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Caption This! - Vicki's Arrival-Burke's Revenge-Matthew Morgan-Introducing Josette / Re: Episode #0061
« on: February 15, 2024, 11:16:49 PM »
Love It!!
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Continuing Scene 115 with yesterday's quote, Quentin's reason for not using the tower -Page 54/Scene 115 - Quentin: 'This room seems better to me. Would you mind moving down my easel and paints tonight?'
- coming up, followed by today's quote -Page 54/Scene 115 - Carlotta: 'If you're sure, I'll start now.'
- coming up.
And when it comes to differences in the dialogue, what Quentin actually says is "This room seems better to me. Would you mind having my easel and paints moved down tonight?" - and what Carlotta actually replies is "If you're sure, I'll start right now" - and again there's a note in Grayson's script that Carlotta is aiming that at Tracy more so than Quentin - and while that can be detected during Carlotta's delivery, immediately afterward at the outset of the long shot -
- Carlotta's expression and direct gaze really brings it home. It's a wonder that Tracy doesn't burst into flames from the fire Carlotta's eyes aim at her.
And when it comes to any differences in the directions and descriptions, there aren't any in this section of the scene.
Another fab Carlotta capture today!
Anyone paying attention AT ALL should have realized that that tightly pursed pout means ALL HELL is gonna break loose!
Yes, the patented Grayson Hall pout!
Anytime one of her characters sports that pout, it's best for everyone to run for the hills as fast as they can!!
I remember Grayson made very effective use of The Pout in a memorable scene in 1897. Angelique is berating Julia, telling her that she's wasting her time with Barnabas because he is a COLD, UNRESPONSIVE man.
Julia offers her The Pout, The Freeze, and DEMANDS to know, with an icily arched eyebrow: "WHO made him that way?"
It's one of the few times I've ever seen Angelique look taken aback...
Aristede, contrite, enters the studio. Do you want me to get rid of him? asks Tate. No, Charles, says Petofi, I think I know why Aristede has come--bring your work into the next room, and bring it back to me when it's finished. Charles does as ordered. "So, Aristede, you've come back to face me." says Petofi, grinning. To beg forgiveness, says Aristede. Close the door, dear boy, says Petofi, and come in. Aristede complies. You must understand, pleads Aristede, it was a natural mistake, I had no way of knowing what happened. Aristede, poor, conscience-stricken Aristede, croons Petofi--you must not indulge in this orgy of recrimination, I do understand what happened. Aristede is grateful. One must admire Quentin's courage and ingenuity, says Petofi--of course you believed his story, why shouldn't you? Aristede, relieved, kneels beside Petofi and asks, are you going to be all right? Of course, Petofi assures him, quite all right--and I'm anxious to forgive you.
Burke