4696
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
Carter: "Yes,, Commissioner Gordon. The Condiment King is headed to Collinsport? We'll trap him in his own mustard!"
"Why did you have to come here?" demands Barnabas of a hysterical Millicent, clutching her tightly. No! she cries, and sees the coffin. She thinks he's going to kill her, that the coffin is hers. She pulls away from him, screaming for Nathan. He grips her again, warning her that she must not tell anyone she saw him there, but she is too far gone to be rational--I must tell! She wails--you must let go of me, Nathan will kill you when he hears of this! He asks her to promise not to tell anyone, but she says she can't, pulling out of his grasp again.She sees his face, his fangs, as he says, harshly, "Then, my dear Millicent, you give me no choice!"--and he bites into her throat (and gets a good mouthful of blonde curls) as she screams uncontrollably.[/spoiler]
Moving on to the next three scenes:
150 INT - TOWER ROOM - NIGHT 150
Quentin stands leaning with his back against the
door. PAN WITH HIM as he crosses to Charles' un-
finished painting which is now on his easel. It is
obvious that he has progressed the painting himself
in the original style. He picks up his brush, does
something, then looks O.S.; he smiles. SLOWLY PAN
in the direction of his gaze to reveal the strangely
opalescent Angelique, who lies on the cot, holding
out her arms to him.
QUENTIN - MEDIUM ANGLE
PAN WITH HIM as he crosses to her.
And that's when today's quote -Page 71/Scene 150 - Quentin: 'How could I have ever thought you were a dream?'
- comes up...
...