9706
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I haven't forgotten about this:Before we move on the today's Scene 86, I want to go back to how I teased there may be a quiz about Scene 85 that the stills I shared may help with. I'm somewhat ashamed to admit that there are continuity errors in Scene 85 that I never noticed until I watched it this time around. Yet another example of no matter how many times one watches something, there can still be things to notice for the first time. (Though again, I use the excuse that most times I watch something, much of my attention is focused on faces and not other things.) And so much for the remark I made:Quite obviously whoever they hired to handle continuity for the film was much better than anyone who might have worked on the daytime show!They were better but, obviously, not perfect because they really screwed up when it came to Scene 85!
So, has anyone else noticed the continuity errors? The screw up is a really big problem when it comes to a subsequent scene...Once you learn what the problem is, you're going to feel foolish that you didn't notice what's wrong with Scene 85. I certainly do. And it would be one thing if it was simply something in Scene 85 and had no bearing on anything else, but as I said, it's a really big problem when it comes to a subsequent scene...
And the last of the stills to preview Scene 85, two more Angelique publicity stills that were taken in the tower room:
...
Have you been told about her and that young man? asks Daniel nervously. Yes, I have, says Quentin. What are you going to do about it? asks Daniel. The decision was left entirely to Samantha, says Quentin. What? asks Daniel. She is going to have to choose between Gerard and me, says Quentin. Have you taken leave of your senses? demands Daniel...that woman is married to you, you must do as you tell her! (chauvinist) Quentin begs him to calm down, and Flora reminds him this is supposed to be a happy moment. He hasn't changed a bit, says Daniel, gesturing to Quentin, I haven't been in his presence five minutes, and already he's made me furious! He turns away. Quentin chuckles and goes to him, turning him around, saying it's just like old times, despite all of your fury, you're still secretly glad to see me. Grumpily, Daniel says he supposes he is, but Quentin is still thoroughly impossible.[/spoiler]
We see Angelique's portrait and hear Hoffman talking. At first, it appears she's speaking to the portrait, but then we realize Hoffman is on the phone, Mike R. Phone above her head, telling Angelique, all I know is that Maggie is back at Collinwood--I don't know how he got to her, but Yaeger is dead. Yes, I was as shocked as you--yes, Barnabas must have killed him--that's what troubles me--there's no telling how much he knows--yes, I will--you must come back ASAP--I have uncovered something--concerning Barnabas--it may be what we want--yes, I'll tell you as soon as you arrive, hurry, please. We pan in on Angelique's portrait again.[/spoiler]
Setting up the new scene (and once again the version in Grayson's script is different from the one in DC's (for one, in Grayson's version the scene takes place in Collinwood's library) - but we're going to wait until all of DC's version has been presented before we go back to Grayson's version):
Bruno raises the shade and tells Chris, you can look at the moon and enjoy its beauty, but you, tonight, how desperate you must feel, knowing tomorrow it will be even more beautiful, more full!--are you going to help me, yes or no? I'll never help you, vows Chris. Bruno shows him the knife up close and asks, do you love Sabrina, and if you do, you'd better change your mind--I'll let the two of them be together a while, and perhaps you will realize how much she means to you.[/spoiler]