And speaking of sequences reworked during production, we come back to the differences between the beginning of Scene 133 in the script vs. the film:
One thing that actually is the same as the script is that Scene 133 starts off with Todd coming into view outside the Collins mausoleum -
- and then he does indeed make his way to the mausoleum and to shine his flashlight's beam on it -
- (and my, what a big flashlight you have there, Todd
) but he only makes the briefest of hesitations before he moves right to the mausoleum, so there's no bowing of his head and no perception that he says a silent prayer for Carolyn - and from this point on things dramatically diverge from the script because Todd walks up to the mausoleum to -
- open the gate and to go inside. After that it's like we're now in Scene 133A. We see the light from Todd's flashlight as it shines on the wall leading down to the inside of the mausoleum -
- and soon Todd himself comes into view as -
- he comes down the stairs - from there he turns and begins to enter -
- the vault where he proceeds to walk over toward Carolyn nameplate on the wall and -
- to shine his flashlight on it - then he tenderly reaches out to touch it -
- and to caress it - but then he has the inkling that he is not alone and after turning we see -
- a look of shock on his face because standing in a doorway is Carolyn -
- and it's at that point that he utters yesterday's quote -
- in complete disbelief.