Dealing with the new scene:
26. INT FIRST FLOOR CORRIDOR NIGHT
Daphne and Liz.
DAPHNE I'm ready to leave. Unless you want me to help look for David.
LIZ It's not necessary. I'm sure everything will be allright.
DAPHNE I hope so, Mrs. Stoddard. Oh= I left the first of the month checks for you to sign. I may be late in the morning.
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And that's when today's first quote -
Page 11A/Scene 26 - Liz: 'Let me send you home in the car'
- comes up, followed by today's second quote -
Page 11A/Scene 26 - Daphne: 'I drove this morning. Thanks, anyway. Goodnight, Mrs. Stoddard'
- coming up, followed in the script by:
End of scene, which also happens to be a rewrite, as we'll soon see...
And as far as the dialogue goes, the first thing Daphne actually says "I'm ready to go" - and the first part of Liz' actual reply is "Oh, that won't be necessary" - and when it comes to the first part of Daphne's reply, she simply says "I hope so", dropping the "Mrs. Stoddard", and she actually ends that bit with "I may be late tomorrow" - and when it comes to today's first quote, Liz actually asks "Would you like me to send you home in a car?" - and to that Daphne actually responds "Thank you, I drove" before she starts to leave but hesitates and then actually turns back to ask an unscripted -
"Are you sure there's nothing I can do?" - to which Liz replies with an unscripted -
"Nothing. Thank you, Daphne." - and it isn't until then that Daphne wishes Liz goodnight and Liz does the same to her. And yes, all the irregular spacing for the dialogue and the missing periods and even that equal sign are exactly how things appear in the script.
And there aren't any directions or descriptions in the rewrite, so obviously there's nothing to get into there. However, though the scene does indeed start off with Liz coming down the last few stairs into in the first floor corridor -
- soon she enters the office where Daphne -
- sits at the desk - and after Daphne tells Liz that she drove, as seen in today's second capture -
- she leaves the office and we get a close-up of Liz -
- watching after her.