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You may wonder, if I said I've never come across a still from Scene 150, then why did I make a graphic for that scene -
- using this still:
Well, that's because Scene 150 says Angelique "lies on the cot," which indeed she is doing in the still, so even if it's not specifically associated with Scene 150, it comes damn close. And she may not be "holding out her arms" to Quentin, but as we've seen numerous times already, even when it comes to stills definitely known to be associated with specific scenes, they often depict characters in ways other than how the script describes them. Plus, I love that still.
And as a bonus, here's a very rarely seen alternate shot:
...
150 INT - TOWER ROOM - NIGHT 150
Quentin stands leaning with his back against the
door. PAN WITH HIM as he crosses to Charles' un-
finished painting which is now on his easel. It is
obvious that he has progressed the painting himself
in the original style. He picks up his brush, does
something, then looks O.S.; he smiles. SLOWLY PAN
in the direction of his gaze to reveal the strangely
opalescent Angelique, who lies on the cot, holding
out her arms to him.
QUENTIN - MEDIUM ANGLE
PAN WITH HIM as he crosses to her.
And that's when today's quote -Page 71/Scene 150 - Quentin: 'How could I have ever thought you were a dream?'
- comes up, ...
...
And so far as differences with the dialogue, the descriptions, and the directions go, (this) scene (isn't) in the film as it currently stands, so there's no way of telling what might be different. ... Scene 150 is not on the (unrecovered) list, so there's a chance that it may be in the 129 minute version.
And speaking of Scene 150, in Grayson's script there's quite the interesting note that reads: "Intercut Q in sexual ecstasy caressing A. Allow stroking kissing" Sounds like it could be quite the scene, reminiscent of what was cut out of Scene 85 (the tower makeout scene) in the 94 minute version.
Gerard caresses the mask--Leticia where did you get it? he asks. I found it, simpers Leticia. You're lying! he accuses, this must be worth a fortune--this gold and all these jewels. Jewels? she laughs, no they're pieces of colored glass!--it wouldn't fetch a farthing, it's just a plaything. Don't take me for a fool, he says, growing angry
...
It's interesting how the light on Quentin'e face appears blue on the VHS/Laser yet white on the Blu-ray/DVD...
...
And when it comes to what's different with the dialogue, in a bit of unscripted dialogue Quentin once again orders "I said get out" - ...
...
Alexis draws back from the kiss, murmuring, "Quentin, please." He apologizes--I didn't know what came over me. Yes you did, she says, rising from the piano bench, and so do I--you thought I was Angelique, just like everyone else--it's been that way my entire life, as if I didn't even exist, she sobs, staring at the portrait--"But I did think that YOU, at least..."No, he says, it can't be. Why shouldn't you be like everyone else? she asks-- Julia Hoffman and Amy--they both think I'm some kind of ghost, and the way Bruno acted this afternoon... Bruno? asks Quentin. Yes, he was here, mostly out of curiosity, I'm sure, says Alexis. Bruno was here in this room? asks Quentin. He heard me playing a song of his, explains Alexis, and came in with all kinds of excuses, but what he really wanted to do was see if I was real! He won't come in here again, I promise you that, says Quentin. It really doesn't matter, says Alexis, I won't be here, I'm leaving--I really believed that you, of all people, believed who and what I was, but now... But I do, protests Quentin, I do--you're Alexis, and what I did just a moment ago was very stupid and meaningless--please forgive me and tell me you'll stay. I really shouldn't, she says, there's been nothing but trouble ever since I've arrived, I even caused your wife to leave you. It wasn't your fault Maggie left, he says. I wish I could believe that, but I still feel I shouldn't be here, says Alexis--maybe if I leave, Maggie will come back. I got a telegram from Maggie earlier today, says Quentin--she wants to think things through before deciding anything. With me gone, it would be easier for her to decide, says Alexis. Quentin looks odd. I'll miss not meeting Daniel, she says--I've looked forward to it so much, I can't tell you. She picks up the photo of Daniel and Quentin, gazing wistfully at it. You must stay, he insists, you have to--it would mean so much to Daniel-- please. Not nearly as much as it would mean to me, says Alexis--he's such a handsome boy. Then it's settled, says Quentin, you'll stay