16
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
Sam begins to describe his dream to Vicki, but Stokes barges in and orders Vicki to leave the room at once. (He must be the Dream Police.) Sam protests, but Stokes insists. He physically escorts Vicki out of the room, over Maggie's protests, and tells her to wait outside.
Continuing Scene 190, beginning with yesterday's quote -Page 89/Scene 190 - Alex: 'Are you going to try and tell me that you don't know what you did tonight?'
- coming up, followed in the script by:
Quentin starts down the stairs toward him.
And that's when today's quote -Page 89/Scene 190 - Quentin: 'I didn't do a damn thing. I've been painting all evening. Now, for the last time, what are you so hysterical about?'
- comes up.
And as far as any differences in the dialogue go, Alex actually says "Are you gonna try and tell me you don't know what you did tonight?" - and Quentin's actual reply is "I didn't do a damn thing. I've been painting all night. Now, what are you so upset about?", with the "for the last time" part dropped, "evening" changed to "night", and "hysterical" changed to "upset".
And as far as any any differences in the descriptions and directions go, ever since Alex tells Quentin that he didn't succeed, Quentin has actually been seen coming down the stairs -
- while also buttoning his shirt - and I absolutely love the look of fascination and, dare we say, excitement on Carlotta's face as Alex asks Quentin if he's going to try -
- to say that he doesn't know what he did - and when it comes to Quentin's claim that he was "painting" all night, would the fact that he's buttoning his shirt betray the possibility that he might have been doing more than simply painting?
One of the few times when someone should have just barged in but Alex knocks!
I forgot to mention that Alex actually rings the doorbell several times when no one responds to his hammering on the door. But all of that is only after he finds the door locked. Though you're right, in the state he's in, it's surprising that he didn't just break the door down!!
Though you're right, in the state he's in, it's surprising that he didn't just break the door down!!
Ha!! But I figure the Lyndhurst staff wouldn't have been too keen on having the film crew break the door! (I remember when I first toured the house in 1990, the tour guide pointed out the broken floor tile in front of the foyer where Mrs. Johnson dropped the silver tray in the previous movie.)
(I remember when I first toured the house in 1990, the tour guide pointed out the broken floor tile in front of the foyer where Mrs. Johnson dropped the silver tray in the previous movie.)
I don't think I've ever heard that the tile floor was broken while shooting that hoDS scene. I bet the Lyndhurst staff were furious. Though DC got permission to use the house again for NoDS. I guess the National Trust for Historic Preservation figured the money MGM would pay to use it again was more than worth it.
Has it been repaired?
Has it been repaired?
I really don't know. I never thought to look at it the other two times I was there. But as I recall, it wasn't serious damage. Anybody just casually looking around wouldn't even notice it. Just a cracked or chipped tile or two, I believe.
Julia and Leticia look at the head in the box. I only saw the mask in a dream, says Leticia--it took shape right there in the case. In your dream, you were told I must have the mask for the operation? asks Julia. Yes, replies Leticia, but how are we ever going to find it?--I don't know where to begin to look for it. This must be the secret place where they buried the body, says Julia, and the mask was buried with it--the mask has enormous powers. That doesn't tell us where it is now, says Leticia. I know, says Julia--Desmond came here and took it away. Excited, Leticia asks, how do you knows that? Because Desmond told Barnabas, says Julia. Then the mask is at Rose Cottage, says Leticia. Yes, and you must go there and bring it back to me, insists Julia--tonight. Tonight, why? asks Leticia. There's going to be an electrical storm tonight, later, says Julia, we must use the lightning to transmit the life force to him. I don't understand, says Leticia. Go to Rose Cottage and bring back that mask, orders Julia. Leticia leaves. Julia tends to the headless body.