The opener picks up where we'd left off-- with Julia listening to Quentin's music from the same spot in the foyer after Amy has fled the house. She starts to ascend the staircase, and next, she's outside the tower room; did she search the entire house, or was she following the lit candles as Roland suggested? (Or maybe they were lit by the same phenomenon that ignites the candles in the sealed secret room of the mausoleum?) Julia is led into the room when its door swings open, but then it slams shut behind her and Beth tells her, "You must go away"; now there's a double message for you.
Since the major circumstances of Beth's death hadn't been changed at this point, she should have been wearing her white dress. I think her ghost gets yet another dress the next time we see her, but by that point her history has been decidedly changed, so that time it will make more sense that she lost the fancy dress.
IINM, ghostly Beth never mentions the name Angelique. It's most noticeable when Ghost Beth tells Julia, "I saw the
other woman when she returned to the house. I saw the look of shock on her face..." It's only in flashback that [Alive] Beth speaks Angelique's name. I wonder if the writers are establishing that Angelique indeed wasn't the other woman in the original unchanged past. (I'm with Lydia, btw, in thinking it was Rachel who originally came between Quentin and Beth. Quentin's ghost did have a thing for her, and had Barnabas remained in his coffin, she may have fallen for Quentin's charms, not to mention stayed alive.)
I get that Quentin is under a great deal of pressure, but ignoring and shouting at Beth and refusing to let her in on what's troubling him-- it's as if we're seeing the old (pre-cursed) Quentin again. I do buy Jamison's extreme reaction to Beth's anguish, even if she was just a servant. He already lost Rachel, Judith, and his own mother, and thanks to Quentin nearly lost the only motherly figure he has left in the house.
We've heard Quentin speak before, btw, but only in Jamison's dream. Beth, too, spoke only in Amy's dream. But I believe this is the first time we hear both ghosts speak outside of a dream.
Angelique's expression after she informed Beth of her impending nuptials tells us she merely saw it as a a dirty job that somebody had to do. But her line, "You'll get over it in time, my dear; everyone does" made me want to slap her even more because as we all know, Angelique herself never
got over it.
And, seriously, a bottle with a label reading, in big bold letters, "Poison"?! Sheesh.
I'm sure I wore the same shade of pale pink circa 1969 that Terry Crawford had on her nails, but nail polish in 1897, really?!
The 1897 bulbs are still there in the foyer.
I'm pretty sure the crew has forgotten about those foyer lights. You'll see what I mean once 1897 is over.
Quentin crazily goes to the tower. Why not go for help?
Because he was trying to get away from a crazed woman who was chasing him with a gun and shouting that she will get him?
To me, the blood in the drawing room looked like cutouts set on top of the floor. (Does anyone remember Colorforms?
)