther King and others in the early days of the Civil Rights Movement. It appears that he moved in the same circles as Ben Martin. Perhaps that led to the NODS job.
Quentin suggests they imagined Angelique. I didn't imagine being helpless and speechless, says Evan. If she sees something, says Quentin--how did she know about my women? "Perhaps just by looking at you," says Evan sarcastically--or perhaps she knows more about all of them than she's telling. Yet we know nothing about her, says Quentin. Evan suggests they fight Barnabas without her--send her back to the dark hell she came from!--we must try, before things get worse. Quentin says there's no way to send her back, and they know it, not for them, not against her--whatever reason she's come here, wherever she is right now, our Angelique, our ally, our beautiful black-hearted child of the angels, is planning to stay. Angelique's laughter fills the cottage and both men stand, staring around them, scared as hell.[/spoiler]