49576
Caption This! - 1970 Parallel Time / Re: Episode #1032
« on: January 31, 2017, 06:15:37 PM »
Good one!!
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
27 EXT. WOODS - NIGHT 27 Daphne walks through the woods. There is the SOUND OF DISTANT THUNDER. There is a flash of lightning. Daphne stops, looks at the sky, begins walking a little faster. As she does she hears the SOUND OF SOMETHING - OR SOMEONE - IN THE BUSHES at her side. She stops, turns, looks. DAPHNE'S POV - THE BUSHES The branches move as if someone has passed by. But then again, it could have simply been the wind. 28 DAPHNE 28 CAMERA TRUCKING IN FRONT OF HER. She starts to walk quickly. Not running. She hears the SOUND OF A DOG HOWLING. THE SOUND IS SO MOURNFUL that she stops. Then she hears the sound OF A TWIG SNAPPING behind her. The bushes RUSTLE. She suddenly is afraid. She runs TOWARD CAMERA. 29 EXT. ROAD LEADING TO MAIN GATE - COLLINWOOD - 29 NIGHT SHOOTING THROUGH GATES LONG LENS. Daphne running down the lane to the gates, opens them. She passes through them, closes them carefully. 30 EXT. COUNTRY ROAD - OUTSIDE MAIN GATES - 30 NIGHT Daphne approaches a bench by the side of the road. Ob- viously this is the bus stop. She looks up the dark road for signs of the bus. She checks her watch ner- vously. There is THUNDER, LIGHTNING. 31 SERIES OF FAST CUTS 31 Daphne looks up the road, hoping desperately to see lights. She hears the SOUND OF THE GATES CREAKING. She turns to them. One of them is now open. Daphne starts to walk toward Collinsport. She walks very fast. The CAMERA TRUCKS ALONG SIDE of her. We see her in profile as she strides along the road. CAMERA STOPS TRUCKING with her as she EXITS SHOT. - it ZOOMS into the bushes to a PAIR OF FEET - MALE - IN BOOTS. The feet do not move. Daphne's feet as they walk along the roadside. 31 CONTD CONTD 31 The boots, starting slowly to walk. They step on a twig. BREAK it. Daphne hears the sound. The boots walking. Daphne, a SOB ESCAPTING HER LIPS. She starts to run. The boots quickening their pace. The SOUND OF THE HOWLING DOG is CLOSER. CAMERA is in front of Daphne. She hears the NOISE OF RUNNING in the bushes, looks over her shoulder. 32 REVERSE - ZOOM TO CLOSE UP DAPHNE 32 as she sees someone or something. She stops, frozen with fear. A HAND with a RING on it, a large unforget- table ring, worn on the first finger, grabs her by the throat. She is SCREAMING, struggling. A SECOND HAND joins the first. The hands are strangling her. The SCREAMING stops. 33 EXT. CEMETERY - GATES 33 LONG LENS THROUGH THE GATES, UP THE ROAD, HEADLIGHTS beam into CAMERA. 34 EXT. CAR - NIGHT - HOOD MOUNT SHOT 34 JEFF CLARK, handsome, young, drives his convertible, listening to the ROCK and ROLL BLARING FROM THE RADIO. His face suddenly registers alarm. 35 INSERT SHOT 35 His foot hitting the brake. 36 JEFF'S POV THROUGH WINDSHIELD 36 A woman staggers across the road. |
Is it safe to assume that HODS Barnabas bypassed munching on the local livestock and headed directly for the jugular of the ingenue?
08:00PM Freeform | Shadowhunters Clary takes desperate actions following an attack on the Institute. |
09:00PM Fox | Lucifer Winter finale: When Lucifer travels to Hell in search of the antidote to the professor’s poison, he makes a discovery about his parents. |
Re: (Formerly) CAMPY FUN WITH DARK SHADOWS: HEIRESS OF COLLINWOOD, (Now) Re: And Now The Return of Another New Slideshow (Sort of), Part 2 [**Now featuring alternate version)
Maybe I'm jumping the gun on this a little but I was wondering if the ending in the book was ever part of the HODS script or if it was something that Marilyn/Dan Ross came up with.
27 EXT: COLLINWOOD ENTRANCE - NIGHT 27 WIDE ANGLE Daphne exits the house and starts walking along the drive. There is the SOUND OF DISTANT THUNDER. 27 CONTD CONTD 27 DAPHNE - CLOSE UP CAMERA TRUCKS IN FRONT OF HER as she walks along drive. There is more thunder. She stops, looks up at the sky and starts walking again. This time a little faster. She hears the DISTANT SOUND OF A DOG HOWLING. She quickens her pace. 28 EXT: COLLINWOOD DRIVE - NIGHT 28 WIDE ANGLE to the stable LONG LENS THROUGH THE Daphne in the distance walking rapidly towards camera. She wants to reach the lighted main road that runs parallel to the grounds. 29 EXT: WOODS - NIGHT 29 Daphne can be seen through the trees walking rapidly along the drive. CAMERA TRUCKS keeping pace with her. It is as if someone is moving with her and watching her through the darkness from the trees. DAPHNE - MEDIUM ANGLE CAMERA TRUCKS IN FRONT OF DAPHNE as she suddenly stops. She senses something in the woods and AS she turns to camera right looking into the woods, CAMERA TRUCKS BACK ARCING TO ITS LEFT FRAMING HER IN THE FOREGROUND SILHOUETTED against the woods. There is the SOUND OF THE HOWLING DOG. This time CLOSER. Sensing danger she suddenly starts walking very fast exiting the shot. CAMERA HOLDS ON WOODS for a beat and then CUT TO: 30 DAPHNE'S FEET 30 CAMERA TRUCKING ALONG SIDE THEM. Suddenly the camera stops. The feet exit the shot and we truck in to the bushes at the side of the road until a pair of MEN'S BOOTS fill the FRAME. The boots begin to walk through the underbrush. DAPHNE'S FEET - TRUCKING SHOT as she walks faster and faster, CAMERA SLOWLY ALLOWS her to get in front of it, PANNING up her back and as she looks around she is framed in CLOSE UP. Hearing the SOUND OF THE FOOTSTEPS in the underbrush, she starts running as fast as she can. STABLE 31 EXT: COLLINWOOD LONG LENS THROUGH THE speed toward camera. CAMERA STARTS SLOW ZOOM until it holds her in as tight a closeup as it can. Picture is suddenly blacked out by something stepping between the camera and Daphne. In actuality it is the back of her PURSUER. SHE SCREAMS. CUT TO: 31A CLOSE UP OF DAPHNE'S HEAD AND SHOULDERS 31A A MAN'S HAND with a large black ring on the forefinger has her by the throat. She is SCREAMING in terror. CUT TO: DRIVE 32 EXT: LONG LENS up the road as headlights of an approaching car enters the shot. 33 INT: MOVING CAR - NIGHT 33 JEFF CLARK, a handsome young man, is behind the wheel. STABLE 34 (THROUGH THE WINDSHIELD) The headlights illuminate the gate approaches 35 EXT: CAR - HOOD MOUNT SHOT 35 as Jeff's face suddenly registers alarm. 36 INSERT SHOT 36 His foot hitting the brake. |