1321
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Give him a Toni home permanent.
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He said the Revival Series had wall to wall music-- 30 - 40 minutes of it, but he never had more than 3 days to write a score. Chris Ledesma was the music editor for the '91 series (and is credited on the soundtrack [the first Festival mention of it?!]); his job consisted of taking notes, followed by a spotting session the next day; ...
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Yaeger enters a room--this has to be another building on the Collins estate, he muses, the only one that could have a cellar this size is Loomis house.He spots Barnabas' chained coffin and runs his hands over it. Well, well, he wonders, what dark secret is Will Loomis keeping from the rest of the world? I must find out, decides Yaeger--it just might come in handy someday. Using nothing more than his hands, he begins to remove the chains from the coffin!
And continuing with Scene 110, after Alex asks Tracy what's new and she tells him she's a little worried about something sort of funny that happened the previous night, Alex responds with an unscripted "Come on, tell me about it," which is acknowledged by both the subtitles -
- and the closed captioning -
- and Tracy begins an unscripted explanation with "Well, I don't know exactly. I woke up late and I looked for Quentin. He wasn't there. So I, I went to the tower room..." -
- which the subtitles basically gets correct with just a missing word or two here and there, which is the same case as with the closed captioning -
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(ADMIN: Edited to replace TV video screen captures)
Here are two behind the scenes stills that I believe are related to the shooting of Scene 109. And I say that because there are several stories about how everyone had to wear hard hats while the scene was shot. Well, everyone except for Kate Jackson and, more significantly, John Karlen because they had to be inside the Greenhouse during the scene. Karlen's part of the scene made him especially vulnerable because he had to be inside for an extended period of time and inside while glass came crashing down from the roof. But apparently he was a real trooper. In fact the was a real trooper throughout the whole sequence because not only did he enter a dangerous glass building to shoot a scene, but as has been mentioned before, he rode a bicycle when he'd never done so before.
But be all that as it were, here are the two stills -
- they were among the stills I rediscovered not that long ago, and so far as I know, I don't believe they've ever been officially published...
I forgot to mention yesterday that another reason I believe the stills are from NoDS is that I'm pretty sure that's NoDS' Director of Photography Richard Shore in the cherry picker with DC.
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