And moving on to the next five scenes as scripted:
166 INT - MASTER BEDROOM - DAY 166
as Tracy ENTERS, she crosses to the window and looks down at Quentin's car still parked in the drive. Below, Quentin ENTERS THE SHOT. The SOUND OF THE MOTOR STARTING can be heard.
167 Suddenly Carlotta appears and crosses to the 167 driver's side of the car, where she begins to tell
167 CONTD CONTD 167
him something. After a moment, Quentin nods his head, looks angrily up at the bedroom window as Tracy shrinks back against the wall. TRUCK IN ON HER and HOLD until the SOUND OF QUENTIN'S CAR can be heard driving off.
168 INT - MASTER BEDROOM - NIGHT 168
Tracy lies on her side in bed, her back to the CAMERA, as she stares out the window at the light in the Tower Room. Finally, unable to stand it any longer, she turns TOWARD CAMERA and pulls the blanket up around her neck. her eyes are filled with tears. HOLD FOR A MOMENT as the light in the Tower Room goes out.
169 INT - TOWER ROOM STAIRS - NIGHT 169
The Tower door opens as Quentin ENTERS THE SHOT, closing and locking it behind him. Pocketing the keys, he comes TOWARD THE CAMERA and EXITS THE SHOT.
170 INT - MASTER BEDROOM - NIGHT 170
Tracy still lies huddled, her eyes wide, staring into the CAMERA. In the B.G. OF THE SHOT, the door quietly opens as Quentin ENTERS and stands silhouetted in the rectangle of light. Tracy, now aware that he is there, is afraid to move a muscle for fear of letting him know she is awake. The tension mounts as Quentin stands just staring at the bed for what seems an eternity. Then very slowly he crosses to her side of the bed and stares down at her. Finally, she can stand it no longer and raises her eyes to his. The tears stream down her face as he kneels down and very gently touches her hair.
|
And that's when the first part of Monday's quote -
Page 77/Scene 170 - Quentin: 'I know you went to the tower ...'
- comes up, followed by the script continuing with:
She begins to sob softly.
|
And that's when the second part of Monday's quote -
Page 77/Scene 170 - Quentin: 'It's all right, Trace...It's all right.'
- comes up, followed in the script by:
He takes her in his arms.
|
And that's when the third part of Monday's quote -
Page 77/Scene 170 - Quentin: 'Now, come on. Stop crying. It doesn't matter.'
- comes up.
And when it comes to what's different with the dialogue, rather than the first part of the quote, Quentin actually says "Now, it's all right", after which, rather than the second part of the quote, he actually says "I know you went to the tower room. It doesn't matter", and, rather than the third part of the quote, he actually says "Aw, don't cry. You're gonna flood the place" - and then he adds an unscripted "Come here."
And when it comes to what's different with the descriptions and directions, for Scene 166 we don't actually see Tracy enter the Master Bedroom and cross to the window to look down at Quentin's car, nor do we see Quentin enter the shot because the scene begins with Quentin already in his car and starting the motor -
- and as Carlotta speaks to Quentin, we don't see him nod his head, but he does look up at the bedroom window, as does Carlotta -
- and it isn't until after that has occurred that we see Tracy in the Master Bedroom at the window and -
- her pull away (and unless someone actually recognizes the blue curtains as the ones in the Master Bedroom, they wouldn't even realize which window Tracy is looking from) - but after the camera does indeed truck in closer on Tracy, we don't actually hear Quentin's car driving off because what actually happens is that the shot of Tracy dissolves into Scene 168 - however, the scene doesn't quite begin as scripted, with Tracy lying on her side in bed with her back to the camera as she stares out the window at the light in the Tower Room, but rather it begins with the camera panning across the Master Bedroom until it comes upon Tracy -
- sitting on the edge of the bed with her back to the camera - and it isn't until after we see Tracy rub -
- her forehead and then look up -
- at the Tower Room -
- (and what an extremely talented person she is to be able to see the Tower Room from an angle that's impossible to see from any window in the Master Bedroom
), that Tracy actually lies down on the bed -
- but facing the camera, not with her back to it, and she doesn't pull the blanket up around her neck, and we don't see the light in the Tower Room go out - but believe it or not, Scene 169 actually plays exactly as scripted - and Scene 170 also pretty much begins as scripted (though we don't see Quentin open the door - he's just suddenly standing in the doorway) until the point after Quentin gets in bed with Tracy and before he tells her not to cry because he doesn't take her in his arms because what he actually does is wipe the tears -
- from her face and her eyes, and then after he says the unscripted "Come here" is when -
- Quentin takes Tracy in his arms.